Music Producer & DJ
Bookings: djsamrobs@gmail.com

Promoting music since 2010 on Soundcloud (5,000,000+ followers) and Spotify (60+ organic playlists)

SUBMISSIONS --> https://hypeddit.com/demos/nightlife
nightlife@repost.house

Promoting music since 2010

www.Housebootlegs.com
www.HB.Agency/submit

I WANNA GO BACK (SUMMER) IS OUT NOW ON HEARTFELDT MUSIC 
https://lnk.to/IWannaGoBackSummer
Bookings:
World: marc@koolwaters.com
Russia/CIS: hello@unipopmusic.com

Management:
info@jack-wins.com

 ‘If you’re a fan of house music, you can’t get passed the feel-good styling of Jack Wins!’ – DJ Mag

In February 2016, Jack stormed onto the scene with his debut release ‘Give It Up’ on Laidback Luke’s ‘Mixmash Deep’ imprint. It wasn’t long before industry heavy weights like Don Diablo, Tiesto and Oliver Heldens started hammering it in their radio shows. Huge support from BBC Radio 1 and other worldwide tastemakers followed – setting the industry alight with accolades from all corners of the scene.

His relentlessness, feel-good vibe and tough bass line grooves were shown once more when ‘I Used To Love You’ hit the Beatport Top 10 in late 2016. It wasn’t long before BBC Radio 1 picked it up and caused the record to trend in Shazam’s UK Dance Chart. 5 Million streams and over 50 plays on the station later, Jack Wins was established as a major player on the international house scene.

In addition to solo productions, Jack is also becoming the ‘go to’ guy for remixes: having already put his signature touch on #1 records for Ed Sheeran, Dua Lipa, Alan Walker, Bastille and Jonas Blue – clocking up over 7 million million streams in the process.

2018 is set to be a huge year for Jack: official remixes for Kygo and Axwell /\ Ingrosso, two releases on Axtone and a debut single on Spinnin’ and Tiesto’s imprint ‘AFTR:HRS’. The records from the Flying Dutchman just keep on getting bigger and better as he continues on his victorious journey.

Discover and support the next generation of artists.

We repost dope music on The Artist Union. To be considered, please import your music to our platform first.

@theartistunion
@artistunionnoire
@artistunioncollective

Submit your track for multi-network promotion: theartistunion.com/submit

Discover and support the next generation of artists.

We repost dope music on The Artist Union. To be considered, please import your music to our platform first.

@theartistunion
@artistunion
@artistunionnoire

@TheNoiseEngine x @TheArtistUnion

It's time to reach further with your music and make some noise. Over time we've teamed up with artists, records labels, events, blogs and creative SoundCloud channels to build a network of music lovers.

Submit your music to:
info@thenoiseengine.com

Our Channels:
@TheNoiseUnion
@NoiseBible
@NoiseCakes
@TheNoiseEngineDeepHouse
@TheNoiseEngineTechno
@TheNoiseEngineHouse
@TheNoiseEngineFuture
@TheNoiseEngineGarage
@TheNoiseEngineRemixes
@TheNoiseEngineMixes
@TheNoiseEngineElectronic
@TheNoiseEngineDance
@TheNoiseEngineChill
@TheNoiseEngineGrime
@TheNoiseEngineDNB
@TheNoiseEngineMashups
@TheNoiseEngineDubstep
@TheNoiseEngineTrap
@TheNoiseEngineHipHop
@TheNoiseEngineRNB
@TheNoiseEngineTropical
@TheNoiseEngineDrumstep
@TheNoiseEngineElectro
@TheNoiseEngineHardstyle
@TheNoiseEngineTrance

Taste Maker Channels:
@DeckEffects
@HypeHeads
@TheSoundSauce
@BassFaceNetwork
@DNBUnion
@Est1987music
@DeadExitMusic
@WeAreMMR

For promos and demos: 
promofutureclass@gmail.com

The union of forces between Igor and Allan forms one of the most solid Brazilian projects in national electronic music, Future Class. The duo brings in respected collabs, as in the track “Pontos de Exclamação”, with Vintage Culture, which today has approximately 60 million plays on Spotify. They have also remixed tracks for world stage medallions, such as Alok and Showtek.

When it comes to music labels, the duo has been through STMPD Records (Martin Garrix), Hexagon (Don Diablo), Controversia (Alok), Revealed (Hardwell), among many others. These releases confirm that the duo from Piauí has a knack for producing tracks with strong appeal to the public.

Over the last decade, Future Class toured Brazil, adding significant passages to most of the country's main clubs and electronic music festivals, such as Lollapalooza, Só Track Boa, Green Valley and Laroc.

Parlé is following