Cornershop are as The Times and most major papers have put it, 'the most treasured of British institutions,' yet they are amazingly one of the most neglected institutions England has ever known too. Not for them to be merely a pigeon hole in the staff room, they always cut it their own way, constantly changing with every release, burning Morrissey pictures outside EMI to deliver a message that all youth must do, a message that is as important then as it is getting again today, kicking aside their fellow asian crop of bands with a simple kick forward, and such forward thought gave rise to some of the best collaborations and relations ever made.

Whether that was with John Peel or Jon Savage, The Light Surgeons or sleeve art by Nick Edwards, Allen Ginsberg or Otis Clay, Larry Coryell or Noel Gallagher, in Preston Lancashire or London, or Paris or NYC, constructing their videos with the likes of Prashant Bhargava or Douglas Avery, studio production by the likes of The Automator or their own Tjinder Singh, working with charities from Mind to Christian Aid, making diversion to record their epic classic Clinton LP, when everyone warned against it, to then come back with the equally classic Handcream for A Generation, to further flip the record with recordings featuring Bubbley Kaur. The fact that they have stuck to their guns has led to the reduction in how popular they are yet to come, for there is still no one doing anything like them.

The name ‘Tjinder Singh' sounds like 'bells do ring’, and his voice is ‘unspun silk’ – not bad descriptions for a man whose name translates to Fire. The heat is on your ears, and their forthcoming album Judy Sucks A Lemon For Breakfast shows no let up in the programme.

David Ingram, Writer and Presenter 105.6 Radio Scotland

Blur as we know it was born in 1989 when the band signed to Food/EMI. Debut album Leisure (1991) announced the arrival of a band with pop suss warped by an art-punk eccentricity. Yet Blur had more in them: namely, a revolution in the sound of English popular music. Second album Modern Life Is Rubbish reintroduced the idea that English rock music could be cool, and by the time their third album Parklife emerged in 1994, the rest of the UK had caught up. 

The Great Escape (1995) refined the sound palette of Britpop, but Blur were already moving on. 1997's Blur was an about-face - scuffed and noisy and un-English. Follow-up 13 was an even a more radical adventure in sound as William Orbit refereed a truce between organic punkpop and new-fangled technology.

Seventh album Think Tank (2003) was Blur’s first as a three piece after the temporary departure of founding guitarist Graham Coxon, featuring an eclectic variety of rhythms and textures and glorious melodies. 

In 2009 Blur reconvened as a four-piece to play a series of UK shows including two sold out dates at Hyde Park and a historic Sunday night appearance at Glastonbury. A film about Blur, No Distance Left To Run, was released in 2010.

http://www.subpop.com/
http://www.bellaunion.com/
For North/South American Bookings: Trey@billions.com
For UK/Europe: Steven@toutpartout.be

https://itunes.apple.com/us/album/bloom/id509665145
https://itunes.apple.com/us/album/teen-dream/id349535407
https://itunes.apple.com/us/album/devotion/id288787188
https://itunes.apple.com/us/album/beach-house/id288870313

Got nothing to do?... GET FUCKEN SΛNKΣY

Latest tracks on Spotify : https://open.spotify.com/artist/1nT6pEnje540r7ozB8tQ6c?si=Lj_oiCsWT8eGmqMoO0Bp4w

Instagram- absint.official

I manage Steve Parkin and Parkwan. I like pina coladas. I do not like walking in the rain.

Parkwan is following