Relive your favorite tracks from 2019, all in one playlist.

Replay 2019

endless dream: part two

DMTEEEE

Tatsuki Hamasaki - Future Pavilion(Tatsuki Hamasaki Rework)

Taken from his first solo album: Memories In Time / Preco Record
This is Bonus Track of "Memories In Time"
Original song is "Future Pavilion" from his band miaou's 2nd album "Make These Things Alright" 

track: Future Pavilion(Tatsuki Hamasaki Rework)
artist: Tatsuki Hamasaki
album: Memories In Time
label: Preco Records 2014

www.preco-records.com/
www.miaoumusic.com/

Future Pavilion (Tatsuki Hamasaki Rework)

OFFICIAL VIDEO OUT NOW - https://www.youtube.com/watch?v=fAo89iOVuv4

Grape Vine Property

Free Download

Odezenne - Matin

Home Away From Home (Andy Stott Refix)

Arthur Russell - Home Away From Home (Andy Stott Refix)

MIKA VAINIO + RYOJI IKEDA + ALVA NOTO - LIVE 2002 [N-043]

In September 2002 Mika Vainio, Ryoji Ikeda and Alva Noto (Carsten Nicolai) were invited by the Baltic Centre For Contemporary Art for a residency. As a result of this project three live performances followed this research period.

All the tracks on this record were recorded live on September 23, 2002 at the Baltic Centre For Contemporary Art in Newcastle, UK.

All sounds by Mika Vainio, Ryoji Ikeda, Carsten Nicolai.

LIVE 20O2

MOVEMENT 4

MIKA VAINIO + RYOJI IKEDA + ALVA NOTO - MOVEMENT 4

We’ve been anticipating Marcel Fengler’s next date with us this coming Saturday for some time now. The IMF founder will be presenting the sound of his label in Room Two alongside FJAAK and Thomas Hessler, while Jeff Mills makes a return alongside Craig Richards and JP Enfant in Room One.

It’s a timely date for Fengler, as he also prepares for the release of his IMF10 compilation. Split across three parts, the forthcoming release features remixes and new material from a range of highly-respected producers, aimed at “detailing the past, present and future” of the imprint.

Part 1 of the compilation focusses on the deeper side of Fengler’s artistic vision, opening with experimental artist Alva Noto reworking the modern classic Sphinx. Ahead of the weekend, Fengler sent the track over to us to share as a premiere. 

Marcel Fengler brings IMF to Room Two this Saturday: fabricldn.co/s530r6

Tickets for 31/03

Premiere: Sphinx (Alva Noto Remodel) - Marcel Fengler [IMF]

uon + Exael - Piano

DC Promo Tracks #298: "Circular" by Glenneth is part of the release on Maquette Records @maquette-recs  @glenneth

Buy Now: https://glenneth.bandcamp.com/album/circular 

Subscribe to our weekly email: http://dreamchimney.com/subscribe

DC Promo Tracks #298: Glenneth "Circular"

follow Wiskers:
@wiskersmusic
facebook.com/wiskersmusic
instagram.com/wiskersmusic

merry christmas to all of our fellow owls around the world <3 today we bring you a special piano piece from NOC owner Wiskers. a snowy walk through the park with a lover, as the birds above sing their beautiful songs. something to keep your soul warm. a nighttime lullaby.

wishing all of you a blessed day with your loved ones <3 another special release is coming on new years eve, don't go too far :)

➔ ♬ stream/download

Wiskers - Love Birds

Super

Julien Dechery's Sebastian Gandera special for NTS Radio. 34 piano pieces from the composer's bottomless catalogue - half taken from his late-era cassette albums "La Revanche De La Nuit", "9 Histoires Sans Parole Pour 10 Doigts Sans Sourire", "La Bakélite" + "Les Impudiques", while the rest remain unreleased + only audible here

Tracklist

Untitled
Untitled
Le Cortège Des Fous
La 7ème Nuit
Untitled
Nue Sur Le Balcon
Untitled
Un Moment D'Égarement
Untitled
L'Oubli
Untitled
Untitled
Untitled
La Houle Suggère (Instrumental)
Untitled
Promenade Contrariée
Untitled
Untitled
Untitled
Fonds De Tiroirs
La Vie Du Trottoir
Les Hédonistes
Untitled
Untitled
Untitled
La Femme Fardée
L'Ivresse D'Un Soir
Le Thème Du Paranoïaque
La Fuite Éperdue
Celui Qui Boîte
Untitled
Les Amants Anonymes
Des Nuits Insensées
Certaines Vieillissent A 20 Ans

Sebastian Gandera: Fonds De Tiroirs (Mixed by Julien Dechery)

Persona

Choses nouvelles

Glissé redressé

Tujiko Noriko - Kuro (OST)
Format: LP / CD / Digital
Label: PAN (ENTOPIA)
Cat.No. PAN 89
Release Date: 26 April 2019 
Pre-order album: bit.ly/2TNq3yB / bit.ly/2F3mN9Q

Written and directed by Joji Koyama and Tujiko Noriko, Kuro tells the tale of Romi, a Japanese woman living in the suburbs of Paris with her paraplegic lover Milou. Tending to Milou by day and working in a karaoke bar by night, Romi reminisces about a time she and Milou once lived together in Japan with a mysterious ailing man named Mr. Ono. Weaving together personal history, anecdotes and myths, her stories soon turn ominous.

When we first decided to ‘split’ the film into what might be described as two parallel layers — the narrated story and the visual story — we found that it opened up an ‘in-between’ space, a space where what is heard and seen continually wrestle with one another. We envisaged that the true setting of the film would emerge from this friction, as something imagined and projected by the audience. After a few screenings we were struck by how some audience members would refer to scenes or events in the film that, for us, did not take place… We both thought of the music of Kuro as a score to this space in-between.

-Joji Koyama

Composed and recorded during the editing of the film in Berlin, the Kuro OST by Tujiko Noriko (with contributions from Joji Koyama, Sam Britton and Will Worsely), is a crucial and integral part of the film, acting not only as a glue to bind the layers of the film together, but along with the sonic palette of the film’s sound design, evokes it’s claustrophobic atmospheres and moments of haunting beauty.

I tried to think of the pieces in abstract terms, like moods and atmospheres. In a way, the process was quite similar to how I usually make music, in the sense that I have images in my head. Of course in this case there were actual images and a lot of them very close to me, but I didn't want to get overly conscious about them either—I didn't want to get stuck by trying to be too specific.

-Tujiko Noriko

The music, which in the film is largely heard in tandem to the narrating voice of Tujiko Noriko (who also stars as Romi), is presented and arranged here as a separate piece in its own right.

Written and produced by Tujiko Noriko. Mixed by Sam Britton and Will Worsley at Coda to Coda, London.
The album is mastered by Rashad Becker at D&M, Berlin featuring photography by Joji Koyama and layout by Bill Kouligas and Johannes Schnatmann.

ENTOPIA is the latest offshoot series from PAN seeking to amplify and redefine our ideas of what a soundtrack can be. The series will survey critical works across the spectrum from musical composers on PAN and beyond, commissioned for the worlds of film, art, performance, installation works, theatre, dance and fashion.

@tujikonoriko
http://p-a-n.org

Kuro (OST)

Tujiko Noriko, Sam Britton, Will Worsley - Mr. Ono Dances (PAN 89)

odezenne - bleu fuschia

1. 
[they say:]

savior come down savior come down savior come down savior come down savior come down 

2. 
[they hum…]

3.

En las cenizas 
Vamos a armar 
No saber nada 
Es mejor

Ya no cabe nada 
Pero estamos juntos 
Sin noticias 
Del otro mundo 

Y cada día
Nuestro mundo
Se achica 
O se derrumba 

Y lo único que 
Me han dicho sobre el tema
Es que es el sentido común de una flecha

Y lo único que 
Me han dicho 
Es que es el sentido común de una flecha 

Y porque no responde
El sentido común 
No puedo utilizar su lenguaje 

Su lenguaje 

(TRANSLATION)= =

In the ashes,
we will form
knowing nothing now is better

there’s no space for anything
but we are together
without news of another world

and everyday,
our world, 
shrinks
or crumbles.

and the only thing they have said about any of this: 
is that it’s ‘the common sense of an arrow’. 

the only thing they have said about any of this: 
is that it’s ‘the common sense of an arrow’. 

but why doesn’t common sense respond?
I can no longer use its language. 

4. [instrumental]

5. [instrumental]

6. mud

come in, 
don’t leave.

grown man:
can’t see.

figures out 
he can’t be
sunken with the crown

old man
i can’t see
you’re in the way
i can’t see me,

we must confess:

illusions number time

…

a drunk man’s on the lead
skies and all bleed
and no one can hear
the cry from the ground

it’s something to dig

there’s something in the mud
there’s something in the mud
there’s something in the mud

7. [instrumental]

8. sunder

Vapor’s forming,

And now I see right behind my eyes.

If the old you could tell me 
if the old you could tell me:

a win is a win 
but a loss is the death of a twin and we borrow

And we borrow.

Forming vapors,

behind my eyes,

And now I see right behind my eyes.


In the words of a prophet 
Sunder,
In the shape of the first and last
Sunder,
In the springs of the church of sin
Sunder,
In the blood of the hands that last,
Sunder,


Does a lock seek erosion?
Does a loss seek revenge of sin?

Right behind my eye,


We borrowed from the page of saint maurice
Named the mountain an egyptian saint
Drank the water from the church of springs
Does a loss seek revenge of sin?

Right behind my eye,

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
Do we need your dominion?

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
do we need to be still? 

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
Do we need your dominion? 

9. hello, chain

won't you change, nature?
along me?
carry on your chain,
hell of chain.

we will now wait,
patience is our virtue,
NOW JUST WAIT.

10. [instrumental]

11. [instrumental]

12. 

[I hum]

13. 

carried by a force until a certain peak
there, all you could see,
is swayed by the wind
like the locks in your hair
coloring your eyes
that look nowhere

like a faith made of silk

look around not ahead

a peak is just the way towards 
a descent

look around not ahead

(you have nowhere to look)

look around not ahead

a peak is just the way towards 
a descent

the forces on the hill
manifested by what you perceive as wind

look around not ahead.

Nicolás Jaar - Cenizas

Alva Noto + Ryuichi Sakamoto - Noon (Vrioon)

“Je Vois / Non-Dit” consists of live recordings from two different Montréal concerts in 2019, reflecting several years of non-linear work and serving as a testament to collaboration. The music combines Joni Void + N NAO performing “Je Vois” at the Mise En Abyme album launch at Casa del Popolo on October 5th 2019 and “La Plus Belle Chose + Non-Dit” performed at Église St-Édouard on June 16th 2019 during the Suoni Per Il Popolo festival (with special guest Eddie Wagner on flute).

Sonya Stefan’s visuals consist of rehearsal recordings shot at the microcinéma La Lumière Collective for our 2019 MUTEK multi-media performance. The video combines our respective visual techniques and practices, consisting mostly of a 16mm projector light shining through water, glass, and color gels that is captured and replayed on a video-line. This creates a literal 'mise-en-abyme' through feedback.


-- 
Our story begins in 2016, when I witnessed N NAO (Naomie de Lorimier) recite a poem through effect pedals during an erotica-themed art event at Montréal loft venue La Plante. Despite it technically not being a "musical" set, it resonated with me deeply on that level and got me instantly curious about her own music and performances. I would shortly discover these had the same lasting effect – whether the sets were solo, duo or with a band, in a church, a packed house show or a barely attended venue. Longing for that same mesmerizing experience, I began booking her regularly for my own events and suggesting her for friends’ lineups.

At the end of 2017, conceptualizing what would become Mise En Abyme, I figured it was the right time to muster the courage to ask Naomie if she would be interested in contributing a vocal-based piece for the album. We completed an extensive vocal recording session during my last night in an empty apartment, with a section that evolved into the collaborative track “Non-Dit” that appears on Mise En Abyme.
During an Everyday Ago event in September 2018, I ended up with an a cappella soundboard recording of Naomie's set from one of my Everyday Ago events – which I used as a starting point, cutting four distinct loops of her “Je Vois” lyrics and running them through a series of effects. The resulting 'micro-remix' would serve as the opening music for almost all my solo performances over the next two years. We came full circle during the two live performances featured in this single, when we had the chance to perform “Je Vois” and “Non-Dit” together.
In March 2020, we performed another collaborative set at Rocket Science Room at the final Everyday Ago show, only a week before lockdown was implemented. My only other performance since then was another collaborative show with N NAO at an outdoor event in September.

Throughout the summer of 2020 we held sessions at La Lumière and in my home studio that resulted in four albums’ worth of collaborative material, as well as the development of N NAO’s 12” La Plus Belle Chose. This 12” will be released on Everyday Ago. Our first duo album Nature Morte, inspired by the style and sound of “Non-Dit”, came out earlier this fall on the French label Laaps Records.

Download

Je Vois / Non-Dit (+ N NAO)

Label based in Berlin, est. 2008. http://www.p-a-n.org