For many bands, making music is all about the routine of recording an annual album, or being able to tour in progressively bigger venues.  Not Matt and Kim.  "Our goal is to make music we want to hear," says Matt Johnson, who co-founded the band with Kim Schifino. "When it comes time to make a new album, I'm just so excited, since I know we have all these ideas and I just want to get them out there."  As for the band's extra-emphatic live shows, which these days happen in large venues, he explains, "We've always just really enjoyed playing music, and things have kept growing." 
 
Matt and Kim's enthusiasm comes across loud and clear on the band's last album, Lightning, its most diverse and developed to date.  From the relentless drive of “Now” to the dance-fueled beat of “Let’s Go” to the more contemplative “Ten Dollars I Found,” Lightning is the strongest distillation yet of Matt and Kim’s unique sound: a spunky hybrid of indelible songs, an emphatic beat and almost tangible energy, mixed with the duo’s influence of listening nonstop to Top 40 Hip-Hop and pop-punk.
 
To make the album, Matt and Kim spent six months working in their home studio in Brooklyn, producing the record themselves. Lightning is a touch more minimal than their earlier work – with layers taken away, instead of added, enabling its intense performances and memorable tunes to really come to the forefront. “What’s made the songs on this album really strong is we’ve been able to pull a lot off – to not have so much going on – and still have a strong song,” Kim explains.
 
“It’s easier to make a song with a lot going on,” Matt adds. “It feels very safe. It’s like putting on a lot of clothes: you feel all covered up so no one can judge just one aspect of it, but when you try to break it down to be as simple as can be, you’re really baring it all.  When you can see clearly what’s going on, those are the times that the songs are easiest to connect to.”
 
Connecting with their audience is certainly a key focus for Matt and Kim.  The indie dance duo’s live shows – which are legendary for constant, in-your-face exuberance – feel more like vibrant, sweaty loft parties than traditional concerts, for both audiences and the band. “I think we’ve managed to continue to make them feel intimate,” says Matt. “When we first started playing venues instead of playing on the floor at parties, we tried hard to keep the vibe of ‘we’re all doing this together and having a wild time’ going.  The show is not just the two of us: it’s the 3002 of us, or however big the venue is.”  Or, as in the words of Rolling Stone: “Matt and Kim’s reputation as a live act precedes them – and justifiably so. Simply put, they are a two-person dynamo, frantic, tightly wound, and full of good cheer. Their performances are as physical as they are musical. . . . For sheer adrenaline-per-second, no other band comes close.”

The band started in 2004, essentially by accident when Matt and Kim were art students at the prestigious Pratt Institute, where they studied film and illustration, respectively.  When Kim wanted to learn to play drums and Matt (who'd been in bands before) was getting his head around a new keyboard, the band was born. Since then, they have earned a Gold Record for the upbeat, stick-in-your-head track "Daylight," played festivals like Coachella, Lollapalooza, and Bonnaroo, along with international festivals like V (U.K), Pukkelpop (Belgium), Fuji (Japan), Big Day Out (Australia), Primavera (Spain), Oya (Norway), SWU (Brazil), as well as hundreds of shows. They have won 3 MTV awards: a Breakthrough Video Music Award and mtvU Best Video Woodie Award for “Lessons Learned”, as well as a 2011 award for Best Live Band. Lightning is the band's fourth album, following Sidewalks, Grand, and their self-titled debut.
 
Matt and Kim have always been inspired by Brooklyn’s general urban din as well as the area’s artists, yet Matt points out, “I don’t think a place can define a person. We simply write songs about us and our life so that’s why where we live comes up.”
 
Indeed, there’s something universal about a song with a beat that grabs you, with a great melody, played by a band that simply loves to play music.  And that, in Williamsburg and way beyond, is the key to the universal appeal of Matt and Kim.

The New Album 'Birds That Flew and Ships That Sailed' - Out Now

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Dutch DJ and producer duo W&W, formed in 2007, continues to push boundaries with their high-energy fusion of big room, trance, techno, and hard dance. They’ve earned over 12 million monthly Spotify listeners, and have a decade-long presence in DJ Mag’s Top 25. Known for their anthemic festival hits, they perform at the biggest worldwide festivals and have over 20+ million followers across all social media platforms. W&W’s imprint label Rave Culture has become a staple in the modern dance scene, shaping the sound of Mainstage EDM with relentless energy.

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