great electronic beats and love the ending~

Panda hurts

Notch

noir panda

As I’ve got older the things that seemed really important when I young just pale into insignificancy.
What’s meant to be is meant to be and I’m not sure you can change that process how hard you try.
All your personal achievements and moments that went well are just 
Little Victories in the war of life.
Just try and have integrity and be a better person every new sunrise.
I’m dedicating this song to my mate Big Johnie who has integrity and gave me the idea for the hook as he always says 
“ there just little victories Gaz”

Little Victories ~ Conscience of Kings

Falling

Based on an improvised jam with keyboards and guitar drones. 
This extended soundscape shifts between lighter and darker textures seeking to ascend. The photo was taken in February 2022 at Castle Rigg stone circle.
https://www.english-heritage.org.uk/visit/places/castlerigg-stone-circle - Thanks to Mark Suttle for mastering (M7 music)

Ascendant

Sta(R) D  T  collaborational
@rdavidtyler
https://www.youtube.com/watch?v=jX9pskbKSw0

Sublimation of Iodine (RDT Collaborational)

Orazion Picciola

Bewildered

With the upcoming Keith Rowe celebration in Berlin just around the corner, reflecting upon how Prepared Guitar noise crossed cultural boundaries. Pink Floyd in 66/67 a band of the London arts scene. Legend has it that Keith Rowe influenced Syd Barret to do improper things for the guitar that no other Pink Floyd guitarist cared to explore. I found this idea more plausible than Syd being stoned or aggressive -- although both artists might have found they shared a transgressive feeling for how such noises are the thang to challenge the thinking about the thang. While there's nothing in Syd's guitar sound surpassing anything Hendrix hadn't blown through several times with the vitality of ten thousand cats, it's also more complicated to think it through the Keith Rowe perspective. Hendrix's path, in my reading, was, yes, to found his own sound, gain his freedom, but also to destroy the white western exploitation culture with the rage of the slave uprising through the electrified blues and render, as a result, an American problem and treasure. In the last days, Jimi wanted to bring it back home and play deep electro-acoustic blues and rock the studio like CAN influenced by Stockhausen on shrooms. Keith's sound was already detached from folk traditions, more consciously post-modern (self-historicizing, self-contextualizing -- to lay the emotional guitar down, pushed away from the body), and few people really want to deal with that new kind of wilderness he explored in HARSH, where you see shards of what he maybe transmitted to Syd and which Jimi knew very well but never lived to take out of the rock and roll physicality context. Prepared Guitar music doesn't really exist if the guitar is not really involved, though. This track is all about those cross-over moments between the psychedelic movement and fluxus and free improv and indeterminacy. Syd was still in a rock band rooted in the Black Music of the Colonies and then they got rid of him. Noise has maybe messages beyond human aesthetic.

Syd B Keith R

leurs visages

03.Izidor

SEAPAGÓ LA LUZ

AODA - SE APAGÓ LA LUZ

la fille aux yeux tristes

une nuit

ecstasy dysphoria

somewhere between boards of canada, mogwai, steve reich and Brian Eno.
between ambient, electronica, modular

noir panda

panda hurts

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panda hurts

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