Taken from Notte Infinita (notteinfinita) new EP I lost My Data, out September 7, 2021, via INDEX:Records (@indexrecords)

Read: https://bit.ly/3ys7pMW
Pre-order: https://bit.ly/3gvkyi3

Like trudging through viscous air, I Lost All My Data is a blissed-out barrage of sub-bass that nods to a long-lasting passion for sound system culture.

Uploading turbo-charged wubs with molten glass melodies, the debut EP of Giovanni Bonelli (aka Notte Infinita) is a welcomed update for UK style broken-techno conventions. Booting-up with its title track, the record quadrisects the fabric of digital music, each cut a sonic reprogramming of its predecessor. ‘Slippery Tuff’ references off-kilter club, while on the flip, ‘Ecstatic Dub (Roller Mix)’ climaxes in an ultra-sensory faux-organic whorl. Unplugging the whole thang, ‘Oxygen’ manipulates post-dubstep textures, into a data-roused jungle tunnel.

Deciphering glitched-out signal processing and harmonic warps, I Lost All My Data is the software upgrade that every system needs – do not choose Later; Install Now.

Sleeve design by Amos Turner, using samples from Hannah Davis-Gray @ Dangerous Goods Jewellery in Tāmaki Makaurau, Aotearoa

Mastered & cut by Beau Thomas @ Ten Eight Seven

Released by INDEX:Records

Premiere: Notte Infinita – I Lost All My Data [INDEX:Records]

Batu - Solace

Chartreuse 8

Birmingham Screwdriver

Stream / Download: https://hypeddit.com/i7dxj0

Bamboo

Stream / Download

Only The Good Times

Only The Good Times (Burial Remix)

The Universe

Slowbabe

Radioactive Man

Goodnight Morton

Objekt — Cocoon Crush
Format: 2xLP / CD / Digital
Cat.No. PAN 97
Release Date: 9 November 2018 
Pre-order album: bit.ly/2xhO0kR / bit.ly/2OvxYuv

PAN welcomes back Objekt for Cocoon Crush, his first LP since 2014’s Flatland. Over the past four years Objekt has continued to challenge conventions with his club output (the Objekt #4 single release and the Kern Vol. 3 mix CD for Tresor), while maintaining his reputation as a DJ who deploys impeccable technical finesse in crafting elaborate narratives from a diverse and challenging palette of electronic music.

Written between 2014 and 2018 in Berlin and on the road, Cocoon Crush once again sees the producer jettisoning the functional requirements of the dancefloor. Marking a further evolution from the youthful exuberance of Flatland, Cocoon Crush explores a more introspective side, with themes of human interaction resonating throughout the record as it ruminates on a spectrum of complex moods rooted in 4 years of sometimes turbulent personal experience.

Cocoon Crush represents an aesthetic departure from Flatland’s largely synthetic tonality, drawing from organic source material and natural textures to illustrate perplexing and unfamiliar sceneries in photorealistic detail. In Cocoon Crush, Objekt diverges further still from his musical influences to craft the purest manifestation of his own musical personality to date: an intriguing and enigmatic album whose reference points are hard to pin down, in which ghostly synth passages weave through mind-bending, weighty drums, and ASMR-triggering foley collages scrape and sparkle. Through meticulous sculpting, Objekt traces a rich and impressionistic journey through claustrophobia, hope, guilt, anxiety and joy, nested in layers of sonic detail which reward with every listen.

The album is mastered by Rashad Becker, featuring photography by Kasia Zacharko, and layout by Bill Kouligas.

@keinobjekt
http://p-a-n.org

Cocoon Crush

Objekt - Lost and Found (Found Mix)(PAN 97)

Listen to all tracks from ‘Utility’ in full at https://sambarker.bandcamp.com/album/utility

On his debut solo LP ‘Utility’, Barker [@voltek] turns his focus toward melding experimentation and dancefloor pragmatism with the psychology behind the musical decision making process.

‘Utility’ is a playful but non-ironic musical approach to a whole spectrum of utilitarian and transhumanist ideas: from models for quantifying pleasure and “gradients of bliss” to abolishing suffering for sentient beings (not just people) through the ethical use of drugs and nanotechnology. Over nine tracks, Barker’s vision ebbs and flows through waves of deeply psychedelic musical vignettes; free-floating and futuristic melodies and rhythms as targeted brain stimulation.

Listen now in full

Barker | Paradise Engineering

Label based in Berlin, est. 2008. http://www.p-a-n.org