Joy Williams

fasf

vibe/chill out to some of my favorite songs.

remedy

Prova

alex

Depression

Raleigh Becket

2 Into the Blue

Look How Far Weve Come

Speaking a Dead Language- joy williams

If you've listened to Top 40 radio or flipped through the video channels during the past few years, odds are pretty good you know something about John Legend. He played piano on Lauryn Hill's "Everything Is Everything" and might as well be considered Kanye West's sidekick, having assisted the producer and MC on several sessions — Jay-Z's "Encore" and Slum Village's "Selfish" being two of the more prominent 2004 singles featuring his work. A former choir director, he has also released a handful of energetic live discs, some of which are credited to his less hubristic birth name, John Stephens. And though he claims "I've got something new," you've also heard substantial chunks of Get Lifted in records made decades ago by Sly & the Family Stone, Curtis Mayfield, Quincy Jones, and Bill Withers. This might not be a problem for listeners who crave anything that recalls the music they first heard in their youth, but Legend's over-reliance upon his inspirations is an impediment as much as a slick way to grab attention. That's because he has more than enough talent and charm to get by on his own. His own lyrics and hooks are unique and clever enough to get the point across that he's no everyday R&B artist and, just as importantly, he has a personable and instantly fetching voice you could listen to all day long. However, the association with West — whose Sony-distributed boutique label released the record — is very helpful. Without it, Legend would likely be zoned into neo-soul (2003's Live at SOB's New York City really makes this notion apparent), thereby standing little chance of reaching the ears of anyone younger than 30. The production work supporting his songs strikes a fine balance between soul and hip-hop, allowing him to appeal to those who are coming from either angle. This is a very good record. It's a given that Legend is destined to make at least two others that top it. 

Ordinary People

Trespassers William Cover 

'Lie in the Sound'

I love you more than I should
So much more than is good for me
More than is good

Oh the timing is cruel
Oh I need and don't want to need
More than I should

I am falling, say my name
And I'll lie in the sound
What is love, but whatever
My heart needs around

Oh my sheet is so thin
So I say I can't sleep because
It's so very cold

Oh but I know what I need
And if you were just near to me
Would you go...

I am falling, say my name
And I'll lie in the sound
What is love, but whatever
My heart needs around

I am falling, say my name
And I'll lie in the sound
What is love, but whatever
My heart needs around

And it needs you too much now

Lie in the Sound (Trespassers William Cover)

In My Veins

That Home - Cinematic Orchestra (Extended Full Version)

One Of My All Time Favourite Qawali.......
Nustrat Fateh Ali Khan 

Nusrat Fateh Ali Khan - Mast Nazron Se Allah Bachaye

Ride

Grapevine Valentine

'Light Up The Dark' - out now at http://po.st/iLUTD
'English Rain' EP - out now at http://smarturl.it/englishrainep

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Bastille & Gabrielle Aplin - Dreams

SHM - Save The World (Chill Cover)

Out now on Refune Records at Beatport: http://smarturl.it/Clash

Having enjoyed an outstanding year, Alesso certainly isn’t resting on his laurels as it starts to draw to a close. Following the release of huge vocal anthems ‘Calling (Lose My Mind)’ with Sebastian Ingrosso and Ryan Tedder and ‘Years’ featuring Matthew Koma, the young Swede is going solo and honing his focus directly on the club with blazing new single ‘Clash’.

Having been officially unveiled by Otto Knows on Pete Tong’s BBC Radio1 show as part of the Young Stars of 2012 takeover, ‘Clash’ is set for release on Refune Records imminently.  Moving into darker than his most recent offerings, ‘Clash’ sees him returning to the heavier nature of earlier productions while continuing to push his sound into new territory. Retaining the melodic finesse and anthemic power that he is known for, big riffs and a grinding bassline drive the track forward. Living up to its title, ‘Clash’ is a dynamic call to arms for club goers. 

At just 21 years old, Alesso has quickly established himself as one of the most fresh and exciting talents of the EDM world, and with a flourishing back catalogue of club and chart hits already to his name and a reputation as a DJ that precedes him, this is clearly only the start for the supremely talented young DJ and producer. Following the success of breakthrough singles such as ‘Nillionaire’, ‘Raise Your Head’ and ‘Calling’, Alesso went straight into DJ Mag’s Top 100 in his first year running as well as being tipped by MTV as one of their EDM artists to watch for 2012. Since the turn of the year things haven’t slowed down either, recording an essential mix in March, hitting the top of the Beatport and DMC Buzz Charts and travelling across the world to play to 1000s of fans from Masquerade Motel in Miami to Coachella, EDC to Tomorrowland and Milton Keynes Bowl, where he supported Swedish House Mafia. The release of his latest single ‘Years’ this Summer firmly cemented his position at the forefront of electronic music as we step in to the new year.

https://www.facebook.com/AlessoOfficial
https://www.facebook.com/refunerecords 

Alesso - Clash

Laura Jane Scott - The Librarian

This song is really amazing. The original by Zedd is addicting and compelling. I did my own remix of it once he released the stems. Please like if you enjoy. If this track moves you, please share with others. Also, I would appreciate it so much if you would like the track at the following link for the contest. http://remix.zedd.net/tracks/772


MrFanatiq - Clarity Orchestral Mix

- COMING OUT FEBRUARY 12 ON ITUNES -
Download "Clarity" on iTunes: http://smarturl.it/Clarity

Zedd - Clarity feat. Foxes (Zedd Union Mix)

Lost Myself Feat. Joy Williams

Interview Joe T Vannelli on Radio Monte Carlo Nick The Night Fly

JTV on Radio Monte Carlo Around The Djs

Kendrick Lamar - Bitch Don't Kill My Vibe ft. Jay-Z (Official Remix)
Produced by Sounwave | Mixed By Ali

"good kid, m.A.A.d city" is in stores and on iTunes: http://smarturl.it/gkmc


Kendrick Lamar - Bitch Don't Kill My Vibe (Remix) ft. Jay-Z

Reload (Sebastian Ingrosso - Tommy Trash - John Martin)

Saint Valentine

alone in a empty bed
underneath the rest of life
all the pain rushing to my head
can't off my post tonight
suddenly the room is closing and I can't see anything
I blacking now off any breathing
it's an emergency
baby come rescue me
the rhythm of my heart is breaking down
it's an emergency
baby drop everything
the rhythm of my heart is breaking down
won't you hear now now now now
won't you hear now now now now
won't you hear now now now now
won't you hear now now now now
when I told you I was fine
all the tears runing down my face
oh baby baby was a lie
I should have never ever push you away
cause I in incredible condition
and your love is all I need
without you here boy it's killing me
it's an emergency
baby come rescue me
the rhythm of my heart is breaking down
it's an emergency
baby drop everything
the rhythm of my heart is breaking down
won't you hear now now now now
won't you hear now now now now
won't you hear now now now now
won't you hear now now now now
I fining fast you the one I'm calling
I'm crying out cause baby do you do you know
you're my heart beat you're my energy gonna come runing
or it's too late，ooh
it's an emergency
baby come rescue me
the rhythm of my heart is breaking down
it's an emergency
baby drop everything
the rhythm of my heart is breaking down
won't you hear now now now now
won't you hear now now now now
won't you hear now now now now
won't you hear now now now now
 

Speaking a Dead Language- joy williams

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