Fragmentum lapidis immortalitatis

Aqua blanditur saxa

Mix of experimental music with a guitar and a smartphone

Pulvis hominis

In Puro Corde

Birthing

I Am a Tower

Teuis

Single taken from my forthcoming album 'Quiet Pieces', released on 30 May 2025
https://abulmogard.bandcamp.com/album/quiet-pieces

PRE-ORDER ALBUM

Following a dream

For almost two decades, I have been tirelessly seeking honesty in music. I aim to find the sounds with which the artist speaks. Soundscapes that make you feel. Atmospheres that not only fill your room (and headphones) but truly transport you into another time and place. I will never forget the first time I heard Abul Mogard’s music. I was mesmerised. His intricate attention to sound design, rich textures, and manipulation of the created environment instantly transformed me into an avid fan. His music didn’t just augment my mood; it seemed to seep into my being, altering the code behind the perception of my mind. I didn’t just listen to his music, I invited it to be a part of my condition. In an effort to delve deeper and spend more time with such music, and more importantly, the composers themselves,  I created Headphone Community, where I feature an artist for an in-depth exploration. In the last three months, I’ve highlighted the sounds of James Murray, Ben Chatwin, and Erik K Skodvin. Today, I am honoured to announce that Abul Mogard will be the featured artist for the entire month of June! I invite you to join us on this journey, with the knowledge that your financial contribution will go directly to the artist!

Join here: https://www.patreon.com/c/HeadphoneCommunity

TRACK PREMIERE : Abul Mogard - In a studded procession

Full tracklist: https://bleep.com/bleep-mix-303-abul-mogard

With his latest solo album Quiet Pieces initiating his imprint Soft Echoes, Abul Mogard mixes composers and collaborators that have permeated his discography and inspirations. An impeccable sense of flow and continuity defines these selections, as Mogard says: "I imagined this mix as an atmosphere you could inhabit – a quiet weave of pieces I’m drawn to. It’s a sound collage of old and new music, where tracks meet and overlap gently, carrying you along in a flow while subtly shifting the scenery beneath your feet." From groaning ambience to trilling winds and warm washes of glitching noise comes a frisson of flutes on Stefano Pilia’s ‘CADUX / Plectere’ over an all consuming rumbling bass drone. Mogard highlights vocals in the midsection: the hissing of ‘Anticredos’, Meredith monk’s harmonic conterplay with arrays of pointillist vocal notes, Félicia Atkinson’s spoken word barely rising from its quietude, before brewing a dense buzzing electrical storm of swirling currents and gyres with the final few tracks, the rugged and visceral clockwork of Rafael Anton Irisarri mechanically crumbling as William Basinski’s piano notes eternally intone.

Fragmentum lapidis immortalitatis

Paratethys