Losing your mind in the brainforest at night. Scratching out ancient signs in the undergrowth. Hitting panic mode in an old railway tunnel. Running topless through the trees with camo-dirt smeared on your face. This is what it sounds like.

Beams

NKC - Strak

410 - Think Again [SS ED1T]

In ‘Next Life’ the ashes of Tzusing’s tracks are reanimated by some of his favorite producers.

Tzusing & Hodge - LCD (Estoc's TFW Your Name Is Written On The Ostrakon Remix)

Taken from SBKT049: Osheyack - Intimate Publics
Release date: 8th June 2022

Intimate Publics, Osheyack’s second album, is an homage to Shanghai, the city he has called home since 2012. Over the past ten years the producer has evolved from an avid club-goer to a key member of the vital soundscape that emerged from ALL Club and its predecessor, the now defunct club The Shelter. As hinted by the title, which draws on American social theorist Michael Warner’s work on publics and counterpublics, the album expresses a commitment to mining the utopian potential of club music, forging new worlds and generating future social relations, just as the artist bids farewell to the city at a moment of uncertain transition. While tracks like 'Edging' and 'Thrall' continue to present his signature collage of harder club music, the rest of the record reveals a shift to synthetic approximations of acoustic instruments. 'Still', the central track of the album, is a piece composed almost entirely of samples found on Vocaloid (a vocal synthesizer developed by Yamaha, commonly used to give voice to Japanese virtual idols). While echoing themes explored in previous projects, like the nature of realism and authenticity in a techno-mediated landscape, Intimate Publics is charged with an unexpected emotional candor and vulnerability, unveiling a personal side Osheyack is only beginning to explore.

Words by Alvin Li
Artwork by Xiaofei Qiu
Design by Luke Griffiths
Mastered by Raphael Valensi

Intimate Publics

Osheyack - Thrall

Between UK bass continuum, percussive experimentations and other sharpened rhythms, B E N N signs a solid track on the first compilation of the label POSTWORLD.

Read more on CxC 🔗 couvrexchefs.com/en/b-e-n-n-postworld-photon

Article

PREMIERE: B E N N - Photon (POSTWORLD)

Azulo & JÅLØ- Soul Gathering (GEWOONRAVES)
Release date May 3rd 2024

Master by Michael Katana

Soul Gathering

Free Download

Azulo & JÅLØ - Soul Gathering (GEWOONRAVES) [FREE DOWNLOAD]

@le_dom "Schism" EP

Out now : https://ledom.bandcamp.com/album/schism-ep

Written and produced by Le Dom
Mastered by Jeremy Cox
Artwork by Weirdcore

PRDX006 - Paradoxe Club
www.paradoxeclub.fr

Schism

Le Dom - 13 Layers Of Stone

UK DJ They-Ra announces ‘Never Decay, Vol.1’ compilation, with all proceeds going toward The Outside Project LGBTQI+ homeless shelter. Hear the rapid-fire rhythms and weighty bass of Teya Logos & Lvers’s ‘Link Up’ now

More info: https://djmag.com/music/premiere-teya-logos-lvers-link-up

NEVER DECAY, VOL.1

Premiere: Teya Logos & Lvers ‘Link Up’

Breaksy, sparse rhythms. 

More: https://ins-rt.net

Crawl & Dwell

Premiere: Kuthi Jin - Crawl (Le Dom Remix) [TV Showw]

Artist: @galtier
Catalogue Number: IM079
Album: Dancing On Ruins
Release Date: July 31st, 2020
Format: Digital
Artwork by @benfikaa
Mastered by Kamil Sarcowicz

Making his return to the Infinite Machine catalog is Nostro Hood System boss Galtier with his 3 track EP ‘Dancing On Ruins’; a relentless slug of driving percussion and discordant atmospheres. Taking quite a step from his 2018 ‘Terran’ EP released on IM, Galtier abandons the hopeful, up-lifting, sometimes euphoric mood that has characterized much of his sound for the last few years and flexes his ability to handle anxious, hard-hitting techno-influenced material – a healthy departure from the purposeful, existential theme evident in earlier works.

‘Dancing On Ruins’ is characterized by its dusty, weather-beaten sound palette, as if such music was created and played in a desolate, lifeless world to provide solitude for the stoic beings that reside there. It is fast and aggressive, utilising techno-esque sonics as its base, yet it avoids being scary or oppressive or too stereotypical in nature.
‘
Scuffed Souls’ leads into the chaos with the pounding force of its 909 kick that thumps over the ever-evolving, fundamentally gothic sequence of melody. It is menacing and daunting to say the least, and gets straight to the point. Rhythmically it is reminiscent of classic rave-inclined techno but draws for quick transitions evident in contemporary club music. Crisp, pointed hi hats play gracefully amongst the angry soundscape and are quickly scared off by the growling Moog bassline that rumbles in to occupy the decrescendo.

The rhythm is broken and far more syncopated on ‘Precious Quartz (To Reave), which likewise increases in BPM from 140 to 148. Being the most stripped back, percussively oriented track on the whole release, Galtier flexes his capacity to execute myriad shifts in rhythm and pace as the majority of the track chugs along, the vessel made up of a its short but monstrous kick, sharp hi hat slashes, restrained 909 rides and a mutated bell call – warning others of its approach.

Finally the namesake of the EP, ‘Dancing On Ruins’, takes place, leaving the zenith of the release’s unnerving energy for last. Galtier combines elements of UK Techno rhythm with loose UK Funky instrumentation and meshes the two and speeds things up significantly. Though the rhythm returns to a more pulsing, simply structured state, the hollow lead is pulverising and raw throughout the whole track. This, accompanied by the blistering 150 BPM tempo, makes it a vicious, restless beast.

Tracklist:

1. Scuffed Souls
2. Precious Quartz (To Reave)
3. Dancing On Ruins

Dancing On Ruins

Galtier - Dancing On Ruins (IM079)

@nemerov 

'The idea of the remix project sort of implied itself along the creation of the album: since I treated creating music as planning journeys in ‘cities’ that are made out of several dozens of sonic building blocks, I quickly realized that besides releasing music as ‘finished’ tracks, I very much wanted to share my experience of discovering such journeys with my fellow artists as well.

I believe this project opens up the structures and possibilities of ‘Automated Dances’, where each producer reacts true to their own artistic values and aesthetics. Exploring, experimenting and reconstructing is the very nature of what we do - with ‘AD Remixes’ we wanted to share the joy and excitement of all of these creative processes. At the same time, I consider ’AD Remixes’ to be a celebration of some of my dearest artists living and working in the cutting-edge electronic music scene today.

Let me thank all of you who contributed to this project, you are truly inspiring me to think and feel about music in many different ways. And obviously, a huge thanks goes for EXILES label-boss Erik: without your persistent help and support, this project would be a non-existent one.'

@rami-abadir

mastered by Roland Nagy
artwork by Hargi Csík

www.instagram.com/hellohargi/

Buy Remix Album

Nemerov - AD05 (ABADIR remix)

Paris based record label www.paradoxeclub.fr

🖄 message@paradoxeclub.fr

@rinse_france resident

Le Dom - 13 Layers Of Stone

Paradoxe Club

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