Four Days was live for Aprils instalment of Slate Sessions with his guest We Buy Gold. They run through two hours of Jungle and Experimental sounds from the likes of Etch, Sully, Asquith and more.

Slate Sessions w/ Four Days and We Buy Gold - April 2021

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Further Electronix with Anil Lal & Skanone - 07.05.2021

Next episode of #normcoreattitude is curated by our dear friend @sisterf
Will be a special one with @arlow.ntropy , Italian born, Bristol based producer focusing on beats, drum and bass and anything 170, one half of the production duo NTROPY, along with B.Run.

1st h Sister F  2nd h Arlow

Artist/Track name

Toki Fuko - What will enlightenment give me
Huerta - Aerial Interlude
Calibre, DRS, Mark Ernestus - Bad
2562 - Enforcers
Paradox - Proceed
Huerta - All wild things are shy
Gav Ley - Xenomorph
Pugilist - Heavy Lies The Crown
Borai, Denham Audio -"Skrrrt"
Folding City - Spacewalk (Doctor Jeep Remix)
Pressa - 95 Dub
Al Wootton - Maenads
Toki Fuko - Focused ad absorbing
Primal Code - Conjuration
Ghost Warrior - Dreamcatcher
Entire - Blackburn
Listen - Re-entry
Ntropy - Binary Thinking
D'tch - Reparation Dub
Dominic Ridgway - AQ07 - Jaskin & Uneven Remix
Arclight - Eye Wal
Eusebeia & Arlow - Matter
Sumo Jungle - Grand Senshuuraku
Concealed Identity - Fabian
Jaskin & Uneven - Reach Ou
Ruffkutt - Dub World
Concealed Identity - The Nightingale Floor
Nucleus & Paradox - Love Her
Eusebeia & Arlow - Anti Repressant
Kloke - Artificial Memories
Arlow & No_Name - Land Of Silence
Coco Bryce - Deep Into The Jungle
ASC - Cold Snap
Ntropy - Zenith

NormCore Attitude 17 w/ Arlow & Sister F

Parallel Action
1HR Vinyl DJ set
Parallel Action & Charlie Boy Manson EP Launch party at the Cause. 
N17. London
21 May 2021

This set is not monetised in anyway. It's for the love of sharing good music.

Parallel Action_DJ Set_Live at The Cause_21 May 2021

Premiere Club Furies #337

Istota es el productor de Poznań, Polonia, dueño de The Black Crane, con lanzamientos en Ronin Ordinance, Literature Recordings, Mindtrick Records, Rawganics, Hangout Music, Singularity Audio. Ahora aterriza en Diffuse Reality Records. 

La disquera afincada en Barcelona presenta su trabajo titulado "REM Phase", compuesto de seis pistas originales y remixes por parte de Stereo IMG, Francesco Argentieri y Lucati3l.

Nuestro debut para Istota es el estreno de la pista numero seis, la que da pie a las remezclas: 'Get Back To Reality'. ¿Seremos capaces  de ir al mundo de Istota y regresar a nuestra realidad?

Premiere completa: https://clubfuries.com.mx/2021/05/31/premiere-cf-istota-get-back-to-reality-diffuse-reality/

Istota: @iam-istota
Diffuse Reality Records: @diffusereality

Artista: Istota
Título: REM Phase
Remixes: Stereo IMG, Francesco Argentieri & Lucati3l
Sello: Diffuse Reality Records
Formato: CD | Digital
Catálogo: DRSS178
Masterización: Juta
Trabajo de Arte: Natalia Volkova
Fecha de Lanzamiento: 3 de Junio de 2021

Tracklist: 
1. Capybara Falls
2. Rollover
3. Head Trip
4. Stuck In The Dream
5. Zzz
6. Get Back To Reality
7. Capybara Falls (Stereo IMG Remix)
8. Head Trip (Francesco Argentieri Remix)
9. Head Trip (Lucati3l Remix)

Like & Repost ❤️🙏

Sigue a Istota:
https://soundcloud.com/iam-istota
https://bandcamp.com/istota
https://www.facebook.com/iamistota/
https://www.instagram.com/iam.istota/

Sigue a Diffuse Reality Records:
@diffusereality
diffusereality.bandcamp.com/music
www.mixcloud.com/Diffusereality/
twitter.com/diffusereality
www.facebook.com/diffuserealityrecords/
www.youtube.com/c/DF909/featured

Sigue a Club Furies:
@clubfuriess
https://clubfuries.com.mx/
www.instagram.com/clubfuriess/
www.facebook.com/clubfuries

REM Phase

Get Back To Reality

Support & Buy

Premiere CF: Istota — Get Back To Reality [Diffuse Reality Records]

Produced by (Dreeternity 
Written by (Lilithchrist
Written by (Weeone
Mixed by (Lilithchrist and Weeone
Mastered by (Weeone

The shining

Einsamkeit

Hook Sample: 
All Love Until they fake 
We got yo name in graveyards 

All  Love Until they fake 
We got yo name in graveyards 

All Love Until they fake 
We got yo name in graveyards 

All Love Until they fake 
We got yo name in graveyards

Verse 1: 
Bitch im Dressed in all blacc 
All my demons got my bacc 
Pussyboys are scared like cats 
Leave em running like they dad 
Tucking tails n talking cap 
We don't got no love for that 
Stomp'd yo face out like a mat 
leave em screaming cuz they rats 

Verse 2: 
its that pop pop pop 
Watch em all drop 
Walk em down just like dawg 
5-0 Die slow,  kill em all
No face no case, fuck yo laws 

Send em underground with they family blood 
No shame no names with no fucks
Throw they bodies in the truck 
Jeepers creepers on the hunt 
For them piggys we choppin down swine 
Armer spercing thru yo spine 
Hold it together but you gon die 
Bleed out trying while your crying 
love to see the fear in yo eye
Screaming like fish on fire 
Killing off yo hating mind

Vocals by FRED VANDAL, go check out this mf : https://soundcloud.com/fred-vandel

.prod Mateusz C.

THEY BLEED BLUE FT. FRED VANDAL

Acclaimed UK electronic musician Kevin Richard Martin (The Bug, King Midas Sound) releases a stunningly powerful rescore of Andrei Tarkovsky’s seminal 1972 movie Solaris on Phantom Limb.

In May 2020, British musician Kevin Martin was invited by the Vooruit arts centre in Gent, Belgium to compose a new score for a film of his choice. Having been long inspired by pioneering Soviet filmmaker Andrei Tarkovsky, Martin tells us that his 1972 masterpiece Solaris was the “natural choice”. The film is an unattested giant, not only of science fiction and Soviet film, but also in the annals cinematic history. And its original score, composed by regular Tarkovsky collaborator and early Soviet electronic musician Eduard Artemyev, is a magnificent work of haunting majesty, a key element to the film’s brilliance. Martin’s challenge was great: “it was with a certain amount of trepidation I stepped into such large footprints,” he writes.

The results - an all new score entitled Return to Solaris - are breathtaking. The film is intense, psychologically devastating and bleakly compelling. Interweaving themes of love, horror, sorrow, nostalgia, memory and dystopia, Martin’s score expertly mirrors this expansive breadth of psychic weight, from existential dread to heartbreaking poignancy, with immense emotional gravity. Drawn to its “narrative struggle between organic, pastoral memories of a lost past, and the harsh, dystopian realities of a futuristic hell,” Martin employs atonal noise, simmering waves of distorted synthesis, undulating drones and otherworldly, astronomic sound-design to crushing effect. Subtly submerged recurring motifs - reflections of individual characters - rise and fall amidst the fog, occasionally illuminating the doom like motes of starlight, before settling back into the density of space.

Album opener “Theme for Kris'' begins with a shimmering, alien tone, mimicking a disembodied, metallic choralsong that creeps and snakes about an unsettling frequency range. Ghosts aboard a deserted space station. The hissing, technological dystopia of subsequent track “Solaris'' sends evaporating torrents of steam through bulging, clanging, echoing chords, while later on the record, “In Love With A Ghost” revisits these same passages of seething doom, but now refocused into billowing, droning clouds of noise.

Determined that his score should retain the eerie, dreamlike mood of the film and authenticity to its era and origin, Kevin mined his analogue lab for suitable instruments and recording equipment, favouring antiquated, hands-on hardware over computer-based production techniques. With Voorhuit’s help, he acquired an original Pulsar 23 drum machine, created by cult Russian synth builders SOMA Laboratory. Appropriately, much of his rescore is centred around its spectral, strung-out sounds.

The project represents many firsts for Kevin: his first commissioned soundtrack; his first composition to picture; his first work in his new Belgian home after a move from Berlin; his first live performance to film screening. On completion, he performed Return to Solaris to picture over sold out two nights in October 2020, in the beautiful Voorhuit concert theatre of Gent, Belgium. And, with huge personal significance, this was his first public performance of the Covid era. He performed to a socially distanced crowd, many of whom unaware of his existing profile, “which made the rapturous reception and incredible feedback to the performance all the more memorable,” he writes.

Tarkovsky’s Solaris won the Grand Prix Spécial du Jury at the 1972 Cannes Film Festival and was screened for an incredible fifteen years uninterrupted in the Soviet Union. It is placed highly in “greatest movies of all time” lists published by Empire and the BBC, among others. Steven Soderburgh directed a Hollywood remake in 2002, starring George Clooney, and scored by Cliff Martinez.

In Love With A Ghost

On the Fly's Back... No Tracks.  Live Set.

Outside The Inside

“Si Va Bene” by Jolly Mare and Benoit B is taken from the new compilation "Extra Muros Italy".
Fully produced and recorded in Italy, at the Norman Castle of Sannicandro di Bari (Puglia).

Order (vinyl & digital):
fleeproject.com/order/em20​
flee.bandcamp.com/album/extra...​

Out 26.05.2021

© Extra Muros 2021