Turbo Recordings is proud to present 'Consumed In Key', a reimagining of Plastikman’s 1998 magnum opus ‘Consumed’, TRANSFORMED as a new collaborative composition between original artist Richie Hawtin and musical genius Chilly Gonzales… a project three decades in the making, brought into the world by Executive Producer & co-visionary Tiga. 

‘Consumed in Key’ is born of the obsessive love of a timeless work of art, an obsessive fascination untempered by fearful reverence. It is the result of a 30-year cycle of musical evolution and inspiration, a touch of Canadian kismet and artists finding common ground where others would see none.

More than anything, it is a beautiful piece of music born of our times:  immersive, haunting and ultimately joyous. 

Stream the debut single ‘Contain (In Key)’ & preorder the album via www.ConsumedInKey.com

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Consumed In Key

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Plastikman & Chilly Gonzales - Contain (In Key)

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Akın Sevgör - Dialogue

لالایی اشک و یخ
برای کودکانی که کشته شدند، و مادران و پدرانی که داغ‌دار. 
با صدای آیدا شاه‌قاسمی
کاری از ادیب قربانی، 
....................................
سر کوه بلند بارونه امشب
به چشمات یه شفق مدیونه امشب
خبر دادی دم صبح از سر دار
که باروی ستم ویرونه امشب
...............
Lullaby of Ice and Tears
Vocalist: Aida Shahghasemi
Composer: Adib Ghorbani

Dedicated to all the parents who lost their child and all the children who lost their life and future.

Lullaby of Ice and Tears

Amber Eyes

Peter Dallas & éol - Amber Eyes

sighs

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Stream on all platforms https://idol.lnk.to/Rone_Motion

Composed and produced by Erwan Castex
Arranged by Romain Allender
Orchestration by Jehan Stefan
Recorded at La Maison Nationale de l’Orchestre d’Ile de France
With Les Siècles Orchestra, conducted by François-Xavier Roth
Piano performed by Vanessa Wagner

Recording by Alix Ewald
Mixed by Cesar Urbina (Cubenx)
Mastering by Zino Mikorey
Management by Didier De Raeck
A&R by Alexandre Cazac
Artwork & design by Motoplastic 
℗ & © 2019 InFiné

Motion

On his third solo album, following the success of "Éternel été”, the founder of the electro duo Nôze is exploring, through piano and synths, the encounter between poetry and song. In this new work he has set to music verses by William Shakespeare, Victor Hugo, Pablo Neruda and on three songs, those of the poet Marceline Desbordes-Valmore, a pioneer of romanticism who notably influenced Verlaine and Baudelaire.

But what does this Oh !, giving its title to Ezéchiel Pailhès' third solo album, stand for? Is it an Oh! of surprise, admiration or pain? “It is rather the Oh ! found in romantic poetry” says the French composer and singer with his deep and sweet voice. "An interjection that refers to a form of lament”, even though it can convey other emotions such as complaint, nostalgia, a sad delight or a longed-for solace.

In Tout va bien, his previous album released in 2017, Ezéchiel Pailhès had set two Shakespeare sonnets to music. One of them, "Eternal été" has become a great success, thanks to its lines tinged with spleen and bliss. "Poetry, and its musicality, have always been part of my universe. For this new album, I therefore wanted to explore further the adaptation of poems into songs. "Bien certain” is, once again, taken from William Shakespeare. "Tu te rappelleras" comes from Pablo Neruda's collection La centaine d'amour. "Oh ! Pourquoi te cacher ?" is from Victor Hugo. As for "Sans l'oublier", "La sincère" and "J'avais froid", they were all written by Marceline Desbordes-Valmore, a 19th century French poetess, still fairly unknown".

With Oh !, Ezéchiel Pailhès has become more of a singer than ever before, through seven songs and four instrumental compositions, with intimate and warm modulations, carried by hypnotic piano melodies, instruments with unusual timbre and a subtle electronic production that recalls his past productions with his former duo Nôze.

"I wanted to expand my music further into songs" Ezéchiel adds, "to work more with my voice as a solo instrument and to limit the overlapping of voices and choirs found in my previous records". Produced in his Montreuil home studio, Oh ! is nevertheless imbued with an emotion found in his previous albums, close to ‘saudade’ or a slight melancholy, sometimes enhanced by chosen texts that evoke the disappointment of love, the longing, the distance between two people, or even men's weakness. "These poems evoke themes that may seem far from the concerns of our times. Yet, they are timeless and eternal; they manage to convey emotions that can often be difficult to say or write.”

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Paria Tahmasbi Pour

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