for INFO Unltd.’s show on Cashmere Radio 

One day City’s came to town. Some people would argue City’s just like any other mall, eating culture and souls, leaving it to rot in its dysfunctional digestive system. But how would they know? The saying went like this; once you go to City’s, you’ll never go back. Born from mist, she’s like a custom made divination, serving you all your prophecies in paper-wrapped lies.

Voices from inside the mall: Ming Lin, Yen Chun Lin, Nikhil Vettukattil Kameran Nayyer, Adam Dove, Tosia Leniarska

https://cashmereradio.com/episode/info-unltd-ft-schloss-salon/

ewa awe & Matilda Tjäder - City's

Patrick Belaga - Blutt
Format: LP / DL
Cat.No. PAN 117
Release Date: 2 April 2021
Purchase: pan.lnk.to/Blutt

Conceived at the heel of Italy’s boot-shaped peninsula in Apulia, Patrick Belaga’s Blutt makes music for the unruly imagination. The title is an old German word for ‘naked’, ‘bare’, but it can also mean ‘blood’ when spelt blut. Take away another letter and it makes ‘butt’. None of these definitions and adaptations were what prompted the classically-trained composer and cellist to name his second album with a word simulating the sound of a punctured artery. That came later.

Blutt’s nine woozy compositions are inspired by a contemplative road trip with a friend, and the mysterious muffled music heard from an unidentified source. It was a combination of jazz and classical music that haunted Belaga’s wanderings through the Byzantine town Gallipoli, and soon infected his dreams of long-gone civilizations. This record is its outcome, where organic instrumentals and electronic production merge into a sound that’s both contemporary and ancient. Samples of mewing incantations and tape hiss sway atop the waltzing thud of piano chords on “Sigh”. Composite layers of Belaga’s cello play in downcast harmony on “Rust”. There’s a wistful sense for the romantic, in the eerie rhythm of a piece like “Momentum”. The quarter tones of an Eastern European and Middle Eastern folk scale probe a profound melancholy via Kai Knight’s violin. Its notes are haunted by a field recording of running water on “Unsoft”, echoes of panpipes and a Jew’s harp on opener “Lilt”.

As a consummate composer and performer known for his work with artists Wu Tsang, boychild, Josh Johnson and Asma Maroof, Belaga’s Blutt is itself marked by flawless collaborations. Vocalist and instrumentalist Jazmin Romero sings and composes the surreal melodies of “Grey Eye”. Multidisciplinary dance artist and producer Riley Watts contributes to the muted, motorik movement of “The Tunnel is a Tower”. Together, the record plays as a stunning soundtrack to the strangeness of sleeping, and the heartbreaking transience of time. Like an intense dream half-remembered, the emotions persist after waking but for the sharp machinations just outside of the mind’s reach.
credits

The album is mastered by Rashad Becker, featuring artwork by Giovanni Forlino and design by Bill Kouligas & NMR.

@patrickbelaga

Blutt

Patrick Belaga - Slowly (PAN 117)

Patrick Belaga - Blutt
Format: LP / DL
Cat.No. PAN 117
Release Date: 2 April 2021
Purchase: pan.lnk.to/Blutt
Watch video: bit.ly/3rkeoDV

Conceived at the heel of Italy’s boot-shaped peninsula in Apulia, Patrick Belaga’s Blutt makes music for the unruly imagination. The title is an old German word for ‘naked’, ‘bare’, but it can also mean ‘blood’ when spelt blut. Take away another letter and it makes ‘butt’. None of these definitions and adaptations were what prompted the classically-trained composer and cellist to name his second album with a word simulating the sound of a punctured artery. That came later.

Blutt’s nine woozy compositions are inspired by a contemplative road trip with a friend, and the mysterious muffled music heard from an unidentified source. It was a combination of jazz and classical music that haunted Belaga’s wanderings through the Byzantine town Gallipoli, and soon infected his dreams of long-gone civilizations. This record is its outcome, where organic instrumentals and electronic production merge into a sound that’s both contemporary and ancient. Samples of mewing incantations and tape hiss sway atop the waltzing thud of piano chords on “Sigh”. Composite layers of Belaga’s cello play in downcast harmony on “Rust”. There’s a wistful sense for the romantic, in the eerie rhythm of a piece like “Momentum”. The quarter tones of an Eastern European and Middle Eastern folk scale probe a profound melancholy via Kai Knight’s violin. Its notes are haunted by a field recording of running water on “Unsoft”, echoes of panpipes and a Jew’s harp on opener “Lilt”.

As a consummate composer and performer known for his work with artists Wu Tsang, boychild, Josh Johnson and Asma Maroof, Belaga’s Blutt is itself marked by flawless collaborations. Vocalist and instrumentalist Jazmin Romero sings and composes the surreal melodies of “Grey Eye”. Multidisciplinary dance artist and producer Riley Watts contributes to the muted, motorik movement of “The Tunnel is a Tower”. Together, the record plays as a stunning soundtrack to the strangeness of sleeping, and the heartbreaking transience of time. Like an intense dream half-remembered, the emotions persist after waking but for the sharp machinations just outside of the mind’s reach.
credits

The album is mastered by Rashad Becker, featuring artwork by Giovanni Forlino and design by Bill Kouligas & NMR.

@patrickbelaga

Patrick Belaga - Unsoft (w/ Kai Kight) (PAN 117)

Patrick Belaga - Rust (PAN 117)

READ > https://inverted-audio.com/premiere-kindohm-deck

NYC-based collective @international-winners line up an 8-track album of hyperactive sonics from @kindohm, the alias of experimental producer and live performer, Mike Hodnick.

Internet Recluse

Kindohm - Deck [International Winners]

For the next release on Early Reflex we welcome Frankfurt-based producer and composer Lorica (formerly known as Avbvrn), following his debut EP on Display and a split on Destitute.

Lorica filters a surgical attention to detail and sound design through a wide-scope approach to atmosphere and the spatial qualities of music. The resulting work conjures up dramatic, vivid, and tactile sonic landscapes that recall classical forms and techniques, while drawing upon contemporary textures and approaches to rhythm and memory.
Inspired by renaissance arts and their creative process ‘Adaptive Radiation’ [EYX005] stretches further Lorica’s experimental and oblique musical approach to the club-focused context of Early Reflex. The result is a 5-track EP blending cinematic sound design with traces of dubstep, drill, dancehall, trap, and more which is going to hit the listeners both physically and emotionally!

The opener ‘Baikal Rediscovered’ is a great example of Lorica’s production style where the composer blends together orchestral and atmospheric pads with incessant grimey beats and a deep bass-line making it a suitable tool for the club.
A storm of otherworldly sounds in contrast with its trapp inspired rhythmic session protrude in ‘Ochre Skeleton’ originating a surrealistic and peculiar atmosphere.
Approaching the end of the first half of the EP there is ‘Petrified Butterfly’, a dreamy and spooky interlude where synthesised flute melodies, fast-paced percussions and effected field recordings repeat and alternate themselves continuously while evolving every time differently in a never-ending loop until every sound dissolves in empty reverberated spaces.
Entering the second half of the release, listeners get hit by the drilling kick drum and the twisting sound design of ‘Sodiumglanz’, which lead to the closure of the EP.
In ‘Breccia’ Lorica explores further his blend of cinematic effects with the pronounced attitude for the club, delivering a track characterised by pitch-shifting electronic percussions and the harmonic progression of orchestrated instruments and strings.

‘Adaptive Radiation’ is available across all platforms starting from Friday 5th of November.

© & ℗ 2021 Early Reflex. All rights reserved. All tracks produced and mixed by Lorica § Mastering by Andrea Prato § Drawings by Giuseppe Cavuoto § Artwork by Alessandro Scanu.

Ochre Skeleton

Lorica - Ochre Skeleton

@user-133935668
"Hey Hey! I am back on track with a second edition for WET... Swirling your minds on deep waves towards more truthful and upfront futures. With interpretations of texts written by notorious female authors; Virginie Despentes with her brillant King Kong Theory and Legacy Russell with the avant guarde mind blowing manifesto Glitch Feminism; Let me take you for a deep dive into the transcending powers of DIGITAL SKINS. We will make a few stops on degenerative results from gender binaries, investigate Internet Avatars, falling in love with the dead and rape...
Fasten that belt and hang on tight to the passenger seat!
Works by myself trancing old school R&B tracks, Urin, D.Dan, CATARAT, Ausschuss, Carnalina, Klein, Cryptobitch and Circular Ruins...

+++ Find me blasting hard drums and tender emotions this Friday at Panke Culture amongst a killer line up for INCIDENT C. Find details by following us on insta @iinncciiddeenntt "

TOMMIE O – DIGITAL SKINS

A live stochastic experiment
with four Korg Trident synthesisers,
from Cherry Audio.

Light Beams

1000001740.mp3

First uploaded: October 12, 2025
Playlist: Works in Progress

From the composer: Written for mourning, coupled with a growing anger and sense of helplessness. 

The Funeral

Jemi

Label based in Berlin, est. 2008. http://www.p-a-n.org