Just went to their concert. You can tell there's not a shred of editing. Will definitely be seeing them live again. Much energy. Love love love.

i hope parachute never changes, stay the same, your wonderful!

NewpunkΙΙ

The Way It Was

Something To Believe In (Album Version)

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U Got

Grab this track, along with the rest of the album for free on http://killparis.com/set/galaxies-between-us/ 

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Operate (feat. Imad Royal)

Young & Unafraid

🔻 Song Insight
“Holding Off Tomorrow” dives deep into the ache of emotional aftermath—the war zone that love sometimes leaves behind. The song’s core is about carrying someone else’s weight, trying to rise together but landing in hell, and finally realizing that some wounds only open wider when you refuse to let go. With raw lyrics and grunge-laced alt rock energy, this track paints the stormy process of breaking free from patterns that hurt, and the reluctant hope of surviving another day.

🔻 Lyrics
Verse 1:  
Just another project of regret  
It's your shit you hang on me  
I'm not your bitch, don't forget  
Yeah, we spun up to heaven  
But we landed in hell

Pre-Chorus:  
Set sail on broken parts  
Every fiber of my heart  
Thought this could be whole  
It was, a whole new level of hell, with you

Chorus:  
We fought the war on love  
You’re stuck in a past, lost blood  
Trifling things you can't change  
It's raining down sorrow  
holding off tomorrow  
But when the day start to end  
In hell it all begins  
In hell it all begins

Bridge:  
Burned-out hopes in a flood of blame  
I’m done playing this losing game  
No light left, just this pain  
We circle the drain, circle the drain

Chorus:  
(repeat)


🔻 Personal Reflection
Sometimes, the only way out of hell is to name it. “Holding Off Tomorrow” is about what it feels like to carry someone else’s pain and finally admit that it’s breaking you down. This track was written in the shadow of endings—holding on too long, blaming myself, until it became clear that some love stories are really just lessons. It’s a confession, a letting go, and a survival anthem rolled into one.

🔻 4Me2BeFree
For 4Me2BeFree, every song is a living memory—raw, unfiltered, cinematic. “Holding Off Tomorrow” stands as another chapter in turning lived trauma into relatable art, mixing the grit of 90s alt rock with confessional lyrics that pull no punches. Our mission is to transform true emotion into something that resonates across time and identity, letting listeners know that their struggles are seen, heard, and shared. Real pain, real release, real music.

🔻 Copyright Notice
"All lyrics and content featured in this post are protected under copyright (© 2025) and have been securely time-locked and validated through a crypto-based verification system to ensure originality and ownership. Unauthorized reproduction or distribution of any part of these works without explicit consent is strictly prohibited."



Holding Off Tomorrow

Yes - Owner Of A Lonely Heart

A cover of the song “Heaven Falls / Falls On Me” originally by Surfaces

Heaven Falls / Fall on Me - Surfaces

This Is My First Song I've Posted on Soundcloud but if there's any improvements please tell me. Sugar We're Goin' Down is By Fall Out Boy and released in 2005 from the album "From Under The Cork Tree".
This is my First Album that i'll be making, "Sex On Fire" (not to be confused with the Kings Of Leon song) tells a story of a 17 year old man who has a secret fetish for Pokemon and cannot hide the secrets within the Internet.

Sex On Fire

Sugar We're Goin' Down

Will Anderson: Lead Vocals, Guitars, Piano
Kit French: Saxophone, Keyboards, Vocals
Alex Hargrave: Bass
Johnny Stubblefield: Drums
Nate McFarland: Lead Guitar, Vocals

For the members of Mercury Records group Parachute, the name of their third album, Overnight, could well be a sly commentary on the hard work and commitment it’s taken for them to experience the success that’s been building over the last four years and first two albums. Their 2009 debut Losing Sleep featured the Top 15 single, “She is Love” (boasting more than 6.5 million views), while 2011’s The Way It Was included the #1 iTunes Rock Song “Kiss Me Slowly” (co-written with Lady Antebellum) and the Top 15 hit “Something to Believe In.”

Or it could refer to the late evenings put in by chief songwriter Will Anderson, burning the midnight oil, writing in his new Nashville base, after moving from the band’s hometown of Charlottesville, VA (where they were discovered and signed to Dave Matthews Band’s Red Light Management out of college). Anderson composed more than 50 songs for the album with a variety of collaborators, including Ryan Tedder (the first single, “Can’t Help”), as well as Grammy winner Chris DeStefano [Kelly Clarkson] and Ashley Gorley [Carrie Underwood, Keith Urban] on the title track.

“Even though there’s plenty of pressure to break through on your third album, the actual recording process was much less stressful,” says Will about the band’s sessions at Ocean Way in Nashville with producer Oren Yoel, a young contemporary who has worked with hip-hop phenom Asher Roth as well as Miley Cyrus, among others. “All of us were on the same wavelength. We all kind of knew exactly what we wanted without having to say it out loud. There was a weird sense of peace that we knew where we were going and where we needed to be.”

From the pop fervor of “Can’t Help” and the powerful simplicity of “Hurricane,” composed on acoustic guitar by Will after a long frustrating day, to the ‘80s Phil Collins-meets-U2 flair of “Waiting for that Call” and the slow Peter Gabriel/John Mayer jam of “The Other Side,” Parachute prove adept at combining guitarist Nate McFarland’s Edge-influenced arena-rock guitar licks with Will’s melodic sense of what will resonate with their passionate fan base. 

It’s no surprise for anyone who has followed the band’s history. Will has been playing with drummer Johnny Stubblefield, bassist Alex Hargrave and saxophone/keyboardist Kit French since they were high school classmates in Charlottesville almost 10 years ago. Anderson met Nate while attending University of Virginia together, and the guitarist joined the band six years ago.

“We’re just now getting to know one another as musicians as well as we know each other as people,” says Will. “We wanted to capture a sound in the studio that reflected us as a band. And we all know which parts each of us had to play to get that sound.”


The band’s stylistic palette can run the range from old-school legends like Stevie Wonder, Elton John, Paul Simon and Bruce Springsteen to newer acts like U2, Coldplay, Weezer, Ben Folds, Maroon 5 and John Mayer.

With producer Yoel, the band has even begun to stretch the boundaries, with Will’s spoken word vocals adding almost a hip-hop flavor to a new song called “Didn’t See It Coming,” about an actress friend of theirs in Hollywood excited to land a gig, only to discover it was an X-rated feature.

“That’s probably the catchiest song I’ve ever written,” he says. “I just laid down this spoken-word track, thinking we’d replace it later, but everyone loved it so much, we kept it on.”

Anderson is most proud of “Hurricane,” a song he wrote before going to sleep by strumming an acoustic guitar.

“It’s like the feeling you get when you think you’re never going to be able to write another song,” explains Will. “Once I started, it all came spilling out.”

Anderson credits guitarist Nate with creating parts that were “just perfect” for each song. “He really nailed it, with a unique spin to every song that made them epic, but at the same time, within a pop framework. That’s something we’ve always tried to do, melding his rock guitar to my sensibilities, making it work both for the arena and within the melodic sense of strong hooks. I think we really nailed it this time.”

Having played more than 400 shows over the last few years, touring around the country with everyone from NeedtoBreathe to Andy Grammer, Parachute’s live show continues to grow and impress. They’ve also played before several million at a New Year’s Eve celebration in Times Square, as well as appearing on NBC’s The Tonight Show with Jay Leno, ABC’s Good Morning America and Jimmy Kimmel Live and CBS’ The Early Show. The band’s songs have been featured on MTV’s The City along with CW’s One Tree Hill, Vampire Diaries and 90210.

“It’s so nice to have three albums’ worth of material to choose from in concert,” says Will, while the band has always played an eclectic variety of covers, from Spencer Davis Group’s “Gimme Some Loving” to vintage tracks from Elton John, Billy Joel, Bruce Springsteen, Stevie Wonder, the Commodores and Motown. “We’re just now hitting our stride as a live band. We’re better musicians who have come to trust one another. We all have our pocket and fill it. But we still have a long way to go.”

Overnight has a little something for everyone. Longtime fans will recognize their favorite band, with a fresh sound bound to intrigue newcomers.

“The last album was like taking a brand-new car straight off the lot,” says Will. “This album is just as fun to drive, but it’s like a vintage Mustang, a little more muscle and grittier, built to last.”

On their third Mercury Records album, Parachute is firmly in the driver’s seat.


Something To Believe In (Album Version)

Parachute

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