HARD with STYLE



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A home to lovers of the harder styles in dance music and a platform for new talents to shine. Based on the ever so popular monthly Podcast, presented by Headhunterz. HARD with STYLE has become more than a record label – a movement in its own right.

A deep rooted love for Euphoric Hardstyle is the key, quality music that gives people shivers on the dance floor. Of course we will also continue experimenting and exploring the boundaries of all that Hard EDM has to offer.'' 



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Born on 21 June 1987 in Tbilisi, Georgian pianist Khatia Buniatishvili and her elder sister Gvantsa were introduced to the piano at an early age by their mother, an enthusiastic music lover. Playing four handed remains one of the sisters’ favourite activities.

Khatia’s extraordinary talent was recognized when she was very young. Aged six, she gave her début performance as soloist with an orchestra, and was subsequently invited to give guest performances in Switzerland, the Netherlands, France, Germany, Belgium, Italy, Austria, Russia, Israel and the USA.

Khatia prefers not to be regarded as a child prodigy: virtuosity for its own sake does not appeal to her. Above all, she embraces pianists from earlier generations such as Rachmaninoff, Richter and Gould. She admires her “favourite pianist”, Martha Argerich, for her uniqueness and, as a consequence, does not view Argerich as someone she should try to emulate. And since she regards herself as “wholly a person of the 20th century”, Khatia does not identify so much with pianists of today.

Khatia’s warm, sometimes sorrowful playing may reflect a close proximity to Georgian folk-music, which, she attests, has greatly influenced her musicality. Critics emphasize that her playing has an aura of elegant solitude and even melancholy, which she does not feel to be a negative attribute. “The piano is the blackest instrument,” she says, a “symbol of musical solitude”, which even a pianist must become accustomed to. “I have to be psychologically strong and forget the hall if I want to share it with the audience.”

During her studies at Tbilisi’s State Conservatoire, Khatia won a special prize at the Horowitz International Competition for Young Pianists in Kiev in 2003 as well as first prize at the Foundation to Assist Young Georgian Musicians competition set up by Elisabeth Leonskaya. At the 2003 Piano Competition in Tbilisi, she became acquainted with Oleg Maisenberg, who persuaded her to transfer to Vienna’s University of Music and Performing Arts. Winner of the Bronze Medal at the 12th Arthur Rubinstein Piano Master Competition in 2008, she was also distinguished as the Best Performer of a Chopin piece and as Audience Favourite.

Khatia Buniatishvili has given critically acclaimed solo recitals and chamber music concerts at such renowned venues as London’s Wigmore Hall, Amsterdam’s Concertgebouw and the Musikverein in Vienna. In 2008 she made her US concert début at Carnegie Hall (Zankel Hall), performing Chopin’s Second Piano Concerto. 

A BBC Radio 3 New Generation Artist for 2009-2011, Khatia regularly collaborates with BBC orchestras. In 2010 she receiveda Borletti-Buitoni Trust Award and has been nominated by Vienna’s Musikverein and Konzerthaus as a Rising Star for
the 2011/2012 season.

Upcoming engagements will see Khatia Buniatishvili perform with the San Francisco Symphony Orchestra , the Orchestre de Paris and the Munich Philharmonic with Paavo Järvi. Recitals will also take her to Berlin, Vienna, Amsterdam, Paris and the Wigmore Hall in London, with further appearances at, amongst other venues, the Verbier Festival, the Lucern Festival and the Schwetzinger Muisktage. 

Khatia Buniatishvili is fluent in five languages and lives in Paris.

ultra advanced remnants of the cretaceous period awakened from their fossilized state to reign supreme as tag-team MC's.
outlandish, original, thought provoking, periodically offensive.

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@dinosaurtwins

Perfect Giddimani/Artist/Song Writer/Producer. 
https://www.billboard.com/biz/charts/2017-09-02/reggae-albums  http://www.billboard.com/charts/reggae-albums/2017-04-22
Info, Bookings, etc:
chalicepalacemuzic@gmail.com
Giddimani Records (510) 306 1855*

Perfect Giddimani is the stage name for Greg Rose of St. Ann, Jamaica. Inspired by Bob Marley, Peter Tosh and Toots Hibbert tunes on his father’s jukeboxes, “Mr. Perfect” was performing by age 9 and gaining a regional reputation as a teenager. He provided regular entertainment as Little Ninja at St. Ann’s York Castle High School, where distinguished alumni include reggae founder Jackie Mittoo of the Skatalites.
After high school, Rose headed straight to Kingston, Jamaica, and began honing the art of performing and recording at top studios and clubs. Soon, the enterprising Rose took control of his own musical fate. “My brother and I opened the first official digital recording studio (Askum) in Bamboo, St. Ann, back in 1998. We did this through the help of my dad, who was responsible for locating and buying the latest studio gear in New York at that time.”

Rose and his brother Kirk taught themselves by reading equipment manuals for days and it wasn’t long before they were producing their own music and that of other local talent. “I was responsible for making the rhythms via drum machines and keyboards, and my brother was the vocal engineer,” Rose said. Together, they formed the label Chalice Palace Muzic. Rose, calling himself Perfect Giddimani, a mixture of the words “Armageddon” and “morning,” made his first few self-produced recordings, which he shopped all the way to Europe himself, and DHF Records in Austria gave him his first deal.

Even though Giddimani’s success after ten albums, 700-plus singles and a Grammy nomination for 2012’s “Journey of 100 Miles” has given him an “intercontinental life,” he stays in touch with his St. Ann roots. This shines through in his lyrics.  He has scored No. 1 tunes in Jamaica, Germany, Sweden and France and has collaborated with Lauryn Hill, Anthony B, Sizzla Kalonji, Lutan Fyah and Jahdan Blakkamoore, yet Chalice Palace Muzic still handles his publishing.

His company also founded Giddimani Records, a label that actively records upcoming Jamaican artists on compilations featuring a Giddimani tune or two to help them gain exposure. New titles include “Horn Of Africa Riddim,” “Burnhard Spliffington Riddim” and “Bay Area Riddim.” As the music scene changes, Rose stays true to his message. “As a true Rastafarian, I know that it’s right over wrong, good over evil, so my music will remain positive as long as I live.”

Started rappin in Punjabi when I was 15. never looked back since. 


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