Marika Rossa stands among techno’s fiercest voices, racking up millions of YouTube plays and dropping chart-ready weapons on Fresh Cut, Kurai, and Chlore. 
That same force now powers SWEETHARD, her new label pushing the scene into harder, faster territory.

Booking: 
www.klaudiagawlas.de

@illusion_recordings

Gayle San's Upcoming Gigs
Sat 21 Dec, 19 
Technodisco, Wetzlar, Germany

Powered by GigaTools



Gayle Sans career already began in the early 90 s in her hometown Singapore. She started as a warmup DJ for Bands such as Kool and the Gang Earth Wind and Fire and the Commodores,in the Top ten club which was the club of that moment on that island. Leaving her native Singapore in 90 s,to pursue her dj career in the UK, nobody expected such a massive success for Gayle in the music business. Gayle's first steps into the London clubs were via DJing at record company parties, various one-off guest spots and fashion shows.


These slots soon led to Gayle being made resident at 'Reach for the Sky' at London's Limelight club, where she played alongside global DJs which Gayle describes as "the steepest learning curve possible". Having honed her DJing skills and broadened her understanding of music, Gayle began to experiment with the harder side of dance music, particularly the lesser known techno sounds coming into Britain from Europe and the US of that time. Her chance to pioneer this music in England came when Gayle became resident at Universe's legendary Final Frontier club, at Club U.K. in south London, which then moved on to become Universe Voyager at their new club, the Complex in north London,and she was also resident at all the Tribal Gatherings Festivlas. Final frontier was widely regarded as one of the best club nights in the world, it was not long before Gayle had amassed a following of techno pilgrims who would make journeys from as far as Edinburgh to hear her play. Gayle's reputation of her 3 decks mixing skills and dj sets spread like wildfire over the techno centres of Europe, most notably a residency once a month at the legendary Omen club in Frankfurt, the socalled 'Mecca of techno' that opened doors.


Other European and American dates have included some of the most underground clubs in the world,from playing at high profile parties for Prince,Chaka Khan and Kylie minogue to name a few, to playing clubs like Bionic in Detroit, Pure Pleasure parties in Chicago, Soma in Montreal, Twilo in New York, Zouk Club in Singapore, Florida 135 in Spain, Fuse Club in Belgium,M47 in Hungary and many more all over Europe, South America and the U.S.A. In 2000 she was voted number 6. of the most popular international DJs in Germany. Remaining in the top ten list has been a regularity ever since. In regards to the massive competition of the worlds DJs,and to be the only female dj in the top ten, it was an honour of her hard work in the last years. DJing has naturally led to various studio work and starting her own label Equator. Gayle has developed a sound that takes the intelligent beats of the underground, funky/hard/groove techno sound mixed with her very own style. Gayle loves producing on her own but also enjoys collaborations with other producers to absorb outside creativity. She has released on numerous labels throughout europe. Gayle has reduced her touring dates in the last 2 years,not surprising after travelling the world for 18 years to make more time for her production /collaboration works. Gayle never fails to rock the world..s dancefloor with her mixing skills and her choice of music. Gayle has already been called the best female techno legend and she is not ready to hang up her headphones just yet. 

https://www.instagram.com/holzrusse_techno 

Der sogenannte „HOLZRUSSE“ war bis zu seinem 16 Lebensjahr noch gegen Techno . Sein Cousin brachte ihn dann dazu mal mit auf nen Secret Rave zu kommen . Er fing an die Musik zu mögen . Bis zu seinem 18 Lebensjahr war er dann auf einigen Rave‘s gewesen und im wurde schnell klar in welche Richtung das gehen würde . Dunkel und dreckig war sein Geschmack der in der E-Küche dann so richtig durch gekommen ist . Nach circa einem Jahr entschloss er sich selber mit dem auflegen zu beginnen. Im Juni 2019 stand er dann das erste mal hinterm Mischpult . Die darauf folgenden 5 Tage nutzte er dann um sich vertraut mit dem Mischpult zu machen . Am 5.Tag hat er schon sein erstes set aufgenommen und veröffentlicht „Brett Nr.1“ ,welches er mit 4 Decks spielte .Denn der Holzrusse nahm sich vor direkt zu lernen wie man mit 4 Decks spielt.

Wo er bereits gespielt hat : 


- Elektroküche Köln
- Mikroport  Krefeld
- Projekt -X  Bochum
- Hype Club Stuttgart
- Secret Rave Frankfurt
- Bunker Rave Bayreuth 
- Glasfabrik Bad Breisig 
- Der Turm Bad Breisig 
- Club Petit Siegen
- Sams Bielefeld 
- Gleis-8 Bonn 
- H14 Aachen 
- Trafic Köln

- NO EXIT FESTIVAL BERLIN

Marco Bailey is somewhat considered an icon when it comes to techno and the dance music industry as a whole. It starts with a beat, and for Marco that as in the late 80’s. In 2014 he celebrated 25 years of Marco Bailey, a true achievement for someone who is an ambassador for the scene as well as an amazing DJ and producer. 

He grew up in Belgium, and it all started out when he went to a small local club in his nearby city. At this point, he knew little and didn't have any musical heroes, but soon released that he would rather be behind the decks than on the dance floor. 

His break came in 2000 with his first EP on Carl Cox’s Intec imprint with “Play It Back”. Over the next couple of years he worked on his own imprint, launching MB Elektronics, with the first release in 2002 with “Caprioska”. The releases came flowing over the next few years, which saw the release of his critically acclaimed “Rube Boy” album back in 2004, soon followed by “Dragon Man” LP on John Digweed’s Bedrock in 2011.

His most recent album was with 12 track “High Volume” released back in 2013 on MB Elektronics, dubbed by some techno aficionados as a masterpiece. It was at this time, he also released an up close and personal documentary “Marco Bailey”.

His Electronic Force radio show has been a huge success from the get-go, with almost 300 episodes to date, he has had every artist on board from Carl Cox, Alan Fitzpatrick, Umek, Joseph Capriati, Sam Paganini and Carlo Lio. It’s heard by millions of listeners in more than 50 countries.

Marco has been touring relentlessly throughout his career, he’s an artist who can say he has probably played at almost every club in the world, and been listed at the top of major festivals. He hasn't stopped, and this summer was no exception his MATERIA brand taking a new home at Vista Club, Ibiza. Every Sunday, he offered artists including Sam Paganini, Carlo Lio, Julian Jewell, and Paul Ritch for the closing on the 28th August all came out to party with Marco and the crowd.

You can expect to see the MATERIA brand reach far and wide this year, with parties in London, Vienna, Amsterdam and Tokyo planned this winter. Mid October will see the release of the MATERIA compilation mix, a collection of tracks selected personally by Marco, of both his own releases and all the artists which played at MATERIA in Ibiza this summer. 

2017 continues to be another landmark year for Marco, with his first MATERIA residency considered a huge success, the brand looks to move worldwide, becoming a high-profile label and radio show as well and continuing to grow. He is a true pioneer of Techno, and has no plans to put on the brakes anytime soon.

What is MATERIA? 

A party where the want, need & desire to feel the love and vibrations on the dance floor is understood. Where music lovers can digest the passion in the percussion, the energy of the crowd coming together, experience the sensation of letting go - elements that constitute the foundation for what some may never get to fully experience... a pure musical journey. Embark on a global movement, as Belgium's Marco Bailey sets the mood for one unforgettable evening. Welcome MATERIA - where techno is valued as a religion, the dance floor has no limits, the crowd is united and melted together by sound - where the rules require two things: listen and live.

''Imagination'' is out now! 🙏🏻
fk.fanlink.to/imagination

There is no doubt, artists generate – especially in our scene - hypes occur again and again. Be it a good track or an unforgettable DJ-Set. However, these come and go as quickly as they have emerged. And there is also something happening in this scene, which is quite apparent: It happens relatively fast. In Germany, the motherland of the electronic music, an artist has seldom managed to infringe at the same time upon such widely spread generations and masses. It is not by coincidence, that ideas like „German Techno Master“ (DJ Mag) or countless first grade placings originate in the process of the scene votings. Meanwhile one can also hardly keep up counting his fanclubs, who welcome him with frenetic exultation spreading across the entire republic and far beyond.

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Booking Worldwide
ask@bcbfamily.com

Oliver Beez 

https://bit.ly/bmg_spotify
http://gigs.gigatools.com/u/BMG

☨ Booking: booking@fh-agency.de ☨

#brachialemusikk #brachialemusikgestalter

When I was born, television was not as much of a big deal as it is nowadays (back then, there were only three programs). Thus, the TV was not switched on until evening hours, when I was already in bed. My mom, who was quite young, listened to music non-stop. I noticed that this situation has not failed to leave a mark on me. When I was twelve years old, my mom had another baby boy, which entailed that I never got to enjoy my own room. It was not easy for me, especially being a teen-ager. Music helped me to cope with that situation! My stereo and my great head-set helped me create my own room in my imagination. Usually, when kids want to be left alone, they go to their room and lock the door! I used to put my headset on, turned on the music and I drifted into my dream world and did not care about the rest of the world. The longer the speech, the less thought: Since always, music has played a major role in my life!
I was introduced to electronic music in the early 1990’. Shortly after getting to know Culture Beat, 2Unlimited, Marusha, U96 and Scooter (Hyper Hyper), I started getting into Techno and House!
In 1995, when I was just 16 years old, I discovered a night-club where I used to sneak in. I was still minor of age. It was the so-called TOR 3 in Düsseldorf!! Wow, what an amazing club!!! People who remember this place know what I am talking about…this was it! I was in love!!! My life consisted of nothing else but school and TOR 3. I went there every weekend for 6 month! After that, it was shut down and was only opened for special events, for instance, UNION RAVE or ACID WARS! I was terribly sad!
Although dj’s were like gods to me, I didn’t think of becoming a dj back then. In the beginning, it was just about the party for me. It was until that day when my best friend met her new boy-friend back then in 2004. He is the first dj whom I got to know in person. I regularly watched him play music. That’s how I got more interested in becoming a dj. I was amazed and thought I will be able to do the same. By the end of 2005, I had saved up enough money to buy myself my own equipment (2MK2 + DENON soundmixer) at the music store!
After having understood the basics of playing music, I gained experience with live dj’s at friends’ houses until the year of 2009! And then finally in 2009, I was the opening dj at a public party at KOLBHALLE !!! It is hard to imagine, how nervous I was!!! Luckily, the club was filled from the very beginning, since it was somebody’s birthday at that party. After having played the first three disks without having made a mistake, I went from a feeling of being nervous to a feeling of pure adrenaline and I rocked the house! After that I played at BUTAN CLUB Wuppertal,RHEINGOLD Düsseldorf,FEIER RHEIN OPEN AIR, BLUMENGOLD, KUNSTPARK,AXA-Hochhaus, PFORT XI, NEU SCHWANSTEIN AND MANY MORE....

pancho2202 is following