22_06

Don't Call Us, We'll Call You

breakbeats

@phasmidmusic
@gimmeabreakrecords

Buy:
https://gimmeabreakrecords.bandcamp.com/album/gab-presents-the-0113-enquiry

PREMIERE: Phasmid - Deadpan [Gimme A Break]

PHYSICAL: https://one-eye-witness.com/release/1651667515/Byron-Yeates-Sweat-Ur-Prayers
DIGITAL: https://radiantlove.bandcamp.com/album/byron-yeates-sweat-ur-prayers

A1. Sweat Ur Prayers
A2. Waves

B1. Dreaming Is Essential -  Byron Yeates, Eoin DJ & Ruin
B2. Sweat Ur Prayers (Lawrence Lee Remix)


@byronyeates @eoindj @ruinxxx @lawrencelee

Sweat Ur Prayers, the next wavy addition to Radiant Love’s catalogue, is the first solo-EP of Byron Yeates. In their messaging, their timbres and grooves, the 4 tracks speak faithfully to Yeates’ inclinations as a DJ and label-head: the playfulness and buoyancy, a constant nod to the roots of rave, and a faith in dance music’s transformative power.

Opening the release is the title track, a bubbling and breakbeat-laden 8 minutes. Mantric repetition is a running theme throughout the EP, and we hear “Raindrops falling all around, freeing me from other sounds; trickling down my weary eyes, bringing me back, I’m ready to fly” as an opening salvo. Yeates’ is known for his vast, enduring DJ sets, inducing sheens of sweat from all involved – with these tracks, it’s clear he’s unafraid to take his time to build tension as a producer as well. The percussive conversation between hi-hat and snare complexifies until a clap enters near the 2 minute mark and suddenly we’re in the main, driving groove.

“Waves” is a dial-back to downtempo, floatation and introspection. The dancer and writer Gabrielle Roth is sampled, speaking on her 5 Rhythms movement meditation technique – the term “sweat your prayers” comes from her texts on ecstatic physicality. The track shimmers and sways in bright pads and delayed-out drum breaks, setting the reflective tone for “Dreaming is Essential”, co-produced by Eoin DJ. Opening with Radiant Love co-founder Ruin, her candid vocals are perfectly aligned for the dancefloor’s vulnerability: “What am I avoiding? I wish I could hold myself, like the dance holds me.” The track unfolds through layers of percussion and shadowy texture, taking a pivot to optimism halfway through, as a warm synth-line accompanies Ruin’s repetition: “Dreaming is essential.”

Lawrence Lee’s remix of “Sweat Ur Prayers” adapts the bounce of the original’s bassline to a classic, stabby rave synth. Again there is a percussive focus, but force and warmth are foregrounded, rather than polyrhythm – a shot, rather than a spritz. We hear again the opening mantra, and although “I’m ready to fly” may seem in opposition to Ruin’s “Let the dance hold me”, Sweat Ur Prayers seems to say they are one in the same movement.

BYRON YEATES
Title: SWEAT UR PRAYERS
Cat: RADIANTLOVE005
Format: 12”
Distributed: ONE EYE WITNESS
Mixed and Mastered: MARCO PELLEGRINO
Artwork: BYRON YEATES
Text: NAT MARCUS

BYRON YEATES - SWEAT UR PRAYERS

MAC-V - Phong Nha - (EP IS OUT NOW)

Does It Really Matter

Casting a self-reflexive lens over his roots via the medium of crushing, future-rushing soundsystem sonics, Low End Activist returns to Sneaker Social Club with a full-length of monumental proportions.

When the Low End Activism 12” ignited on Sneaker in 2019, it paid tribute to the Blackbird Leys estate in Oxford, UK, where LEA originates from. In the shadow of social inequality and strengthened by the unity of the multi-ethnic community, Blackbird Leys still imposes a powerful influence on LEA’s work, even as he’s stepped out onto Seagrave for last year’s Game Theory album and notched up the first couple of releases on his own self-titled label.

On this new album, Hostile Utopia sums up the conflicting emotions attached to memories of home – how it’s possible to feel nostalgic for the griminess of urban and suburban Britain, its ordinary tales of bitterness and frustration, but also its intrinsic passion and solidarity. At a time when social division is actively engineered by Machiavellian forces, real conviviality at street level feels like an impossible dream.

LEA communicates these tensions through a style which is becoming his signature – dynamic bass torsion and chiseled, fractalised rhythms slugging around the 130 mark. It’s moody like a UK-themed record ought to be, but it’s not morose. There’s fierceness in every snap and rumble, as the legacies of hardcore, jungle, dubstep and grime pour into the casing prior to the gunpowder lighting.

On previous LEA releases, the MC roll call has pointed to some of the most vital voices touching the mic in the present day. Flowdan, Sikka Rymes and Trim all had something different to impart over the riddims, and now Hostile Utopia expands on that with the most extensive show of lyrical strength yet. Mez lights up the woozy, abstract grime swerve of ‘Mercenary’ in a musical style. Emz brings a ruthlessly sharp verbal steez to ‘GetGet’, Killa P gets busy toasting over ‘DFRNT STYLE’ and ‘Superhighway’ carries the dexterous hip-hop flow of Cadence Weapon.

In between those standout tracks, LEA expresses just as much in the production. Tracks brimming with stories to impart, laden with symbols masquerading as samples and draped in aural garb that firmly places Hostile Utopia in a place, a mood, that could only belong to the UK. It’s a hybrid sound just like the society it sprang from, and therein lies its power.

Low End Activist ft.  Emz - Get Get

Pre-Order - https://fanlink.to/HHANDS021

Vinyl Release - 27th May 2022
Digital Release - 24th June 2022

We have rolled around to one of my favourite forms of Holding Hands releases. The various artists goodness that is Slam Jams, this being number 3.

I have drafted in bangers of the highest calibre from the likes of Ste Roberts, Bolam, Inner Zone and Yosh. They go high, they go low, they go fast and they go…slightly less fast. If you like slammers, and I’m guessing that you do, then this will be a veritable day out at the fair for your ears.

OK enough of my blather. Go and listen to the damn things yourself and decide if you like them, rather than trying to work it out from reading a bloody press release you weirdos. 

All four tracks are produced and sculpted for the club. They want big sound systems and dark rooms. Close your eyes, hold hands and experience transcendental space flight...

Slam Jams Vol. 3

Pre-order

Various Artists - Slam Jams Vol. 3 (HHANDS021) [clips]

Returning after a 2 year hiatus, London label GlassTalk return with Spin Cycle EP, coming courtesy of emerging South London producer, @djcoefroms11 (Coe) (aka George Whitehead). The follow up to his acclaimed debut release Radial on Dublin's Woozy label last year, Coe now lands on GlassTalk with 3 brand new tracks, alongside a remix from 3024/Version affiliate @yaksound (Yak). Chopped snappy vox and snips of laughter sit over a volley of bouncy kick and sludgy bass tremors - this is futuristic, cheeky, tripped out electro, prime for a full club meltdown.

The full EP, is a showcase of Coe's affinity for mutant bass explorations, kinetic club sounds and intricate percussion, informed by his first love, Dubstep. Super Natural creeps along at a slower roll with acidic menace, while TORE, a nasty techno dancehall lurker that twitches near to a rinse-out peak, only to restrain itself with patient Half-Time tension. Spin Cycle also features a remix from UK based artist Yak (DJ Mag's 'Breakthrough Producer', 2019). His Super Natural refix surprises those familiar with his previous work, opting for a full DnB breakage session with modern flair. It's a glorious end to another killer release in Coe's small but impressive canon of forward thinking club music.

Spin Cycle title track available from 17th May, 2022
Full EP release June 10, 2022

Mastered by Boris English at Park View Studios
Artwork by Ed Finn
PR by Genevieve Taylor at Glisten PR

Spin Cycle EP

Out Now

GLASS005 - Coe - Spin Cycle EP (Previews)

Farrago

Sayonara

I'm What You Need

Intro For Now

Embodying the mutant nature of club music in the modern age, Cocktail Party Effect comes bowling into Sneaker Social Club with a taut, wiry sound which joins dots and melts barriers at will.

The brainchild of Charlie Baldwin, who previously recorded as Kasket, Cocktail Party Effect has been forged over the past six years through heavy bursts of sound design anchored by soundsystem dynamics veering between 140 and 160 tempo zones. From 2020’s self-titled LP on Tectonic to drops on Osiris, Cold, Transfigured Time and more, Baldwin’s deftly avoided allegiance to any specific scene and instead deployed shock-inducing gear for DJs with fortitude to test on their crowds.

On SNKRX010 the commitment to physicality is prevalent across all four tracks, veering from the deadly broken beat barbs and artful fills of ‘Racka’ to the splintered breakbeat rushes and stop-start aggravation of ‘C.A.T.C.R’. ‘Grims8’ is perhaps the purest manifestation of the Cocktail Party sound though, all monochrome rigour with the contrast turned way up, powered by steely, gleaming rhythmic impulses and writhing with dense layers of sonic matter. Watch out for the glutinous bass snarl of ‘58bethe7’ though, which slams in sideways with an unabashed rave instinct crushed through a post-modern production lens.

Baldwin may be operating on his own terms, but on this 12” he demonstrates versatility to match his originality, resulting in four inventive dance destroyers tooled to bridge between styles, sets and scenes. 

@cocktailpartyeffectmusic
@sneakersocialclub

Buy:
https://sneakersocialclub.bandcamp.com/album/snkrx010

SNKRX010

PREMIERE: Cocktail Party Effect - 58bethe7 [Sneaker Social Club]

Jersey Club Edit de un reggaetonazo hermoso de la reina Arca!

Arca - Prada (Genosidra Jersey Club edit)

Ohhh my days have I been excited to share this one with you all! I started this track earlier in the year, and it quite quickly became part of my inspiration to start up this new self-release platform. 

Breaka recordings is a space I'm going to use to explore new dimensions to my sound. I will be using it to release new material I’ve been creating, and some collaborations between myself and like-minded artists. 

For this first one 'Breaka001' I've collected together four tracks from the last year of my music creation. The four tracks span a wide range on influences from my classic Breaka sound, to a more jazzy, broken tip. 

Also Included are collabs with my friends Lydia Kotsirea and Bradley Hutchings (AKA Guava) both of whom are immensely talented and I'm honoured to have them in the project. 

Breaka 001 is out on Vinyl 22nd Nov and digital 29th Nov

PREORDER LINKS:

https://www.unearthedsounds.co.uk/products/breaka-breaka001
https://www.juno.co.uk/products/breaka-001/754037-01/
https://www.redeyerecords.co.uk/vinyl/116139-breaka001-breaka-breaka-001
https://www.deejay.de/Breaka_Breaka_001_BREAKA001_Vinyl__941783

etc.

BREAKA001

A1. 'Icy Grills'

Pa.ʁa.di.(z) Aʁ.ti.fi.sjɛl is an alternative electronic music ensemble from Montréal formed by vocalist Odile Myrtil and musicians Ourielle Auvé & Victor Bongiovanni. Their eponymous self-titled album showcases a raw proposition of existential fragility. It expresses a perception of vulnerability and sacredness through a sonic palette of experimental music, post-punk and pop.

Watch:

You’re Like The Sun : bit.ly/36TgXDZ

Suoni 2020 Live : https://youtu.be/JWG69Xyic_Q

Pop Montreal 2020 Live: https://youtu.be/_A30MB3CXls

Contact: paradisvirtuels@gmail.com

Does It Really Matter

Paradis Artificiel