PNMF barbatron 6

4AM Chillout

LUZoSCURA

Othona

Angels

Arca

Desafío

HEROIST

Here's the first single from my upcoming EP - Count The Seconds - out in August through brand new label Mellia. 

https://soundcloud.com/mellia_world

Big thanks to DJJ for the original jam session that was the beginning of this song, and to Tim Gardner for helping me out with some lovely keys work.

https://soundcloud.com/djjvid

Count The Seconds

Listen

Resonate

Non Binary Place

Dawntown

Voyager

Cosmos (feat. Ty Dolla $ign)

"Portland producer Hunter Thompson's latest LP offering as Akasha System is both a distillation of and divergence from his elegantly illusory eco-tronica. Inspired by extensive desert treks up and down the west coast, the album's nine tracks sway and shimmer like horizon line mirages, enigmas of motion and distance, wavy and widescreen: Geomind.

Thompson cites scenes of “desolate terrain, spectrum sunrises, and strange sightings in the vastness of the sky” as mood board reference points, which translate in the album's spaciousness and surreality, sculpting glassy synthetic currents into rhythmic voyages of futurist melancholy. Each song surfs its own strain of shadowy syncopated percussion, sidewinding beneath latticeworks of Kalimba, harp, and flute, flickering between dance music and dreamscape, and lingering at the threshold where one becomes the other."

-Britt Brown

Pre-order limited edition vinyl @ imageresearchrecords.bandcamp.com

Airstream

Now Here No Where

Pause

Here is Every Mouth Teeth Missing, Call Super’s third album. Its composition has been a strange constant rain in his life, replenishing over the last three years in which it has been made. It follows Arpo and Suzi Ecto, his previous two studio albums.

Incienso is very proud to release Every Mouth Teeth Missing this October 23rd on Vinyl and Digital formats, worldwide.

ORDER: https://callsuper.bandcamp.com/album/every-mouth-teeth-missing

Written, Produced, and Mixed by Ondo Fudd
Mastered by Anne Taegert at Dubplates and Mastering
Clarinet courtesy of the legend David Seaton
Cover Photography by Annie Collinge

Call Super - Every Mouth Teeth Missing [INC-009]

Stream/Download: https://higherground.ffm.to/MMXX
Shop Higher Ground Merch: https://shop.higherground.house
Follow Higher Ground on Spotify: https://smarturl.it/HigherGroundPlaylist
Subscribe to Higher Ground on YouTube: https://www.youtube.com/thehigherground 

FOLLOW DIPLO
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Twitter: https://twitter.com/DIPLO
SoundCloud: https://soundcloud.com/diplo
Instagram: https://www.instagram.com/diplo/

FOLLOW HIGHER GROUND
Web: http://www.higherground.house 
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Bandcamp: https://thehigherground.bandcamp.com 
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#HigherGround #Diplo #MMXX

MMXX

MMXX – XII (feat. Rhye)

Terrapin EP

Soft Rocks With Socks

From the forthcoming live album 'Figures In Open Air' out 6th November on Late Music.

Pre-order the double CD edition now → https://latemusic.ffm.to/figuresinopenair

Sarah Davachi - Diaphonia Basilica (Version)

Dark Fields Of The Republic

Dark Fields Of The Republic (Jas Shaw Remix)

Jessie (i miss you)

Europa Code

Winged Assassin

Taken from the album 'Isles', released 22 January on Ninja Tune: https://bicep.lnk.to/islesSo

Follow Bicep -
Spotify: https://found.ee/bicep-sp
Apple Music: https://found.ee/bicep-am
Instagram: https://found.ee/bicep-ig
Facebook: https://found.ee/bicep-fb
Twitter: https://found.ee/bicep-tw
Youtube: https://found.ee/bicep-yt
Bandcamp: https://found.ee/bicep-bc
Soundcloud: https://found.ee/bicep-sc

Isles

Apricots

BICEP | APRICOTS

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: bit.ly/2XtJGvQ

Phoenix: Flames Are Dew Upon My Skin

Eartheater - Metallic Taste of Patience (PAN 112)

Soft Rocks With Socks

Parris