https://wherethetimegoes.bandcamp.com/album/princ-ss

Irish supergroup Princ€ss arrives to wherethetimegoes to release their self titled debut album.

Releases March 11, 2024

Music by Princ€ss
Mastered by The Bastard

Artwork & design by NECK

Published by wherethetimegoes. Catalog No. WTTG011.

Princ€ss

Buy the album

Princ€ss - Hoist Point (Princ€ss Album Preview)

The newest release from 29 Speedway, UltraBody, is a compilation record featuring the music of Jake Muir, Pent & Dylan Kerr, Nexcyia & mu tate, James K, Flora Yin-Wong, Ex Wiish & Dorothy Carlos, Kamran Sadeghi, Tati au Miel, James Hoff, Eric Frye, qwqwqwqwa & sop.io, Muein, & Maxwell Sterling. The record is emblematic of the artists who have performed at 29 Speedway shows in New York and Europe during the past two years, and is the third in a series released by the label.

The record investigates how the self, spirituality, and language are intertwined with the intervention of subjectivity by new technologies. With increasingly sophisticated tech, and the supposed ability to remake the world and ourselves, what differentiates our individual discretion from the will imposed upon us by software? Quoting Walter Chaw, “Decades of rampant, unregulated and ill-considered technological leaps have begun to evolve, to mutate, humans at a biological level”. This haphazard acceleration towards a techno-utopic transformation of humanity has faulted, and as William Gibson put it, is leading us to live in a “half assed singularity”. In this reality, artistic processes are influenced by excessive access to computational tools and assistance, but not utterly controlled.

This in-between state of dominion is explored on UltraBody. “Incoherences” samples the utterances of Dylan Kerr’s voice processed between Pent’s percolated glazes, muddying the gulf between vaporous ambient and reflexive sound design. The voice on James Hoff’s “A... ...Cha.... A... I feel l” was created by trying to get voice cloning technology to sing a gps data stream, the music an extrapolation from an earworm he got stuck in his head while shopping in Kyoto. On “Plogue Chain”, Eric Frye’s most speculative sci-fi observations spiral into a glazed pool of digital cacophony, while Kamran Sadeghi’s “Formula Fiction” is an experiment in (un)controlled generativity. Incorporating minimal pings from a 3D simulation scene based on gravitational interaction, cello bits evolve on “Assimilation”, a collaboration between Ex Wiish & Dorothy Carlos.

On UltraBody, sound has no separate existence from space.

James K - Sketch 4

@specialguest-dj @benbondy @ullastraus

bloom:forever is a tale of interwoven love stories, each bleeding in to each other, understanding each other, regenerating the loveless, infinite understanding. holding us in its core (ringing eternally) basking in the glow of us looking for it ⚘

⤷ 100% of proceeds for the first 3 months go to @3ezwa.de

https://charmlink.bandcamp.com/album/bloom-forever (its bandcamp friday)

bed - sun baby

The 51st release of katharsis is the album Afterlife by Danish artist Johan Carøe. The album takes shape through a collection of synth vignettes and spectral landscapes, where fragmented strings and ephemeral pads merge into weightless, hyper-lush forms. Created in a period of both new life and impending loss, Afterlife lingers in the space between presence and absence—a fragile transmission of shifting states, quiet relief, and fleeting sonic imprints. It stands as an isolated relic of a time that no longer exists—a collection of echoes, projecting the paradoxical nature of life and death.

Created in solitude on headphones and a MIDI keyboard in a transitional period in life, the album embodies a raw and intimate catharsis—the word in its truest sense. Without the usual studio space, these pieces emerged through line-in synths, VST textures, and fragments of old recordings—saxophone, cello, violin—stitched together like distant memories resurfacing. The absence of microphones and monitors lends the music an eerily virtual quality—a small life in a small box, a stretched-out portrait of a passing moment. It is introspective yet expansive, a meditation on the transient nature of memory, sound, and being.

releases March 31, 2025

mastering by jjjacob
artwork by jjjacob

Afterlife

Early Song

premiere: Johan Carøe - Early Song

Jeremy Shaw, There In Spirit, Konrad Black - Phase Shifting Index (PAN 146)
Label: PAN
Cat.No.: PAN 146
Release Date: 28 March 2025
Purchase: pan.lnk.to/PSI

Phase Shifting Index is a time capsule record of Jeremy Shaw’s vast original artwork that includes audio excerpts, voiceover passages and music composed by There in Spirit and Konrad Black. Shaw’s seven-channel video, sound and light installation–that premiered at Centre Pompidou in 2020–uses science fiction, documentary, visual effects and synchronisation to induce an ecstatic experience in narrative temporality. Each video details the belief systems of one of seven fictional subcultural groups spread across time that aspire to induce parallel realities that could redirect the evolution of the human species through embodied forms of ritual, ideology and movement. 

"Cross-Temporal Sync" written and produced by There In Spirit. All other titles written and produced by Konrad Black.
Mixed by Konrad Black at Blackprint Studios.
Mastered by Rashad Becker at Clunk, Berlin
Design by Information Office, Vancouver.

Phase Shifting Index premiered at Centre Pompidou, Paris, in 2020 and has since been exhibited in nine international venues including ARoS, Denmark, MONA, Tasmania, MAC, Montreal and Hamburger Bahnhof, Berlin

Jeremy Shaw, There In Spirit, Konrad Black - Zero-Ones

PAN