just done a sax remix !!! great thanks for this offer, Paul !

New & hot Swiss Chart Techno 2 April 2019

How long have I 
been out for…..
Down the creekside manor
Stared at its door
Moss overgrown
bats and peepers soar…
I woke up in the back yard
All I saw was the joker card
Missed the dance and the super bowls
Cruelty kindness or the growing toll
The wait got weighted down
Barely heard the sound
shoveled on the mound
The wait weighted down
The wait got weighted down
How long have I 
been out for…..
Down the Creekside manor
Moss overgrown
bats and peepers soar…

The Wait Got Weighted Down

Cast of Characters:
xian3-- @xian3 – vocals, lyrics, and beat programming
Holger Engel—bass
Llanpsych-- @llanpsych -- guitar, mix, and production
Entheogenic Psychonaught (Josh Clary)-- @josh-clary-1 – lead guitar, organ, and synth
 
This song started when Xian and Holger came up with the rhythm section. Xian reached out to me about adding some guitar and keys. I happily accepted and added some electric guitar, organ, and synth. Once I was done, I sent it back to Xian, who added his excellent vocals. Tez also added some subtle, yet thrilling psychedelic guitar to it, too, before producing and mixing it for us. 
  During a little odyssey Xian recently undertook, he came across this snippet of text, from which the lyrics were drawn, in the Museum of Literature in Dublin. It's from "Ulysses" (1923) by James Joyce (1882-1941) and he liked it immediately. The passage can be found in the episode "Cyclops", in which the novel's hero, Bloom, opposes division and prejudice.
  This is the first time Xian has collaborated with Tez and me, but we hope it won't be the last. Xian is everything we could ask for in a collaborator. He presented me with a really solid, but very open song, let me do my thing, and added more greatness to finish it off. We hope you enjoy listening to this as much as we enjoyed making it.
Lyrics to Alf And Bloom:

(But it’s no use) …

(- What? says Alf) …     

But it’s no use says he
Force, hatred, history
All that
That’s not life 
For men and women,

(- What? says Alf) …

Insult and hatred
And everybody knows that
It’s the very opposite of that
That is really life.

- What? says Alf
- Love, says Bloom

(- What? says Alf)
(- Love, says Bloom)

(- Love)

Alf and Bloom (with Xian3, Llanpsych, and Holger Engel)

Cosmic Dreams

Cast of Characters:
one man verity show – @one-man-verity-show – Scotty – melodic guitar, lyrics, vocals
cgmaness-- @user-419254289-15129531 – Chris – guitar intro
J.J. Terrell– @j-j-terrell –electric piano, synth  
TexMex Shaman– @texmex-shaman –Stephen – guitar solo and e-bow guitar
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums
Llanpsych– @llanpsych –Tez– textural guitar, mix, and production
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –five-string fretless bass guitar, original seed
The Eclectic Collective – composition

This song began with Josh coming up with the fonky-ass bass line and sharing it with everyone else. First up to bat was Ken, of course, who really matched the idea I had for the bass perfectly and gave it some flavor, too. Once we had a rhythm section solidified, Tez jumped in with the Kruangbin inspired arpeggios, and really gave the whole thing the flavor that it ended up with. Scotty followed soon after with his melodic/rhythmic leads that match his awesome vocal melodies. Next up was Stephen, who laid in the fiery solo towards the end, as well as some really trippy e-bowed guitar throughout. Then JJ came along and lit it up with his electric piano and synth. Finally, Chris came forward and added the distinct, exciting guitar intro. 
  Of course, we needed someone to produce and mix it, so we asked Tez to handle this one, which he did with his usual high wizardly magic. It is very gratifying to all of us to have Chris back in the mix on this one, as well as some upcoming releases, as well. This was the first time any of us has collaborated with Scotty, and we are thrilled that we finally got a chance. He's a creative, driven, and very agreeable musical partner, who's willing to work with us until we all get it right. We all hope this is just the first of many with him involved. We hope you enjoy listening to this as much as we enjoyed making it. 
Original lyrics by Scotty:

Can't obtain no fucking mortgage. 
And I can't pay no fucking rent.
I would rather you probe me 
than get fucked by our government
who attempts to control me 
and put nonsense in my head.
Who would rather see me
livin' in debt or end up dead.
Come and take me away.
Beam me into space.
Fly me to a planet
where there exists no hate or greed.

Take me to Utopia.
Teach me all your ways.
Save me from dystopia.
It's time to turn the page.
Something better must exist
out there beyond the stars,
where everyone can love and live,
unlike what's become of ours.

Utopia (Eclectic Collective)

Recording sessions from 06/04/2024 - 13/04/2024.

*** MOOG - Microfreak - Guitare - Spark

What humans of our century are sorely lacking is the mental capacity for reflection, which has become very rare!
Think before you act, because afterwards, it will be too late once the dice are thrown... victory as well as defeat, with tears and gnashing of teeth...
“It is better to think before acting than to regret after having acted” Democritus

Ce qui manque cruellement aux humains de notre siècle, c'est la capacité mentale de la réflexion qui est devenue très rare !
Réfléchir avant d'agir, car après, il sera trop tard une fois les dès lancés... la victoire comme la défaite, avec des pleurs et des grincements de dents...
"Mieux vaut réfléchir avant d'agir que regretter après avoir agi" Démocrite
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Cover Art - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
- #Ambient #Movies #Experimental 
________________________________________________________________________

Reflection

37°

Longing (Remix)

Having a little more fun,  Happy weekend!

A Shady Palm - Jamie Rhind

Well, let’s see…. Glad you dropped by because you get to listen to some electric slide with some vocal harmonies. The lyrics come from a first draft of another song I recently wrote. They were ideas I had about war and peace, and the beliefs behind them. So now there are two different songs each unique in their own way. I remember way back when, going to a cemetery with my grandma and our family, to visit my grandfather’s grave. I was 10 and had my younger brother on my shoulders as him and I walked around reading the names on the gravestones out loud, and laughing, while making up our own funnier names using theirs… We were having a grand old time… My dad walked across the cemetery to get us. He was angry. He marched us over to this dank stone church, and told us to sit in there and not make a peep. When my grandma died, my parents planted a memorial dogwood tree in our yard. My other grandmother whispered to me, when I was still a kid… please don’t let them plant a tree for me when I die. I liked her. She told it as it is. No bullshit. Oh, that dogwood died shortly after it was planted. Well I got side-tracked from what I really wanted to say. Such is life. Hope you like the song, Mark

Lammbone's Album

Dead Flowers

Five  All In One

My first DAW song!
I enjoyed very much doing this song?
Can you also enjoy it?

Under Pressure
In this world of expectations where success is a decree
All the pressure from everywhere can easily break you and me
Schooling us with numbers and facts, who care is’s breaking our backs
All the promises I must keep still hunt me in my sleep
In this circle of demands the pressure still expands

Education should be the key, but if the pressure breaks me?
What if I cannot break free?

You think when I smile I’m shinning so bright, but deep within there is a fear I can’t fight
All the pressure closing on me, expectations, how to be free?
How can I handle the wight before it is too late?
The obligations are so strong, where do I belong?

Success is what we strive for, but I wonder if there’s more
Expectations are everywhere,  all the pressure I have to bear

Under Pressure

Spotify

Droplex & Steve Kid - Unique Flavor

HOUNDED - Open Collab Paploviante 2019
Paploviante Music
BPM 115
The track is downloadable as a mp3 file!
You can complete what you want!
If you publish it, you have to mention me in the description and title!
Thanks for listening!

Hounded - Open Collab Offer - Free DL

DEBORAH DE LUCA live @ INPUT Barcellona 22.02.19

Veerus makes his Drumcode debut, after an impressive contribution to Truesoul’s VA EP in 2017.

The Italian has built up an impressive discography over the last decade, dropping records on labels including Terminal M, Octopus, Filth on Acid and his own Le Club imprint. His collaborative with Maxie Devine ‘My Train’ was a highlight of Solomun’s classic Boiler Room in Tulum, which has clocked 37 million views. In late 2017 he linked up with Brits OC & Verde for the fantastic ‘Naaki’ that featured on Truesoul’s first Various Artists EP, ensuring he was an artist well and truly in Adam Beyer’s sights. 

His maiden outing for Drumcode mines 20 years of history, taking inspiration from classic trance and acid from the ‘90s, which he distils to create powerful modern techno works. ‘Hypnosis’ was a huge highlight of Beyer’s Awakenings show at Gashouder during ADE. It’s characterised by an engrossing call-and-response dynamic Veerus builds between the 303 acid warbles and the melodic stabs that run throughout. A track custom made for big moments.  ‘Apocalypse’, like its name, is more menacing. Veerus constructs the work to mimic the dramatic theatre of a gladiatorial scene in a film, as heart-fluttering chord progressions, a piercing synth line and dystopian melody mark this memorable track.

Buy all

Veerus - Hypnosis - Drumcode - DC203

Chinese born Tzusing has spent time in Chicago, Singapore and Taiwan and “this condition of dislocation” is what informs his music. It is a brash mix of industrial textures, harsh broken techno and subversive pop, trap and rap that is all blurred into one borderless offering that mirrors his own personal intersections. That music has come on LIES since 2011 and has given rise to standout LP 東方不敗 in 2017 that lead to shows on Boiler Room, Dommune and at Berghain. 

He was quiet on the release front in 2018, but has started this year with a new split EP on Pan, and now offers us a musical catch up ahead of him playing at Dekmantel Festival later in the year. Over the course of seventy minutes he jumps around restlessly, but somehow his sounds remain united by shiny metallic surfaces whether he’s mixing in Asian pop, whirring computer sounds in meltdown or horror-core. To us, it sounds like a futuristic soundtrack to some hyper urban metropolis that’s on the brink of collapse, and it’s genuinely compelling.

Dekmantel Podcast

Dekmantel Podcast 224 - Tzusing

Thanks much for 815980 Plays, 43392 Likes, 26920 Reposts, 10222 Comments and 7243 Downloads since 2016 !!!
Explanation to my open collabs (You see it in the title or the description):
The track is downloadable as a mp3 file!
You can complete what you want!
If you publish it, you have to mention me in the description and title!
If you want the track different ...contact me!
------------------------------------------
Unfortunately there are always people who use my open collab tracks, but don't have the decency to like the original track or to repost and comment...shame on them!
I will not support such collaborations anymore, no matter how good they are!

Hounded - Open Collab Offer - Free DL

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