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"fun"

Sylvan Esso

Coffee

Buy on iTunes: http://apple.co/1OaSLQD
Order on Amazon: http://amzn.to/1QdGJSY
Order on Spotify: http://spoti.fi/1Ga3pSI

Buy on Bandcamp

The Mighty Sceptres - Siren Call

The Paradise Bangkok Molam international band

http://www.hartzine.com/mawimbi-interview/ (in French)

A special mixtape we made for Hartzine. 
@ssck

Tracklist: 

Cottam - Untitled B2
Konono nº1 - Paradiso (Qechuaboi Remix)
Theo Parrish - Dan Ryan
Gemini - Le Fusion
Aybee & Afrikan Sciences - Ordinance
L.B Dub Corp - Nearly Africa
Sobz - Reino De O Tambor (D-Malice Afro Expression)
Crazy Cousinz - Inflation
Unknown Artist - Festa
Yonurican - Boriken Soul 
Lechuga Zafiro - Sapo de Manga
Issa Bagayogo - Filaw (Chief Boima Remix)
Owiny Sigoma Band - Sunken Wrecks (Pilooski Remix)
Bookworms - African Rhythms

SSCK (Mawimbi) Mix for Hartzine (February 2014)

Natural Walkway -กาล EP Album

ดอกไม้เจ้ายังคอยเวลา ให้กลีบผลันร่วงสู่ดินนภา
เบิกบานไป เบิกบานใจ
โบกพัดลัดทุ่งทิวเเสนไกล จุดหมายที่คอยเวลา
ให้เป็นไป ตามเวลา
เเบ่งฝันร่วมเดินทางยาวไกล เก็บไว้ความดีความงาม
สุดปลายฟ้า 
โบกพัดลัดทุ่งทิวเเสนไกล จุดหมายที่คอยเวลา
ให้เป็นไป ตามเวลา
ให้เป็นไป ตามเวลา

Natural Walkway -กาล EP Album

Breach indulges some of his more underground and experimental tendencies on the 'Artis' EP. Bringing in bits of his past (the exotic, colourful vibe of "Fatherless" can be detected in the lush atmosphere of "Artis") along with some sounds newer to the moniker, Breach gets beautifully moody here and will once again keep people guessing as to what's coming next.

Breach - This Ones For You You Know Who You Were

To celebrate the release of The Sound of Siam volume 2 compilers Chris Menist and Maft Sai put together this mix for us.  

The Sound of Siam volume 2 - Molam & Luk Thung Isan from North-East Thailand 1970 - 1982 

Soundway’s second foray into South East Asia is focused on North-East Thailand, the epicentre of Molam and Luk Thung Isan music. Hypnotic phin & khaen riffs, pulsing, electrified country rhythms and heartfelt vocals punctuate another journey into the lesser known reaches of 1970s Thai music. 

The first volume of The Sound of Siam, released in 2011, was the first introduction for many to the artistry and innovations of modern Thai music. One of the most popular compilations on Soundway Records the music even made it onto the big screen with ‘Mae Jom Ka Lon’ by Dao Bandon featured on the soundtrack of ‘The Hangover Part II’.  In an interview with LA Times Mick Jagger spoke of discovering the collection that “some nutter put together” after hearing the riff from Jumpin’ Jack Flash on one of the tracks from the compilation.

http://smarturl.it/SoundofSiam2

Sound of Siam vol 2

Chris Menist and Maft Sai - Sound of Siam volume 2 MIX

An original score composed by Tom Rosenthal for The Collaboration Project featured on JacksGap. 

What Do You Love

Download this track on iTunes: http://smarturl.it/HudMoRemix
Download 'Caustic Love' on iTunes: http://smarturl.it/caustic.itunes
CD & Vinyl also available: http://smarturl.it/causticlove

Follow on Spotify: http://spoti.fi/19hGEfv
Like on Facebook: https://www.facebook.com/PaoloNutini
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http://paolonutini.com

Download on iTunes

Iron Sky (Hudson Mohawke Remix)

‘Summer Rain’ is their latest single, it gives insight into the bands perspective on life. They attributed the rain in bringing liveliness and that in a time of despair, we only need to endure an instant of it, push forward and eventually something great is bound to happen without realizing, just like the summer rain. 

DCNXTR - SUMMER RAIN

Release date 02.12.2014

"On his visit to Kinshasa James Brown dubbed him *Mister Dynamite*"  

It has been a struggle to lay hands on Verckys, although the man doesn´t go unnoticed. Notorious for being one of Congo´s most ruthless business men, the legendary musician had build a whole imperium in Kinshasa, the capital city of the central african power house (arguably one of the toughest places in the world) and has a whole building with his name, in the very heart of the city.

So I travelled to the Congo in June of 2013 to find Verckys only to find out that he headed in opposite direction to sort out his health issues. But I did meet his manager who gave me his phone number, so I called:  "Oh Monsieur Samy, we need to met, lets talk business", he said, probably not knowing that I was an independent record label, with all it represents.  But the more I spoke to the men the more I realised that he was genuinely interested in music more then anything else. The following message I received few weeks ago, confirmed my feeling:

"Samy, I am writing to you because I´m a little worried. I´ve been thinking about your selection and I now wonder if your compilation will do well due to the fact that the chosen songs had little impact in Kinshasa. Others had much more success"

I was surprised but pleased to see that he cared about the project although I had already paid him in full. But why wouldn't he? Its his music after all.

"Most of the songs you´ve selected were recorded in Nairobi, for the Kenyan market. These songs did very well there, also in Zambia, but here in the Congo they flopped...except for "Ya Nini", that was a monster hit. Still, I am very surprised you´ve mentioned it has become a legendary track in Colombia, positively surprised"

This compilation was supposed to be released in October as a limited edition of 2000 copies, but after a few Skype chats with Verckys, seeing that he has come to terms with his health issues, and pushing for a European tour come next summer, we´ve decided to release this as Analog Africa No.17 which is now going to see light of day first week of December. 

In the mean time enjoy this incredible slice of "Congolese AfroFunk", probably one of the best coming out of the continent. "Cheka Sana" has become one of the most sought after 7inch singles around (the B side is killer as well). Collectors and diggers offering crazy sums for it (I don't even dare to mention the sum here). It deserves to be heard by more then just a handful....and it should set fire to many dancefloors around the globe.

Be so kind and leave a comment in the soundcloud. I will forward all of them to Verckys himself as an encouragements to come back stronger !!! 
Thank you for reading.
Samy (Analog Africa)


Listen and buy here

Cheka Sana - Verckys & Orchestre Vévé - Analog Africa No.17 (Please leave a comment for Verckys)

Tools Music Video: http://vevo.ly/PbbScU

iTunes: http://smarturl.it/Yellerkin-Tools
Spotify: http://smarturl.it/Tools-Spotify

Facebook: www.facebook.com/yellerkin
Twitter: www.twitter.com/yellerkin
Contact: yellerkin@gmail.com

Artwork by Catherina Turk

Tools

Song // Monday Monday
Artist // Warayouth
album // animal machine in china (Ep.)

วันนี้ฉันยังเหมอลอย เจ้านกเพื่อนโอ้ยฉันยังเฝ้าคอย
เธอทำได้ไหมให้ฉันรู้สึกดี ไม่อยากจะรับรู้ทุกสิ่งใด
ไม่อยากตื่นนอน แค่อยากกอดหมอน 
ไม่อยากตื่นนอน แค่อยากกอดหมอน
ก็แค่ไม่อยากตื่นนอนในทุกวันจันทร์เวลา ไม่อยากตื่นนอน
ก็แค่อยากจะนอนกอดหมอน ในทุกเช้าวันเวลา แค่อยากกอดหมอน
ไม่อยากตื่นนอน แค่อยากกอดหมอน 
ไม่อยากตื่นนอน แค่อยากกอดหมอน

Monday Monday

* OUT NOW ON NINJA TUNE RECORDS *
Bonobo Store: http://smarturl.it/flashlightbonobo
Ninja Store: http://smarturl.it/flashlightninja
Amazon: http://smarturl.it/flashlightaz
iTunes: http://smarturl.it/flashlightit
Spotify: http://smarturl.it/flashlightsp

EXPLORE FLASHLIGHT: http://bonobomusic.com/flashlightep/

Flashlight

iTunes

Its an honor to do a remix for them. 
This one's different.

Buy III by BADBADNOTGOOD on itunes https://itunes.apple.com/ca/album/iii/id855303931


BADBADNOTGOOD - Kaleidoscope (Kaytranada's Flip)

@waxist-selecta 1 hour every month on www.lemellotron.com

Tracklist › http://www.lemellotron.com/show/serendipity-music-radio-show-21
Archives › www.lemellotron.com/serendipity-music-radio-show

Waxist - Serendipity Music Radio Show 21#

Sample track from forthcoming LP by The Paradise Bangkok Molam International Band '21st Century Molam' on the Studio Lam label

Kwang Noi Chaolay

Release date 02.12.2014
"On his visit to Kinshasa James Brown dubbed him *Mister Dynamite*"

It has been a struggle to lay hands on Verckys, although the man doesn´t go unnoticed. Notorious for being one of Congo´s most ruthless business men, the legendary musician had build a whole imperium in Kinshasa, the capital city of the central african power house (arguably one of the toughest places in the world) and has a whole building with his name, in the very heart of the city.

So I travelled to the Congo in June of 2013 to find Verckys only to find out that he headed in opposite direction to sort out his health issues. But I did meet his manager who gave me his phone number, so I called:  "Oh Monsieur Samy, we need to met, lets talk business", he said, probably not knowing that I was an independent record label, with all it represents.  But the more I spoke to the men the more I realised that he was genuinely interested in music more then anything else. The following message I received few weeks ago, confirmed my feeling:

"Samy, I am writing to you because I´m a little worried. I´ve been thinking about your selection and I now wonder if your compilation will do well due to the fact that the chosen songs had little impact in Kinshasa. Others had much more success"
I was surprised but pleased to see that he cared about the project although I had already paid him in full. But why wouldn't he? Its his music after all.

"Most of the songs you´ve selected were recorded in Nairobi, for the Kenyan market. These songs did very well there, also in Zambia, but here in the Congo they flopped...except for "Ya Nini", that was a monster hit. Still, I am very surprised you´ve mentioned it has become a legendary track in Colombia, positively surprised"

This compilation was supposed to be released in October as a limited edition of 2000 copies, but after a few Skype chats with Verckys, seeing that he has come to terms with his health issues, and pushing for a European tour come next summer, we´ve decided to release this as Analog Africa No.17 which is now going to see light of day first week of December.

In the mean time enjoy this imperial slice of Congolese Afrobeat. "Bassala Hot" is doomed to  cast a spell on each and every dancefloor that dares to spin its bewitching sound. Beware!!!

Thank you for reading. Samy (Analog Africa)

Listen and Buy here

Bassala Hot - Verckys et l´Orchestre Vévé

Next cut to 'Kwang Noi Chaolay', with Nick Manasseh once again at the controls, stripping the tune back and rewiring the music into cosmic, disco dub territory. Leftfield dancefloor business for 2015, coming soon on Studio Lam.

Tricky Little Dub

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Free Download

Mark Morrison - Return Of The Mack (Viceroy "Jet Life" Remix)

[Low bitrate MP3]

http://www.danielavery.co.uk
http://www.facebook.com/danielmarkavery
http://www.twitter.com/danielmarkavery

Daniel Avery - Movement (Andrew Weatherall Remix) [Throne Of Blood]

for Band of Brothers music event by Silpakorn's students

Here come frequency

ขอให้-The Bottom Blues

Gérard Kremer - El Hombre Celoso (Thornato remix)

CHROMATICS / CHERRY

Frikstailers - Guacha (Thornato Remix)

retrospect

Release Sincere EP:

Beatport: bit.ly/moodssincerebp
iTunes: hyperurl.co/sincereitunes
Bandcamp: bit.ly/moodssincerebc
Juno Records: bit.ly/moodssincerejuno
Spotify: bit.ly/sincerespotify

Vinyl distribution by Kudos (UK):
bit.ly/sincerekudos

I'm proud to announce my new release on Boogie Angst (Kraak & Smaak). I've been a longtime fan of Kraak & Smaak's work and the fact that my music will be released on their label is incredible for me. Unreal! 

• Sincere EP is a collection of three tracks that I have produced over the last few years. They are translations of joyfull sincere moments I have experienced in my days. The one's that stick with you for ever. So with that said, enjoy!

Peace & Love

Moods

Moods - Love Is Real (Sincere EP out now)

Inspirative - You
postrock from thailand

Inspirative - You

วัฏจักร : Desktop Error [Cover by Tum, Benz & Me]

Ikebe Shakedown, the self-titled album from the Brooklyn-based band, plays with elements of cinematic soul, Afro-funk, deep disco, and boogaloo in all the right ways.  After spending a few years together the group, named after a favorite Nigerian boogie record (and pronounced “ee-KAY-bay”), delivers a driving set of tunes featuring a mighty horn section anchored by tight, deep-pocketed grooves.

“Right now in cities across the globe, there are plenty of great Afrobeat revivalist bands aping the sound and groove of Fela Kuti’s legendary sound.  Yet, surprisingly few of the new groups have strayed from an orthodox interpretation of the genre or done much real innovation…Ikebe Shakedown is here to change that.  The band takes signature Afrobeat elements—big unison horns, slinky bass lines, tight little guitar licks—and blends them with tasty grooves culled from ’70s-style horn-driven funk”. – Marlon Bishop, WNYC

The Ikebe debut for Ubiquity Records sees the band push their globally-informed sound and eclectic approach to tune-writing into new territory. “Self-titling the album is a way to introduce the audience to the many facets of the band — to provide a more complete understanding of what we do,” bassist Vince Chiarito says.  “Our sound has grown to incorporate our influences without overtly representing any one in particular.  It just sounds like us,” he adds.

Most of the rhythm section met at Bard College, and the band rounded-out and officially formed when everyone settled in Brooklyn in 2008.  From there, Ikebe has emerged as a compelling voice on the progressive local scene.  After a run of dates around NYC, the band recorded their debut 7” single and the EP, Hard Steppin’, which was released on Colemine Records in 2009,receiving high praise from critics and fans alike.  The group was invited to record at Dunham Studios with producer Tom Brenneck and at Killion Sound in Los Angeles, home of engineer Sergio Rios of fellow Ubiquity act, Orgone.  “The studios share a lot of similarities — the tracks were all cut live to tape with minimal use of headphones and overdubs.  This basic approach allowed us to dig in and really focus on getting dynamic performances,” Chiarito explains.

The old school mentality to recording spills over in lush, laid-back, and soulful funk joints like “Kumasi Walk” and “No Name Bar,” where the multi-layered horn section plays off a cavernous backing track of slick drumming, spacey Hammond organ, and nimble guitar riffing.  The cinematic soul sound is warm and deep, with the 7-piece band sounding more like a larger ensemble as increasing layers leap from the tape.  At the other end of the BPM counter, on “Tunjunga,” the band build a gritty African disco jam boasting a floor-filling percussion section, adding seductive guitar licks and an irresistible bass-line to set the horns ablaze. “Tame The Beats” is pure fire — bold melodies and heavy rhythms propel the song, with Meters-esque breakdowns providing only brief respite from the action.

Tujunga

นั่งเล่น - เพราะเธอ Feat. ธีร์ ไชยเดช

FRANCIS BEBEY, pionnier de la musique électronique africaine dans les années 70 a été rehabilité l'an passé grace à l'indispensable compilation "Francis Bebey - African Electronic Music 1975-1982" sortie l'an passé sur Born Bad Records. Sous la houlette de PILOOSKI, initiateur du projet, c'est aujourd'hui la crême des producteurs DJ qui s'est mobilisé pour lui rendre hommage avec un casting imparable allant de Pilooski à Daphni (Caribou) en passant par IT'S A FINE LINE (Ivan Smagghe et Tim Paris), YOUNG MARCO, POPULETTE et ETIENNE JAUMET ( Zombie Zombie).
 
PILOOSKI : https://soundcloud.com/pilooski
DAPHNI :https://soundcloud.com/caribouband
IT'S A FINE LINE MIX : https://soundcloud.com/welove/its-a-fine-line-tim-paris-ivan-smagghe-we-love-space-ibiza
FRANCIS BEBEY : http://www.bornbadrecords.net/releases/francis-bebey-african-electronic-music-1976-1982/

FRANCIS BEBEY "BISSAO" (Pilooski Edit) - REMIX

NTOKI HABBA

Kygo
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http://www.instagram.com/kygomusic 
http://www.twitter.com/kygomusic 
https://www.youtube.com/user/KygoOfficialVEVO/ 
http://kygomusic.com  

The XX - Angels (Kygo Edit)

The concept of Paradise Bangkok was born out of looking for records. Back in 2009 DJs Maft Sai and Chris Menist pooled together their collection of obscure Reggae, African, Jazz and Thai vinyl to put on the very first Paradise Bangkok party, a place to drink, dance and enjoy the natural musical links between sounds from across the globe. Thai luk thung and molam, both popular, rural music styles were spun alongside Mulatu, Augustus Pablo, R.Burnam and Fela Kuti, and the duo ended up playing in Japan, Vietnam, Germany, London, Switzerland, Austria and France. They also co-compiled the two volumes of 'Sound of Siam' for Soundway, as well as 'Thai? Dai!' for Finders Keepers. Chris is now back in London, working as a musician and writer, whilst Maft runs the Zud RangMa HQ record store and label in Bangkok, as well as the Studio Lam bar just next door.

The Paradise Bangkok label they both run initially focussed on reissuing lost Thai classics, many of which were only ever produced in small numbers. Issued in runs of 500 only, with screen printed, hand stitched and stamped sleeves, the sought after 7s were then collated on one LP in 2013, complete with a comic illustrated by Lewis Heriz. The newly set up Studio Lam label focusses on new music coming out of Thailand.

The Paradise Bangkok Molam International Band made their live debut in the Thai capital in 2012. Drawn from different music scenes in Bangkok, the band, (initially formed to back vintage luk thung and molam vocalists who sang live at the events) consists of Kammao Perdtanon on phin (Thai lute), Sawai Kaewsombat on khaen, a type of bamboo harmonica, Piyanart Jotikasthira on bass, Phusana Treeburut on drums and Chris Menist on percussion. Before releasing any recordings the band undertook two successful tours in 2013 and 2014 which included a support slot for Damon Albarn in Berlin, stepping in at short notice for Solange Knowles at Off Festival in Poland, as well as gigs in Germany, France, Switzerland, Belgium and the Czech Republic, all to great acclaim.
