2019 Playback Tohuwabohu

Session Victim need little introduction - the German duo of Hauke Freer and Matthias Reiling have been consistent providers of quality house grooves, vinyl only DJ sets (the best, obviously) and hardware only live shows.  Their current EP trilogy for Jimpster's Delusions of Grandeur label is a prime example, with Ian Pooley and Jimpster providing remixes and the likes of Nebraska, Eo and Viken Arman collaborating on the originals.  Here, the pair celebrate the series with a special mixtape...

Juno Daily - In The Mix: Session Victim - Sidequests Trilogy - mixtape - vinyl only

Italian producer Nico Lahs has produced quality house music for everyone from Josh Wink’s Ovum to  Roy Davis Jr.’s Undaground Therapy Muzik – and that’s just the tip of the iceberg.  As he releases the superb ‘Do What U Feel’ EP on his own Ufit label, we invited him to do what he likes behind the Juno decks… This is what happened

Juno Daily - In The Mix: Nico Lahs

John Paynetr - Balearic Burger_Itaca (Ibiza) 04.10.25

Aiwaska - Pipe
Elfenberg - Birkastan
Yulia Niko - Just Just (Extended Mix)
Renato Cohen - Dew
Passarani - The Empty Temple
AFFKT - Mel
Vhyce - Intensity Is Your Gift (Acid Version)
Hawke & God Within - Acid Funk (Rabbit in the Moon's Tune In-strumental Mix)
Far&High - Lymonade
Rudy With a Hoodie - 1998
Wallace - Willow
AFFKT - Vortex
Lemon Interupt - Dirty (Acid House Casual+y Stealth Rework)

John Paynter - Balearic Burger_Itaca (Ibiza) 04.10.25

A few heaters from Lab54 a few weeks back, enjoy! 🦚 x

J. Peacock - Lab54 Mix

"All-vinyl, home-cooked and seasoned with love. A fresh serving straight from Kléo’s kitchen to the House Salad table. Mixed with care, tossed with flavor, and best enjoyed together. Dig in :)"

“House is a feeling, a community, and a celebration of life.” For DJ, producer, and visual artist
Kléo aka Clélia Zida, House music is a guiding light. French-born and Amsterdam-based, her love affair with the genre began two decades ago. Schooled by vinyl’s technicalities, her sets span the full spectrum of House. Honouring the legacy of the holy trinity of dance music cities—Chicago, New York, and Detroit—rooted in the Black lineage of Disco, Funk, Soul and Jazz. Kléo embraces the essence of House culture as a movement of resilience, built on the belief that music and dance can dismantle barriers and heal communities. She leads every dancefloor from the heart, with emotion, energy, and togetherness at its core.

In her seamless mixes, the mood effortlessly shifts—from stripped-down, raw, and unapologetic jacking grooves to warmer percussive layers and vocal-driven energy with emotional resonance, then deeper into a cerebral aesthetic rich with synthesizer textures and soulful, machine-driven rhythms. Kléo celebrates the heritage of House while constantly digging for modern cuts, balancing the past and present with effortless sophistication.
Kléo embodies the essence of being here—now, fully present in the music, guiding the dancefloor with spontaneity and poise through moments of ecstatic release and deep, immersive flow—one lifting you higher, the other pulling you deeper.

In recent years, Kléo has expanded her artistry beyond DJing to music producer, record label owner, and event promoter. In early 2024, she launched her label Call 4 Rhythm, debuting with her first self-produced single, Agogo. True to the spirit of her DJ sets, the release is an invitation to let go and dial in. Across Agogo and her upcoming second release, Acid Coolada, Kléo reaffirms her commitment to House music’s ethos, blending squelchy TB-303 acid licks, jazz-tinged chords, interstellar synths, and sleek, soulful drum machines. The result is both rugged and authentic—a dancefloor affair infused with the spirit of honesty, the foundation of all her artistic endeavours.

At the end of 2024, she launched the Call 4 Rhythm party series, a natural extension of her vision. “Call 4 Rhythm is committed to creating a home where everyone feels safe, valued, and free to be their authentic selves. Here, we foster love, respect, and unity—because together, we thrive.”
In an era where inclusivity in club culture is more vital than ever, her mission is clear: advocating for love and acceptance by creating spaces where people feel seen, respected, and empowered.

Beyond the dancefloor, Kléo is a core member of the Rush Hour store crew and a resident on Kiosk Radio, where she hosts In-House, a monthly show dedicated to her current selections.

Though her roots may lie in intimate dancefloors, Kléo is no stranger to big stages. She has graced iconic clubs like Panorama Bar, De School, OHM, berlinClub, 20/44, and Peti Kupe, as well as major festivals such as Dekmantel, Selectors, ADE, Lost Village, DGTL, and LOVEFEST. Regardless of the venue, her ethos remains unchanged: connection with the crowd is everything.

As the great Larry Heard once asked, “Can you feel it?” When Kléo is at the decks, the answer is always a resounding yes.

Follow Kléo:
https://soundcloud.com/kleodisco

House Saladcast 1008 - Kléo

www.openlab.fm | 106.4FM in Ibiza & Formentera

A new era of radio begins at OpenLab. It’s an honor to be part of this artistic platform that continues the original legacy of its founder, Robert Miles — doing great work and presenting a fresh and innovative musical line with which I feel a strong connection.
I’m very grateful to the entire professional team and excited to contribute my small part and connect with listeners on the islands and online. We work for the community and will continue following the same roadmap that the show started with back in 2004: electronic, soul, jazz, funk, hip-hop, disco, roots, and world rhythms — bringing the best alternative music to our listeners.

JB Dunckel & Jonathan Fitoussi – Iris
Yuma Abe – It’s a Pleasant Place
Darkside – One Last Nothing
El Michels Affair – Shining
L’Exotighost – Firecracker
Lael Neale – Some Bright Morning
Say She She – Under the Sun
Hatchie – Lose It Again
Haruomi Hosono & Yuma Abe – Fuyu Goe
El Michels Affair & Dave Guy – Oakley’s Car Wash
Omar – Can We Go Out?
Juan Wauters – If It’s Not Luv
Durand Jones & The Indications – Lover’s Holiday
Lady Wray – You’re Gonna Win
Pearl & The Oysters – Sous la Lune Mandarine
Nükhet Ruacan – Gölge
Mocky – Infinite Vibrations
Mocky – Music Will Explain
Peter Cat Recording Co. – People Never Change
Vera Fauna – Como No Te Veo
David Byrne & Ghost Train Orchestra – Everybody Laughs
Kit Sebastian – Certain Things You Can’t Explain (I’ll Just Let Myself Go)
Tres Leches – Make Friends (feat. Hiatus Kaiyote)
Ruthven – Kiss Goodnight
Linda Mirada – Si la Brisa es Buena (Phenomenal Handclap Dub)
John Maus – Tonight
49th & Main – Most Days (feat. Brandon Nembhard)
The Zenmen – Freaking Out (Dina’s Cover)
Ata Kak – Batakari
Khruangbin – People Everywhere (Still Alive) [Live at Stubb’s]
Bardo – Funky People
Automatic – Black Box

Download our App:
IOS: bit.ly/OLappApple
Android: bit.ly/OlAppAndroid

La Captura del Sonido Radio Show 01 - Daniel Peñacoba

JoeyOD - 28.10.25

8:00 – 10:00pm
Monthly on the fourth Tuesday

www.blooplondon.com
www.facebook.com/blooplondon
www.youtube.com/blooplondon
www.mixcloud.com/blooplondon
www.twitch.tv/blooplondon
@blooplondon

JoeyOD - 28.10.25

Hosted and Mixed by Matt Masters
Artist - Title (Mix) [Label]
Kid Sublime - The Intro House Joint [Natural Element]
FCL - Can We Try (Ben Hixon Remix) [Freerange Records]
Manuel Sahagun - I'm In Love [ForTunea]
Turbojazz feat. Rona Ray - The Joy [Last Forever Records]
Glenn Davis - Let the Music [Forma Music Ireland]
Fouk - Get It Done [Freerange Records]
Yuu Udagawa - Urban Physicality (Takuya Matsumoto Remix) [Razor-N-Tape]
Thierry Tomas - My Smile [Deeppa]
Session Victim - Broken Coast [Delusions Of Grandeur]
Fish Go Deep - Hidden Path [Go Deep Recordings]
Intr0beatz - TVLK [Gabu Records]
Louie Vega Presents Funki Cadets Featuring Willy Soul - Feelin' Good Tonight (Shapes Mix) [Vega Records]

Freerange Records Radioshow No.279 - October 2025 With Matt Masters

Hailing from Ghent, Belgium, Asa Moto is the dynamic electronic music duo of Oliver “Oli” Geerts and Gilles Noë—a pairing forged in 2012 that has since become one of the most inventive forces on the continent’s club circuit.

Signed to Soulwax’s DEEWEE label, they blend analog synths, voice, funk and uncanny grooves into a sound both club-potent and artistically bold. Through acclaimed EPs like Martino and an ever-evolving live show, they invite you to dance differently—together.

November see's the pair return to the imprint with a new EP called 'Music For Disc Jockeys Pt.1'.

This mix is a tour de force if you will, they cram 82 tracks into one hour and somehow manage to make that make sense. We have no idea how they've managed it but somehow in a precariously bonkers fashion... it works.

Asa Moto: The Ransom Note Mix


1	Lynchtro
2	Frankenstein	The Ventures	
3	The Bat (1992 Digital Remaster)	The Ventures
4	Season of the Witch	Lou Rawls	
5	Get Your Acid (Featuring Duncan Gray)	Uj Pa Gaz
6	Belslow	katakana	
7	Don't Turn Away (From My Love)	Lovelock	
8	Black Jesus	9 Lazy 9	
9	Certainty Remixes-001-Temples-Certainty (Franz Ferdinand Remix)		
10	Delakota - I Thought I Caught (David Holmes Remix)		
11	The Rolling Stones - You Can't Always Get What You Want (Soulwax Remix)	
12	Aperitivo Sonico	katakana	
13	Prado	Futurum
14	You Started It All [Ron Basejam This Side Up Dub Instrumental]	Ragz Nordset	
15	A Tape From Jürgen	One Half of Bent	
16	La Jerusalèn Celestial (Stockholm Syndrome's Delayed Remix)	Visionnaire	
17	DJ_Fary_-_Flux_Magic_Carpet	
18	Loading Quicksilver With Pitchfork (Jono Ma Remix)	Babe Rainbow	
19	West End Girls	Sleaford Mods	
20	International Bright Young Thing (Phil Harding 12'' Mix)	Jesus Jones	
21	Martin_Noise_-_Pis_Turístic		
22	Bonus-Matt Gunn - Space drohne - Duncan Gray Remix		
23	Menergy Flash	Youth In Asia	
24	Boxcar_-_Comet_Jonny_Rock_Micky_The_Meteor_Remix

#009 Mark Cooper's Social on Vocal Booth Radio 31st October

Remix we made last year around the time her album dropped.

BANKS ON SOCIALS
--------------------------------
https://soundcloud.com/banksbanksbanks
https://www.facebook.com/hernameisbanks
https://twitter.com/hernameisbanks

Banks - Fuck With Myself [Ivy Lab Remix]

When Jess and I work on music together we go as "After Ours" she turned me onto the original and made this danceable.

Gazelle Twin- Heartbeat (After Ours edit)

Complicated

SpRuNg

Can anybody stop the march of The Wild Army? We hope not judging by these four gold-plated belters.

Neon Transmissions' Driving Me Crazy sounds like a lost Hacienda classic with its analogue warehouse bass, acid house piano touches and plaintive vocals. Its a main floor banger that will cause a collective rush.

On Ya Feet is heads down tracky tackle with skippy drums, driving keys and well placed samples. Its one of those records that will find its way in to every set as it always delivers.

Norway keeps on coming our way and Boblebad is a new addition to the roster. Superpus is one part techno, one part house and two parts wonk. Rubber bass, arps and all sorts of off kilter synths make it one for the left field.

Finally Whats The Funk? should have chug in the title as that's what it does. Its a builder, perfect for sunsets and sun rises as it hypnotises with delayed keys and percussion. Things are set off beautifully by strings straight out to the mid-90s. Absolute heaven.

Supported by Justin Robertson, DJ Rocca, Sean Johnston, Chris Massey, Robot 84, Get Down Edits, Alkalino, Severino & More

Pete Ahern - On Ya Feet

Paper has been pushing all things deep house and disco from the furthest reaches of the world via the good old North of England since the early Nineties.

The label has already featured a new series of EP's showcasing the best new dance music and future funk, house and disco from the world's finest producers.

We kicked off in 1994, leading the upsurge in popularity of UK house music within an underground scene previously dominated by a soundtrack from US cities like Chicago, Detroit and New York. Enhanced by a strong visual identity, as well as impeccable musical quality control PAPER was, and is one of the world’s most treasured record companies.

It continues to be funk-fuelled and bottom heavy!

“I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhauser Gate. All those moments will be lost in time like tears in rain.”

Rutger Hauer in Blade Runner (1982)

Pete Ahern - On Ya Feet

Paper Recordings

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