All Ayla's music is 'Name your price' right here:
www.aylanereo.bandcamp.com

"And It's Still Alright" OUT NOW
https://found.ee/NRAndItsStillAlright-Album

Ruslan Trochynskyi – Vocal, trombone, scythe.

Juhan Suits ( Juss ) – Estonian bagpipes, wooden horn, whistle, vocal,  jew’s harp.

Robin Mäetalu – Acoustic guitar

Karl-Heinrich Arro – Drums, Percussion.

Alo Jaanivald – Sound engineering.

Kevin Kangur - Sound engineering

Terje Trochynskyi – Manager.

BIOGRAPHY

Svjata Vatra (“holy fire” in Ukrainian) is an Estonian-Ukrainian “fire-folk” band – a simmering pot of roots, folk, world and ethno with its flaming and vigorous performances – founded in 2005.

The band’s line-up is a specialty in itself; the temperamental trombone and the Estonian bagpipes together weave eerie sound patterns that burst into vibrant and exotic spheres, backed up by powerful yet dynamic rhythms, leaving no-one unaffected by the band’s versatility and virility.

The band’s trademark can rightfully be said to be their flaming live performances where the potent energy emanating from the leader of the band progressively spreads among the musicians and ultimately engulfs the entire audience in ”holy fire”.

Svjata Vatra have played more than 300 live-concerts in over 14 countries. They have performed in France, Russia, Ukraine, Sweden, Finland, Latvia, Lithuania, Germany, Czech Republic, Romania, England, Poland, Netherlands and Belgium in festivals like Colours of Ostrava, Urkult, Viljandi Folk Music Festival, FelSziget, Positivus, London International Festival of Exploratory Music, Maailmakülä and the journey has only begun.

In 2009 Svjata Vatra’s song Kalyna was awarded as best folk/world music song in Estonia was performed at Showcase festivals: Tallinn Music Week and Eurosonic, Netherlands.

February 2014 Svjata Vatra released a single “Vogon zapeklyh ne peche” (Fire does not Burn Toughened People), which is dedicated to all those brave people who were and are standing in Maidan square in protection of democracy and human rights. What is going on in Ukraine has transcended much further than the borders of just one country. The musicians of Svata Vatra have allways valued family, a free state, everyone´s right to speak up in their community and to support democratic values. As musicians they can show support through their own personal example and, of course, through their music. The song “Vogon zapeklyh ne peche” is written in commemoration of the people who were killed in Maidan square and for the people who have been supporting the Ukrainian pursuit for freedom, either in Maidan square or elsewhere in the world. This song speaks about freedom in the general sense, not only in Ukraine but everywhere – people need to be honest and dignified in their lives. Only through honesty and cooperation can we build a free society, where peace and love reign.

Svjata Vatra was one of the organizers of the support concert “For Ukraine” at 16 of March in Tallinn (Estonia) at Freedom Square. There was performing lot of well-known Estonian artist and Svjata Vatra played together with Police and Border Guard Orchestra. The concert was broadcasted live by Estonian Public Broadcasting.

Powerful performances by captivating audience, generating an energizing ambiance and setting aglow people’s hearts – that is what Svjata Vatra is about.

Dreamy/Romantic synthwave made with a combination of vintage and modern gear. 

For all inquiries please mail me at: timecop1983@gmail.com

Get my music at: http://timecop1983.bandcamp.com

Like me on Facebook for updates, news and other stuff!

Most of my music is also available on iTunes, Spotify, Amazon and other digital platforms. Play it on repeat! 




Melanie Martinez's creative drive and talents have always distinguished her from other musicians. After releasing her platinum-certified 2015 debut album, Cry Baby—which reached No. 1 on Billboard's alternative albums chart and has amassed over two billion streams worldwide —she conceived and directed a video for each song on the album. These mini-movies traced the traumas and insecurities experienced by the album's character, Cry Baby.
 
Melanie’s sophomore album and film, K-12, is another ambitious triumph. K-12's music is a vibrant and singular melting pot of low-key hip-hop, soulful pop and indie-leaning electro. K-12's universe is an expansion of the one introduced in Cry Baby. Using lyrics rich with metaphor, songs address the struggle to find a place to belong—including within friendships, the physical world and romantically—even when fitting into society feels like an uphill battle.
 
To accompany the album, Martinez wrote and directed a 90-minute movie (also called K-12) that incorporates the album's music and mirrors the themes and characters introduced. Filmed on location in Budapest, Hungary, the movie focuses on Cry Baby (portrayed by Martinez) and a class of students who find themselves trapped in a horror house-like residential school. As they experience the usual grade school rites of passage—a lunch room food fight, the embarrassment of gym class, a romance with nefarious intentions, courses taught by checked-out teachers— they have to figure out a way to escape.

the new album “i got too sad for my friends’ out now.

CONTACT
jp@atcmanagement.com

BOOKINGS
UK & EU: oliver.ward@unitedtalent.com
North America: ryan@arrivalartists.com 

PRESS
chris.cuff@goodmachinepr.com

Muzyka to piękna sprawa. I nie ma co tego komplikować. Czujmy się dobrze.

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

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