Created in 2011 within the institution's cutting-edge studios, these pieces are united by their deep engagement with spatial sound as a compositional material and their use of ZKM’s proprietary software, Zirkonium, for 48-channel spatialization.

Striping Strings and Broken Objects is an act of sonic archaeology. It begins with the intimate, material presence of a prepared piano, a nod to experimental tradition, and subjects it to a rigorous process of granular decomposition and spatial scattering. It is a study in entropy and transformation, where every string scrape and resonant fragment is magnified and set adrift in a immersive loudspeaker orchestra.

These compositions are not merely "recorded"; they are documentations of performances within a specific architectural and technological environment, the 48-loudspeaker dome of ZKM. The stereo versions presented here are careful reductions of the original multichannel works, which were designed to be experienced in a dedicated sound diffusion space.
créditos
de Dyspersive Objects, lançado em 20 de setembro de 2025
Composed, produced, and spatialized by Hugo Paquete
Developed during a research residency at ZKM | Institute for Music and Acoustics (2011)
Spatialization using Zirkonium software
Mastered for high-resolution digital release

License: All rights reserved. Unauthorized duplication, reproduction, public performance, or broadcasting is prohibited.
℗ & © Hugo Paquete

Striping strings and broken objects 2011 Hugo Paquete

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soundcloud does not allow me to follow more people, but i love to hear you music....
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Ambient Soundscapes and Music
Bright or Dark
Wall of sound or Minimal
Electronic or Acoustic
Live Versions and some tracks are part of my performances (e.g. FaBIan)

Black Marine is an award-winning avant-garde composer and performer.

Bio

Rui Bonito started his journey through music in his early teenage years, studying Drums and musical theory.
Several genres were addressed since then, from Jazz to the realms of experimentation and underground genres.
Later he studied audiovisuals and worked has a sound engineer for TV broadcast and then recording and producing bands and making live sound engineering.
On Electronic and Electroacoustic music he found the creative freedom and experimental approach that led him to expand himself to composition and release his first album.
Currently composing music mainly with modular synthesizers, field recordings, tape machines, pedals and glitchy equipment, as well as his own voice among other instruments.

Last few copies remaining of my "Low Key" album on limited CD edition at: https://thirstyleavesmusic.bandcamp.com/album/low-key

Hugo Paquete music exists at the intersection of sound and computation. Through a practice of blending granular textures, algorithms, and spatial audio, his work navigates the space between post-techno drive and experimental sound art. Each release is a sonic system, an ecology of rhythm, noise, and resonance co-composed by machine precision and human perception.

Expect deep noise textures, speculative synthesis, audiovisual fusions, and sonic reflections on a post-human future.

field recordings and electroacoustic sound compositions