Name: Crude Principles by Panos Isopoulos in FreeRotation 24
Duration: 1 h 7 min 19 s
Description: A mixtape inspired by friends, Venice and the deep bush

One of the best mixes ever omg 🌀🌀🌀 what a trip!

One of the best mixes I’ve heard in a long time - so fresh - can i ask what track this is please?

Mesmerising, incredible mix. Could I ask for the name for this please?

FreeRotation 24

A mixtape inspired by friends, Venice and the deep bush

Crude Principles

https://lyl.live/episode/l-anabase-1

Broadcasted on Lyl Radio on Thursday June 20th at 11:00 pm.

Sonic narrative meant to weave together the fragments of an photography-related research around exile. Episode 3 (٠٣) is a special field recordings and live music show, focusing on the Sounds of Places Residency organized by the Wonder Cabinet (Bethlehem, Cremisan Valley, Palestine), featuring live original music by Laith Albandak, Mai Mai Mai, Sami El-Enany, Alabaster DePlume, Ibrahim Abulaban, ABUL3EES أبوالعيس and Araz Ahagian.

GLISTEN // L'anabase - Ep. 3 ٠٣ [SOUNDS OF PLACES] @ Lyl Radio

After listening to many Freerotation recordings over the years, it feels a bit surreal to share this one. I had such a great time meeting the freero community. Very special to feel the positive vibe and patience to build something new.

Bas Dobbelaer - Freerotation 2024

After being an attendee since 2013 this was an insane opportunity for myself and I really hope I did it justice. A beautiful weekend in the welsh countryside surrounded by the most amazing community. The energy in there was felt by all and I think the recording captures it well. Thanks all for coming through, you all made it one that will be etched in my memory forever! 

Room 2, Sunday evening, 9:30-11pm

Means&3rd @ Freerotation 2024

Blessed to be a part of the best festival in the world. Had so much fun playing Fri night / Sat morning in the Sammy String room (Room 3) 00:30 - 2:00
2 amazing sets before and after me in Monoak and Resom - if they are online you must check them out! Thank you to all those that grooved away to my set and to Steevio & Suzybee for giving me the opportunity. Your support means the world. 
Peace x

Mötas / Bryn

Mötas @ Freerotation 2024

Move D @ Freerotation 2024

Millennium Dust (21/7/24)

LYL Radio: 17.10.24

Honey Trap resident Pleaser ventures through the weird and wonderful oddballs of his collection, spanning from weirdo rockabilly love jams to funked up machine muzik.

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Honey Trap w/ Pleaser @ Kiosk Radio 21.10.2024

This is the fourth episode of meLonkooLia hosting by towLie.
meLonkooLia #4 is the first of two episodes with music i brought to The Mutant Community Festival in
Tbilisi. It so happened there was a big deley in the schedule and i started much later then i was suppose
to wish ended up with on almost empty dancefloor in the end so i wanted to give you the trip i had
planned to <3

meLonkooLia with towLie [06.11.24]

Nick Stephens - 7th November 2024

The Rest Is Noise w/ Haime 06

Heads Radio 165 – 26.03.05

8-9PM: Contes Cruels LIVE
9-11PM: No Trouble In Paradise
TUNE IN HERE:
https://www.sameheads.com/headsradio

Heads Radio
   / headsradio  
  / headsradioberlin  
www.sameheads.com/headsradio
www.sameheads.com

Contes Cruels LIVE - Heads Radio 165 – 26.03.05

Edwin Rosen Vertigo -Bildschirmzebra

Representing the city of Geneva here is Second Circle affiliate Androo (androo-3) with his "m'enfin?!" mix in the MFM series. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Androo, thanks for contributing. For the readers who haven't been to Geneva before, could you describe the city a bit in terms of culture?

A: Mmmh, there are many things to say about the city. I feel that my generation came just after a certain “golden age” of the “underground” music culture. Geneva had a lot of squats during the 90s and early 2000s but now the political situation isn’t the same. Today we don’t have many non-normative venues allowing experimentally and who aren’t based on economic profit. For me, there is a certain vision missing from various clubs in the city. It feels sad that filling the room seems more important than exploring and defend other ones. I feel the potential of night culture and dance which is based on the collective energy of a certain youth is channeled into a kind of apolitical and dull consumption. I wish one day, the night may serve to create more spaces for political and experimental moments! But there is something amazing going on in Geneva, it’s the sound system scene. 

MFM: Your music as Androo sounds quite melodic and touches many different styles in an oddball kind of way. Where does all that come from? 

A: I was playing the piano when I was a child but I wasn’t working really hard (what’s work when you play?), I always preferred composing little things. There was also music in church. Later, I’ve had some reggae bands. I have always been a bit romantic with music. But the real explosion was the discovery of the sound systems culture. Every two months there was the Dubquake organised by OBF in Geneva (it’s still going strong!). Their style was informed by new wave melodies and futuristic dub sound, their sound and musical explorations created something really physical, experience! Around the same time I discovered what the music studio can be. You mix a new song and the same night you play it out, without a fuss, dubplate style. Later I opened up to other stuff and soon tried to bring together irreconcilable things. For more than a year now, I dived deep into jazz piano and contemporary music. Every day I do exercises, scales, etc, some of them become musical compositions. 

MFM: Could you take us on a tour through your studio? What's the vibe like, what's in there?

A: There is a mixing console with external effects, everything is done live. This is how I learnt it from the dub. I don’t do much arrangement on the computer, the track is being built at the console: you remove the bass now and then put a delay on the piano, everything is recorded in one take. It’s about the hands. There are some mistakes and you let them be, that is what makes music alive. There are some synths and drum machines, boxes of matches, wood pieces. I am just trying things out, it’s kind of a space for experimentation. It’s about researching, letting problems appear, chance is also important. Not everything is smoothen out, it’s about acceptation. You throw stuff on the floor, you accept them and then start from there.

MFM: Are you keeping it strictly to writing and recording music?

A: For now I don’t do electronic live acts. But I do piano lives. I keep them raw and experimental, so in a way it’s also influenced by the dub. I have been DJing since quite some time now. I approach mixing a bit like editing in cinema, I try to do cuts, rapprochements and loose associations. DJing is also somehow about friendship, the fact of doing, of organising parties together. Djing is great but feels a bit repetitive most of the time so I try to propose other things with DJ May and other. We are both drawn to cinema and theatre. So we started to read texts in the middle of a set, adding small dance pieces or even mixing silence. For us it’s about proposing simple and non extraordinary little experiences.

MFM Mix 014: Androo

   Sharing the musical love...

...reposting an eclectic set for your auditory pleasure...

...and occasionally producing some too :)

Crude Principles

Panos Isopoulos

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