Rock🤘

covers

All instruments on Don't You (Forget About Me) were written by Simple Minds and arranged/performed by Jon Dale. All lyrics were written by Simple Minds and performed by K. John Stewart (The So Long Showdown, ex-TARGET the MESSENGER). The track was engineered, produced, mixed and mastered by Jon Dale at Manuf(r)actured Media ©2013.  For more information, please visit www.facebook.com/TheDistortionLeague.

The Distortion League - Don't You (Forget About Me) (Simple Minds Cover)

LINKIN PARK - GUILTY ALL THE SAME (feat. Rakim)

Carnivores Tour with 30 Seconds To Mars and AFI this summer. Visit http://carnivorestour.com for dates.
For more information, visit http://linkinpark.com

Like Linkin Park at http://facebook.com/linkinPark
Follow on Twitter at http://twitter.com/linkinpark

Like Rakim at https://www.facebook.com/rakimallah

Guilty All the Same (feat. Rakim)

This is probably my favorite LP song, so I HAD to remix it. :D

The remix is a blend of styles with orchestral parts, Nine Inch Nails-esque industrial sounds, and and alt-rock melodies. It was a fun project for sure.

Linkin Park - Final Masquerade (Aviators Remix)

Filter - Happy Together [HQ]

From the remastered edition of Ride the Lightning, available on April 15, 2016.

Remastered by Howie Weinberg At Howie Weinberg Mastering, Los Angeles, CA

Creeping Death (Remastered)

Sixteen Saltines

Love Is Blindness



WELSHLY ARMS combines their love of blues with rhythm and soul & good ol' rock and roll, to create a fresh throwback sound that represents their Midwestern roots. Comprised of Sam Getz (guitar/vocals), Brett Lindemann (keys), Jimmy Weaver (bass), Mikey Gould (drums) and Bri and Jon Bryant (background vocals), Cleveland-based WELSHLY ARMS pays homage to many of their collective musical influences such as Jimi Hendrix, The Temptations, Otis Redding, and Howlin Wolf.

The power of their live show has quickly built them a dedicated following in Ohio and has set the stage for things to tip into a national following in 2016 with performances confirmed on/at The Rock Boat, SXSW, Summerfest, Austin City Limits, Laurel Live, the San Diego County Fair and more. Within the last year alone, their music has been featured in a national TV/radio campaign for the Cleveland Indians, the promo for the new Netflix show Sense8 and the movie trailer for the new Quentin Tarantino movie, Hateful Eight.


Legendary - EP

Legendary

Linkin park - a place for my head

The Strange Case of...

Mz. Hyde

The Strange Case of... (Deluxe)

I Miss The Misery

Hello, It's Mz. Hyde

Daughters of Darkness

"I Just Died In Your Arms" by Throw The Fight from the album, ‘What Doesn’t Kill Us’
Listen everywhere: https://throwthefight.ffm.to/what-doesnt-kill-us.pbt

Connect with the band:
https://throwthefight.com

What Doesn't Kill Us

Listen Everywhere

I Just Died In Your Arms

how will i rest in peace if i'm buried by a highway?//

Linkin park - no more sorrow

Metallica - Wherever i may roam

Greatest Hits Vol.2 The Better Noise Years

Help (Remastered 2020)

Papa Roach doesn’t do lanes.

Be it rap-rock, electronic rock, rock ’n’ roll or anything in between, the quartet - vocalist Jacoby Shaddix, guitarist Jerry Horton, bassist Tobin Esperance and drummer Tony Palermo - have spent more than 20 years veering across freeways that most bands barely have the nerve to occupy, creating one of the most diverse and fearless discographies in music.


A hard left turn that sees them making their most daring maneuver yet, new single ‘Swerve’ is breathless in its unpredictability. Drawing inspiration from everything from jazz, funk and old-school hip-hop to hard rock and electronica, it’s a white-knuckle ride featuring a blistering array of rock solid beats, thumping bass lines, curveball saxophone licks and crunching guitar grooves, built around a chorus that features a stark warning cry of “Don’t swerve in my lane”, the track displays the fearless ability of its creators to cross as many as they desire.

With Fever 333 frontman Jason Aalon Butler and rap sensation Sueco joining proceedings to create a triple-pronged vocal attack, ‘Swerve’ provides a first glimpse at one of the most varied and compelling periods of the the group’s career. Clear, confident and above all competitive, it sees them challenging perceptions and breaking new ground, tossing the handbrake out of the window in the process.