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Evita Manji - Closer To Midnight
Label: PAN
Cat.No.: PAN 136S2
Format: DL
Release Date: 12 January 2023
Purchase: PAN.lnk.to/CloserToMidnight

Closer to Midnight, the second single of the upcoming album ‘Spandrel?’ is a reminder that we’re closer than ever to the ending point of life as we know it, moving towards it at an accelerating speed. Dawn may come with answers, a different way of being or nothing at all.

'Spandrel?' is an album that takes time to unravel, and Manji’s themes resonate through history that’s older than pop music. It’s tragic, romantic, and poetic, and resolutely refuses to turn away from the era’s most urgent concerns.

Production, writing, composition: Evita Manji
Mix: Evita Manji
Master: Enyang Urbiks
Artwork: Spyros Droussiotis

Evita Manji - Closer To Midnight (PAN 136S2)

song from a cpl years back

https://asiootus.bandcamp.com/album/-

mastered by @usofusofusofusof <3

Eggteen

Just Monika.

CREDITS:

Monika: Esther Christo (https://www.youtube.com/c/carimellest..., https://twitter.com/carimellevo)

Lyrics, Artwork, Video: Juno
Original Composition: Matt$ (https://www.youtube.com/c/mattmoney, https://twitter.com/matt_currency)
Audio: Matt$, Juno
Game Footage: Jorge~Sunspirit (https://twitter.com/Jorge_SunSpirit)

Doki Doki Takeover directed by:
SirDusterBuster (https://twitter.com/SirDusterBuster)
Jorge~Sunspirit (https://twitter.com/Jorge_SunSpirit)

Download the mod here:
https://gamebanana.com/mods/47364

Doki Doki Literature Club directed by Dan Salvato, developed by Team Salvato

Download the original game here:
https://ddlc.moe/

Friday Night Funkin' developed by ninjamuffin99, Phantom Arcade
https://ninja-muffin24.itch.io/funkin

Epiphany WITH LYRICS - Friday Night Funkin' Doki Doki Takeover Cover

Released by:
Blueberry B Music.

Music:
FAST X Official trailer Music “Let’s Ride”

© 2023 Music

FAST X  Official Trailer Music Version “Let’s Ride” (2023 Music)

Follow us on facebook, twitter, instagram or Youtube:

www.facebook.com/epicmountainmusic/
www.twitter.com/epicmntnmusic
www.youtube.com/epicmountainmusic
www.instagram.com/epicmountainmusic/

----
© All rights reserved by Epic Mountain. This song is exclusively composed for Kurzgesagt. Unauthorized downloading and using for any other purpose is not allowed.

Impossible Machine

On today's menu we have an orchestral inspired lofi track by Glance! Anticlockwise breaks conformity by starting upbeat and finishing with a calmer second half. Making it feel a bit like time was going backwards. While the piano and strings are providing a comfortable feeling the bouncy drums with clock-like percussions are setting the rhythm of the track. The electronic elements combined with orchestral instruments are reminiscent of a video game soundtrack. We are pleased to bring you this quite adventurous track by Glance, hope you enjoy!

Music produced by @glanceglance

Artwork by Jack Cotolo
Instagram » www.instagram.com/jackcotoloart/

Follow the artist:
Instagram » www.instagram.com/prodbyglance/

Radio Juicy © 2023

Stream / Buy now

Glance - Anticlockwise

Toxe - The Story of Leonora (OST)
Label: PAN
Cat.No.: PAN 127
Release Date: 17 February 2023
Purchase: PAN.lnk.to/TheStoryofLeonora

The Story Of Leonora (OST) is the seventh edition of PAN’s Entopia soundtrack series. The first original score by Toxe, the album accompanies a short film of the same name by Clemens Stumpf and Cleis Vandam. Serving as an extended version of the original score, the new release from Toxe additionally presents audio yet unheard by viewers of the film. Created in 2020 between Berlin and Amsterdam, The Story of Leonora is released today as a 10track album and a limited edition sliding puzzle designed by Emir Timur Tokdemir.

The album ebbs and flows while retaining the individuality of certain moods–– sometimes ominous, often innocent. Recalling an elementary introduction to the world, Toxe draws inspiration from sounds sourced in daily life: the clicking of high heels, birds and humming machines. Cascading echos and short breaths merge with delicate synths and incomprehensible human mumble. The simplicity of these elements are distilled to their core, evoking the naïveté of the world to an alien perspective, while maintaining sonic sophistication throughout.

Written, produced & mixed by Tove Agelii 
Mastered by Rashad Becker 
Film direction & photography by Clemens Stumpf and Cleis Vandam
Puzzle design by Emir Timur Tokdemir

Toxe - The Story Of Leonora (OST) (PAN 127)

The first piece of music from the Glass Shadows OST.

Circling The Drain

Tay K - Everywhere I Go (slowed & reverb)

No Contempt Prod. Harz & AC

Tyler, the Creator Blow my load Visit Pattycaked.bigcartel.com

Lil Peep- Benz Truck Pt 2 (Prod by @killbighead x @smokeasac) artwork: @crimewave

its beautiful and i made the cover art ;)

NPR Tiny Desk Concert: Tyler, the Creator

Glitter (NPR Tiny Desk Live)

I made this song in 2 days so eat my ass white AMERICA

Mislo - !SAAGGYTIT! Prod. JAKXB

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: bit.ly/2XtJGvQ