Modularity

1. Detuned saw waves at unison. 

2. Detuned square waves at unison, then detuned, then tuned and fine tuned to an octave apart. 

3. Both sine waves, playing with original module depth exponential FM. 

4. Monitoring one sine wave and FM'ing it by sine, saw, and square waves at the factory module's FM depth. Then sine modulating at Extreme FM depth. Change that wave to square. Goes out to pitched noise.

5. Pitched noise via Extreme FM cross-modulation. Monitoring only one oscillator.

6. Pitched noise via Extreme FM cross-modulation. Monitoring only one oscillator.

258B Special Edition Basics

Buchla100Take2

Test program 1 - Shasta Cults

Fourchestra - Shasta Cults

My last night with the dual Creature panel. Exploring dual SSG/TGO feedback loops.

The Last Night - Serge feedback system

158A dual oscillator clone doing FM, two examples. The second opens with the waveform set to its mellowest, which is still a ratty triangle, not a sine. Extreme on purpose! Does subtle as well!

158A Try 1.WAV

Another VCDO + Zeroscillator FM > wave folder > lopass gate drone, with some modulated delay celebrating the triumph of death.

Drone Of The Dead

A 158A clone going through the 410 LPF, no CV modulation but twiddling the front panel Frequency knob. Then, two filters in series for a deeper cutoff. 

410 LPF. 158A Saws

A track made with the modern Buchla 208c and a 1968 Buchla 100 system.

Young and Old

Chromaplane Jam

Stumbled on this progression showing the modular to friends. Blacet Binary Zone into Miniwave (w/ scale quantizer) is the "sequencer" feeding the Modcan VCDO into the Super Delay (100% wet - we're not hearing any original signal) into White/Buchla 292c clone.

Binary BBD progression

2x lw 258 oscillator through vcfq. er101 triggers dtg which opens the vcfq

lw 258 test

a short test with the fantastic LW 258VCO (coupled with serge waveshaper). this connection and the joint feedback path makes these two osc extremely versatile. lots of harmonic overtones and even undertones possible depending on what mixture of wave is going through the tws.
also a test how to use the addac stochastic function generator in a tamed setting, every envelope is slightly different, the sequence gets "humanized".

stochreich

Edited excerpts from a ~30 minute exploration, which will be source material for new music by I, Parasite.

Cyndustries Zeroscillator gets modulated and sent into a Modcan Dual Multimode Filter in bandpass mode.
Take a look at the picture for the basic patch.

Very pleasant on headphones.

ZeroBias (excerpts)

Continuing this theme...

Zeroscillator square wave into Quad Lopass Gate into Super Delay. Listening to 100% wet output of Super Delay.

Sequence is from Synthesizers.com Q119. A Q106 VCO in LFO mode is just baaarely modulating Super Delay delay time. A Q109 ADSR is shaping the lopass gate.

From there I'm going into a Mesa Boogie 1x12 tube amp, w/ spring verb all the way up. Recording-direct output of that into A-Designs REDDI tube DI > EAC312v preamp > API 525.

Slow warble, part infinity

Modcan VCDO into STG Wave Folder, the index of which is modulated by an LFO.

Various Synthesizers.com modules provide the rising and falling speed triggers that ping  two cascaded lopass gate sections on the Cyndustries Quad LPG (in "both" mode).

Pretty typical timbre->LPG sounds, but I hadn't really played with this kind of thing since I received the QLPG module.

Buchlaish timbres

Recording & mix engineer. Synth nerd.
Misery: Winter Is The Wound | Ex: http://www.soundcloud.com/IParasite

ZeroBias (excerpts)

parasitk

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