Written and Produced by Brian Leeds
Featuring SIR E.U
"Plonk IX" Mixed by Chris Wang
Mastered by Anne Taegert
Design by Jonathan Castro Alejos - www.jonathancastro.pe

"Plonk IV" is taken from Huerco S.' Plonk LP
PREORDER: Vinyl 2x12"/CD/Digital:
huercosplonk.bandcamp.com/album/plonk
Out February 25th, 2022
INC-015

Huerco S.
@huercos
huercosplonk.bandcamp.com/album/plonk

Sir E.U 
@hippodramidan

Incienso
www.inciensorecs.bandcamp.com
www.instagram.com/inciensorecs
www.incienso.nyc

Huerco S. -  Plonk IX (Feat. SIR E.U)[INC-015]

My Noise Is Nothing

Dopplereffekt / Objekt
Hypnagogia
Leisure System
LSR012

Bleep: smarturl.it/gyig0h
Boomkat: smarturl.it/ir2yzh
Phonica: smarturl.it/htrblz

Available as double-sided 12″ vinyl and high quality download in all popular physical and digital stores September 1st, 2014

A1. Dopplereffekt - Delta Wave
B1. Objekt - Ganzfeld

Borne of mutual inspiration, legendary duo Dopplereffekt and sonic adventurer Objekt present Hypnagogia, a split 12" on Leisure System, with each transmission derived from a shared journey into extrasensory perception and subconscious thought.


Objekt - Ganzfeld

https://maloca.bandcamp.com/album/siiix-vol-1

Lying somewhere between a collaborative EP and a compilation, Brussels-based label Maloca Records presents SIIIX, Vol.1, a body of work showcasing a dialogue between veteran Netherlands-based HIIIT (fka percussion ensemble Slagwerk Den Haag) and 6 producers operating across a diverse spectrum of electronic music. Shimmering between footwork, IDM, UK bass and ambient, this project is united by a shared acoustic palette.

Born in 2021, HIIIT was directed by group member and respected multi-instrumentalist/composer Frank Wienk (Binkbeats) to record a sample bank from their vast collection of instruments and unique percussive sources, comprising everything from plastic fuel cans to the largest tam-tam in Europe. A select group of producers were then commissioned to compose sketches from this sample bank.

Chosen by HIIIT are label newcomers Azu Tiwaline, upsammy, Julian Sartorius, Krampfhaft and Valentina Magaletti, as well as Belgian drummer and producer Hi Hats In Trees, who returns to Maloca after releasing his album ‘Artefacts’ on the label last year. Each producer was hand-picked for their percussion-focused music approach and in many cases, their background as drummers.

After creating their sketches, the works were sent back to HIIIT, who recorded more unique layers of percussion on top of these initial pieces. These were then returned to the commissioned producers, with the brief being to utilise the newly recorded material in any way; but to ultimately create fully-realised pieces of music with it.

The final result led to 6 wildly different sonic outcomes. From the high-energy workouts of upsammy’s ‘Embrytone’, Azu Tiwaline’s ‘Brain Rattled’ and Hi Hats In Trees’s ‘CAIRO’, to Julian Satorius’s warped rhythms in ‘Klutsel-Klötzli’, or the cinematic ambient spaces conjured by Kramphaft’s ‘Anticline’ and Valentina Magaletti’s ‘A Drink with the Queen of Wands’, Maloca x HIIIT is a collection of music which rattles and pulses across the electronic music continuum. What unites this record is the acoustic colour and sense of life which would have been next to impossible to achieve without the bespoke sonics from HIIIT.

As a whole, the record can be considered as an organic dialogue; be it between composers and producers from a conceptual standpoint, or between acoustic sound sources and the resultant electronic manipulation when listening to the material.

Artwork by Quentin Lacombe

SIIIX, Vol.1

Valentina Magaletti - A Drink with the Queen of Wands

Light A Candle

anno-002

Loidis - In The Place I Sit

Objekt — Cocoon Crush
Format: 2xLP / CD / Digital
Cat.No. PAN 97
Release Date: 9 November 2018 
Pre-order album: bit.ly/2xhO0kR / bit.ly/2OvxYuv

PAN welcomes back Objekt for Cocoon Crush, his first LP since 2014’s Flatland. Over the past four years Objekt has continued to challenge conventions with his club output (the Objekt #4 single release and the Kern Vol. 3 mix CD for Tresor), while maintaining his reputation as a DJ who deploys impeccable technical finesse in crafting elaborate narratives from a diverse and challenging palette of electronic music. 

Written between 2014 and 2018 in Berlin and on the road, Cocoon Crush once again sees the producer jettisoning the functional requirements of the dancefloor. Marking a further evolution from the youthful exuberance of Flatland, Cocoon Crush explores a more introspective side, with themes of human interaction resonating throughout the record as it ruminates on a spectrum of complex moods rooted in 4 years of sometimes turbulent personal experience. 

Cocoon Crush represents an aesthetic departure from Flatland’s largely synthetic tonality, drawing from organic source material and natural textures to illustrate perplexing and unfamiliar sceneries in photorealistic detail. In Cocoon Crush, Objekt diverges further still from his musical influences to craft the purest manifestation of his own musical personality to date: an intriguing and enigmatic album whose reference points are hard to pin down, in which ghostly synth passages weave through mind-bending, weighty drums, and ASMR-triggering foley collages scrape and sparkle. Through meticulous sculpting, Objekt traces a rich and impressionistic journey through claustrophobia, hope, guilt, anxiety and joy, nested in layers of sonic detail which reward with every listen. 

The album is mastered by Rashad Becker, featuring photography by Kasia Zacharko, and layout by Bill Kouligas.

@keinobjekt
http://p-a-n.org

Cocoon Crush

Objekt - Secret Snake (Single Mix)(PAN 97)

Objekt — Cocoon Crush
Format: 2xLP / CD / Digital
Cat.No. PAN 97
Release Date: 9 November 2018 
Pre-order album: bit.ly/2xhO0kR / bit.ly/2OvxYuv

PAN welcomes back Objekt for Cocoon Crush, his first LP since 2014’s Flatland. Over the past four years Objekt has continued to challenge conventions with his club output (the Objekt #4 single release and the Kern Vol. 3 mix CD for Tresor), while maintaining his reputation as a DJ who deploys impeccable technical finesse in crafting elaborate narratives from a diverse and challenging palette of electronic music.

Written between 2014 and 2018 in Berlin and on the road, Cocoon Crush once again sees the producer jettisoning the functional requirements of the dancefloor. Marking a further evolution from the youthful exuberance of Flatland, Cocoon Crush explores a more introspective side, with themes of human interaction resonating throughout the record as it ruminates on a spectrum of complex moods rooted in 4 years of sometimes turbulent personal experience.

Cocoon Crush represents an aesthetic departure from Flatland’s largely synthetic tonality, drawing from organic source material and natural textures to illustrate perplexing and unfamiliar sceneries in photorealistic detail. In Cocoon Crush, Objekt diverges further still from his musical influences to craft the purest manifestation of his own musical personality to date: an intriguing and enigmatic album whose reference points are hard to pin down, in which ghostly synth passages weave through mind-bending, weighty drums, and ASMR-triggering foley collages scrape and sparkle. Through meticulous sculpting, Objekt traces a rich and impressionistic journey through claustrophobia, hope, guilt, anxiety and joy, nested in layers of sonic detail which reward with every listen.

The album is mastered by Rashad Becker, featuring photography by Kasia Zacharko, and layout by Bill Kouligas.

@keinobjekt
p-a-n.org