An Argentinean duo with over a decade's experience in the Progressive House scene, Jose Duque and Bruno Signorelli have seen their music feature on such esteemed imprints as Higher States, Mango Alley and Balkan Connection, with their Abity production moniker. Debuting on Particles with their "Memories" EP, "Horizons" is a delicate rhythmic gem that trips along with woodblock percussion and deep kick. Reverb-drenched vocal washes and flowing motifs add melodic character as a rich bass groove adds weight and dancefloor appeal post-breakdown. "Move" continues the bassline cadence as light melodies shimmer across the mid-range. Counterpoint phrases add further charm as white-noise passages filter across the stripped back mid-point. Full of hypnotic poise, it is the perfect pause before the powerful "Beyond" makes its presence felt with rippling arpeggio and emotive piano sequence. A trademark bassline adds force and weight as a spine-tingling melodic progression is carried along by a strong beat and rolling percussive groove before a searing synth lead makes a play in the third movement.

A high-profile artist with releases on the likes of All Day I Dream, Vapour Recordings, and Hoomidaas, Mass Digital is an established producer with well over 500 production credits to his name. Making his debut in mid-2010, the Serbian star now makes his first appearance on Particles with a gorgeous reworking of "Beyond". Familiar melodic lines weave their way through the 7-minute piece while an effortlessly rolling percussive groove meanders across the top line. Stunning new piano sequences and synth phrasing emerge from the Mass Digital production repertoire as the remix blossoms in shimmering new directions post-breakdown whilst remaining firmly rooted in Abity's original sound.

Veterans of the underground house scene, Blood Groove and Kikis are well known to the Particles faithful with a series of remixes dating back to 2015 and a reworking of GMJ's "Silent Love". Interpretations of Nikko.Z, Andre Sobota and East Café have all since followed as the Latvian duo now return with a second remix of 2021. Taking a typically mellifluous approach to their music, Blood Groove & Kikis have developed "Move" into a smooth flowing track that shifts easily within the themes laid out by Abity. Anchored by heavy beat and ticking percussive groove, subtle guitar riffs and string phrasings complement each other in unhindered fashion before delicate organic house elements weave a magical path post-breakdown.

The final remixer is a Proton Music regular who has also found his work featured for such blue-chip imprints as Hoomidaas, Where The Heart Is, Harabe and his own Truesounds Music. Peter Makto's "Purple Rain" EP with Gregory S was a Proton highlight in September 2018 as the Hungarian producer now debuts on Particles with a typically innovative reworking of "Move" that strips away the melodic layers to reveal a newly cadenced arpeggio that flourishes amongst deep kick and ticking hi-hats. An emerging synth line adds to the collage as elements from Abity's original filter into the breakdown. The second half continues the rhythmic arp and complementary phrasing of earlier movements in an impressive Peter Makto remix.

A triptych of original tracks combined with a trio of stunning remixes finds Abity creating some wonderful sonic "Memories".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Abity, Cid Inc.
Design by Ben Mautner
Text by James Warren

Beyond

Beyond (Mass Digital Remix)

Buy on Beatport

Gaston Ponte is an artist with a rapidly growing reputation within the progressive house community. A Buenos Aires native, Ponte has quickly found his feet with a plethora or original and remix production material dating back to a late 2018 debut for Clinique Recordings. Since then, the Argentinean artist has not looked back with over a century of credits for the likes of Balkan Connection, Or Two Strangers and Asymmetric Recordings. A remix of Andrea Cassino and Lio Q's "Asante" saw a Proton Music debut in October 2021 as Gaston Ponte now debuts on Particles with the tension filled "Accelerated". A driving rhythmic foundation and machine gun hi-hats fire across the percussive top line while a combination of searing synth swells, free-flowing melodies and 303-tinged arpeggio swirl across the 8-minute piece. Reaching a rousing crescendo at the breakdown, a drop down to the bass-heavy, rhythmic bedrock then sees the melodic collage once again build to a dynamic finale.

Simos Tagias has been at the vanguard of the progressive house scene for almost a decade. Some 400 production credits later, the Greek icon has found himself a regular on Proton Music with such gems as the "Airlock" and "Audacity" EPs. 2014 saw a Particles debut followed by a flurry of releases including December's "Drunk State". Remixes for Jelly For the Babies, Antrim and James Monro have added to his reputation as Simos Tagias returns with a 24-carat remix that builds on the central pillars of "Accelerated" and transforms them via a swathe of new production material. A deep, rolling groove and beautifully sculpted arpeggio finds itself the perfect vehicle for Gaston Ponte's synthscapes to flow across the stereo spectrum, while Simos' unrivalled ability to create a cutting-edge progressive house floor-filler ensures that the track is destined for success and support from the DJ elite.

Balad is a name that has been synonymous with a deep and organic house sound that has found itself much in-demand since originally finding favour on the likes of Parquet Recordings in late 2017. Going on to feature on the likes of Natura Viva, Global Underground and Armen Miren's Hoomidaas, the Australian based artist has found himself supported by such star-studded names as Lane 8, Nick Warren and Yotto. Now bringing his production talent to Particles, the Balad remix of "Accelerated" harnesses the "melancholic, emotional and beautiful" characteristics for which his music has become so synonymous. Waxing and waning elegantly via thumping beat and crisp hi-hat patterns, smooth melodies pulsate gently across the near 8-minute piece. Chock full of additional production material and new harmonies, sparkling arpeggios blend with glass plucks and filtered analogue stabs. Sensitively retaining the fundamental character of Gaston Ponte's work, Balad has inspired a new interpretation that is as beautiful as it exquisitely crafted.

Speeding smoothly forward with remixes from Simos Tagias and Balad, Gaston Ponte has seen success "Accelerated" at rapid pace.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc. Simos Tagias
Design by Ben Mautner
Text by James Warren

Accelerated

Accelerated (Simos Tagias Remix)

A new artist moniker to grace the Particles catalogue, Dmitry Molosh hits the ground running with his Maudlin alter-ego and the twin-track, "Trailway" EP. Already seeing a pair of remixes for Anton Ishutin and The Cobb feature on Pepper Cat and -102C, Maudlin delivers a silky-smooth title track. "Trailway" blissfully wends a magical path with a swathe of interwoven melodies through keys, arpeggios and thickly textured pads. A strong kick and ticking percussion provide dancefloor character while a loquacious vocal line trips along elegantly, perfectly placed within rhythmic and melodic elements. "Awake" continues a similar rhythmic framework with rolling cadence paving the way for sumptuous arpeggios and filtered motifs to blossom. Glorious counterpoint strings add a melancholy air while meandering brass and haunting lead line create a wistful character that rises and falls with ease over the 7-minute duration.

A Particles regular with a slew of original material which has seen "Twin Flames", "Floating Moments" and "Light the Shades" showcase the Polish artist's work between 2018-2022, Rafa'EL now returns to Particles with a typically impressive remix. A groove-laden affair, Rafa'EL takes the melodic foundations of "Trailway" and applies a panoply of production treatments and the introduction of a powerful new bassline sequence. Familiar vocal lines make their presence felt as they are cut and laden with effects before a new lead drives Rafa'EL's remix in a dramatic new direction.

A Colombian star who has become a staple on Proton Music with his collaborative work alongside Kamilo Sanclemente and his own "Equilibrium" EP in May 2022, Dabeat is a welcome Particles returnee after an appearance on the seasonal "Winter 2019" compilation with "Beyond the Stars". Reworking "Awake", the Dabeat remix is a richly textured affair with a Latin groove and immaculately syncopated synth phrasing. Making effortless use of the core melodies found in Maudlin's original, they are transformed with ease into a flowing and perfectly observed progressive house gem.

Michael Chihaka has become a Particles favourite with his score of production credits that include the "Nyara", "Pinda" and "Ndariska" EPs between 2019 and 2021. Now returning for a fifth remix after reworkings of Pole Folder, Ric Niels and most recently, about : river in mid-2021, the Chihaka remix of "Trailway" makes imaginative use of the vocal lines so integral to Maudlin's track. Cut, repeated and filtered, their use sits perfectly within a rapid-fire percussive top line and delicate melodic bed that captures the essence of the original while extending it in new and vibrant directions that blossom post-breakdown.

A pair of original tracks combined with a trio of wonderful remixes find Maudlin on a magical voyage of discovery via "Trailway".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Trailway

Trailway (Original Mix)

A new artist to grace the Particles roster, Francisco Jose Ricardo makes a stylish debut with his "Tongue & Groove" EP. Mentored by Bedrock resident and global superstar DJ, Nick Muir, the US resident now follows up on a pair of 2021 releases for Record Union with twin original tracks. Remixes come from Simos Tagias and Nick Muir himself.

The title track opener sees "Tongue & Groove" develop easily with metronomic beat and a filtered arpeggio framework. Blossoming with club-friendly prowess, a grooved bassline is perfectly entwined between heavy beat and ticking percussion as a glass motif heralds a new sonic phase. Intelligently placed chords provide an old school house vibe while a swathe of effects and subtle piano phrase combine in the second half to impressive effect. "Jones" continues the retro vibe as a Kraftwerk-esque synth line shines through a cadenced top-line that creates dancefloor energy via a dynamic rolling groove. Stereo-panned arpeggio and textured pads add to a rich sonic collage as the track pauses for breath at the 5-minute point before dropping back into a glorious melody-fuelled finale.

A legendary figure in the underground scene as part of the Bedrock outfit alongside long-time production partner, John Digweed, Nick Muir is the epitome of the global superstar DJ. A career that dates back over 30 years, Nick's solo work as producer and DJ has seen him travel the world, while more than 400 production credits sit proudly next to his name. A trio of remixes for Rick Pier O'Neil, Sebastian Sellares and Eric Lune have seen Nick feature on Proton Music between 2019-21 as he now debuts on Particles with a typically innovative and powerful interpretation of "Tongue & Groove". Replete with a plethora of magical production techniques and backspin DJ effect, Nick Muir's skill is to expertly sculpt a new melodic framework for familiar themes within Francisco's work to shine anew. With eloquent dancefloor know-how, the track builds through its phases to create an immaculate and expertly crafted interpretation.

Simos Tagias requires little in the way of introduction with 30 production credits on Proton Music and Particles. The early part of the Greek artist's career saw such EPs on the latter that included 2014's "Drunk State" and 2017's "Airlock", while remixes for Antrim in 2015 and Gaston Ponte in June 2022 are now followed by another typically impressive remix. Characterised by a powerful bassline groove and rolling top line cadence, the Simos Tagias remix of "Tongue & Groove" provides hypnotic dancefloor energy. A filtered arpeggio enters the fray appearing alongside a swell of additional motifs and familiar pulsating soundscapes at the breakdown, before hitting its straps once more in the latter stages, propelled forwards with hypnotic vibrancy.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Tongue & Groove

Tongue & Groove (Simos Tagias Remix)

A Particles debutant, Chris Cargo has been an influential figure in underground house for over two decades. Over 250 production credits are testament to this longevity with the UK artist seeing his music feature on the likes of Paul Thomas' UV, D-Formation's Beat Boutique and Nick Warren's The Soundgarden, with a further half-century on his own If You Wait imprint. Now debuting on Particles, "Wide Eyed" is a low-slung groover that develops with easy rhythmic poise before subtle melodic overtones filter into sonic range. Luscious pads and grooved bassline add to the aural collage before a breakdown introduces a swathe of new elements that fizz to a rousing white-noise crescendo before dropping back into the gently pulsating rhythm of earlier movements. The result is a smooth and immaculate offering from the Chris Cargo studio.

Chris Domingo is another longstanding artist within the underground dance fraternity. Finding success in both solo guise and with former production partner, Mariner, the US artist has seen his music feature on a host of leading labels that include Songuara, 3rd Avenue and Stellar Fountain, while work for Particles included 2021's "Azimuth" and "Lose Control" EPs, before May 2022 saw the debut of his Domingo + moniker in collaboration with Eric Lune and "Sentimental Fool". Now returning to the label, the Domingo+ remix sees an intricate percussive top-line based on elements from "Wide Eyed" shine before a familiar bassline cadence also makes its presence felt. Introducing a new syncopated synth line adds depth and intensity to proceedings before the second half reveals a glorious and meandering synth line that provides a touch of class and emotion to the original.

Subandrio needs no introduction to the particles faithful. A renowned figure across his Sri Lankan home and far beyond its borders, his unmistakable production work has lit up a plethora of labels including Mango Alley, Perspectives Digital and Hernan Cattaneo's Sudbeat Music. A regular on both Proton labels, a quintet of remixes has seen him rework the likes of Andre Sobota, Juan Deminicis, Trilucid and Matter since a December 2015 Particles debut. Now returning to the label for the first time in 5 years, the Subandrio remix is a typically sumptuous affair with powerful rolling groove melded with the textured pads and melodic bed of Chris Cargo's original. Full of vibrancy and atmosphere at the breakdown, a superbly cadenced motif and rippling stepped arpeggio combine to create a memorable interpretation.

Including remixes from Subandrio and Domingo +, Chris Cargo is "Wide Eyed" with musical delight.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Chris Cargo, Domingo +, Cid Inc.
Design by Ben Mautner
Text by James Warren

Wide Eyed

Wide Eyed (Subandrio Remix)

An Argentinean artist of growing global renown, Alan Cerra has seen a rise to prominence since a debut for 3rd Avenue in late 2019. Since then, 150 production credits have swiftly found their way on to a plethora of high-profile imprints including Armen Miran's Hoomidaas, Paul Thomas' UV and Nick Warren's The Soundgarden. Making his Particles debut, the "Opposite Ways" title track is propelled forward by a chest-thumping kick and ticking percussion, while a sumptuous selection of complementary melodies vie for attention. Subtly placed, meandering sequences and distorted lead lines pan the stereo spectrum with ease alongside fizzing white-noise pulses. A syncopated bass groove adds to the rhythmic power in a dancefloor tour de force. "Orbital" is similarly characterised by hefty rhythmic weight and bouncing bassline groove. Head-shaking hats and a smoothly cadenced arpeggio add urgency with counterpoint melodies and flowing chord progressions creating a sublime sonic landscape. Hitting its stride once more in the second half, Alan Cerra has created another intelligent floor-filler.

Sebastian Sellares has been a regular contributor to the Proton Music catalogue with 2020's "Jinsei / Zen State" and forthcoming "Conviction / Reverse Call". Also a regular on Anjunadeep, Replug and GMJ & Matter's Meanwhile imprints, the Córdoba resident continues to chart a rapidly rising path. Now marking his Particles debut, the Sebastian Sellares remix of "Orbital" immediately excites with its chunky rhythm and syncopated bassline. Evolving easily in early movements with delicate layering, the cadenced arpeggio from the original makes its presence felt in a quick-paced reworking. A chorus of effects and growling bass note add intrigue to the hypnotic backdrop as the track rises and falls in effortless fashion, showcasing the Argentinean star's production talent.

A duo of considerable repute, Blood Groove & Kikis have been at the centre of the underground house scene for over a decade. A regular on Spring Tube and Monstercat Silk with their earlier work, 2014's "Wonderland" album for the latter was a notable highlight. Particles has also played a significant role in the Latvian duo's output with a host of remixes for the likes of GMJ, Andre Sobota and East Café. Returning, the Blood Groove & Kikis remix of "Opposite Ways" is characterised by a smooth rolling bass groove and immaculately crafted percussion. Using the central melodic themes found in Alan Cerra's track to superb effect, coruscating melodies rebound off each other with consummate ease. The result is a multi-faceted sonic architecture that juxtaposes easily against the powerful and metronomic rhythm to create another hugely impressive remix from the Blood Groove & Kikis stable.

Through a pair of superb original tracks and sparkling remixes, Alan Cerra finds sonic harmony in "Opposite Ways".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Opposite Ways

Opposite Ways (Blood Groove & Kikis Remix)

Falling Down

Home (Pambouk Remix)

A legendary figure in the world of underground dance music, Mortinaré has created a full-length 10-track of magnificent proportions in "Amped".

Leading up to that release, Particles is proud to provide a delicious aperitif as the rhythmic powerhouse and spine-tingling emotion of "Airmax" is combined with the deep and darker glitched tones of "Loggia in a dual-track sampler.

A typically impressive remix of "Somewhere" from Gai Barone & Luke Brancaccio also makes an appearance from the album as hallmark melodies combine with dance-friendly rhythms to showcase Mortinaré further.

Somewhere Unconditional

Somewhere (Gai Barone & Luke Brancaccio Remix)

From his home in South Argentina, Alan Cerra makes a welcome return to Particles with a pair of new original tracks and a remix from the iconic figure of Gai Barone, as he showcases "The End of the Line".

An artist with more than a double century of production credits to his name, Alan Cerra has come a long way since a debut for 3rd Avenue in late-2019. Since then, a host of original and remix production material has appeared on the likes of Mango Alley, Juicebox Music, AH Digital and Miss Monique's Siona Records. Finding his way onto Particles in July 2023, the "Opposite Ways" EP saw twin original tracks from the Santa Cruz resident grace the label with a pair of standout remixes from Blood Groove & Kikis and Sebastian Sellares.

Now returning, the title track is a pounding melodic house number that oozes bassline drive and rhythmic intensity. Haunting pads add delicate juxtaposition before a syncopated motif hints at what is to come. Maintaining its bass intensity through the beatless breakdown, "End of the Line" pauses for breath before the rhythmic foundation engages dancefloor force once more in the third movement. Moreover, the plucked motif of earlier phases comes full to the floor in a display of smooth production prowess.

Partner track, "For All Time" hits the ground running with a graceful grooved bass sequence and perfectly placed rhythmic backdrop. Evolving with easy elegance, a soul-stirring motif leads the way before being joined with cascading arpeggiated sequence and lead. A cinematic breakdown adds a swathe of new sound textures and shimmering emotion before the track drops into familiar groove-laden territory and searing synth through the second half.

Gai Barone has been a welcome addition to the Particles catalogue since a label debut remixing Verche's "Riptide" with some time production partner, Luke Brancaccio. 14 months later then saw an appearance on Mortinaire's "Amped" album remixing "Somewhere". With almost 750 credits to his name on some of the industry's finest imprints, the Bologna-based star with releases on such esteemed imprints as Sprout, Black Hole, JOOF and Afterglow, now reworks "End of the Line" with typical aplomb.

Making excellent use of the bassline dominance of the original, a huge low-end swell builds in energy before a hypnotising arpeggio, filters into range with its searing and vibrato edge. A chorus of effects and soundscapes then evolve before the heavy beat and offbeat hats drop back into a rhythmic collage. Waxing and waning with ease in a track chock-full of production and dancefloor knowhow, Gair Barone's reworking of "The End of the Line" is a powerful reminder of why the Italian sits at the head of underground dance's top table.

A new EP and a remix from Gai Barone have illustrated that Alan Cerra is far from reaching "The End of the Line".

Directed by Jay Epoch
A&R by Marina Enebeka
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

End of the Line

End of the Line (Original Mix)

End of the Line (Gai Barone Remix)

For All Time (Original Mix)

An artist with a rich production pedigree to his name, Traumhouse, returns to Particles with a new twin-track EP and "The Way It Is".

Able to point to a century of production credits over almost a decade, Hannover-based Traumhouse has found himself a regular on the likes of celebrated labels, Amulanga, Bekool Records and Songuara Tales. "Avem" found its way onto Proton Music in mid-2020, in collaboration with fellow countrymen, LADS, while a remix of Dmitry Molosh by the pair towards the end of the year was another notable highlight. A single remix graced Particles in early 2021 as LADS & Traumhouse reworked Li-Polymer's "Jacaranda" as the German artist now returns for a solo outing and "The Way It Is".

A delicate and emotive symphonic opening characterises the title track before a sumptuous beat and rich percussive top-line add groove aplenty. Evolving easily over its 8-minute duration, complementary melodies weave in and out of each other in warm, feel-good vibes before a powerful female vocal enters the fray at the mid-point. Carrying a poignant message, the phrasing adds depth and emotion before the stringed instrumentation of the opening section makes a return in the second half. The result is an exceptionally-well produced and complex melodic arrangement.

Partner track "You", provides the same rich melodic and vocal narrative as a rich rhythmic pattern and deep kick creates a beautifully imagined soundscape for the vocal to flourish. Carrying themes of romance, love and spiritual connection, Traumhouse produces a swathe of delicate melodic patterns, not least with a beautiful piano sequence at the breakdown that encompasses reverse-reverb samples and a hugely impressive set of production techniques that evoke feelings of bliss and contentment.

A single remix comes courtesy of Brazilian star, RIGOONI. A trio of remixes from 2022-23 saw the Brazilian shine on Proton Music as he reworked the likes of Savvas, Dabeat and progressive superstars, Trilucid, while a reworking of Rayomand's "Running Away" in August 2021 marked a single appearance on Particles. Now returning, the RIGOONI remix keeps the vocal so prominent in "The Way It Is" and wraps it in a new rhythmic envelope that bristles with dynamic energy and chest-thumping beat. A huge sub-bassline adds to the sonic depth while familiar melodic patterns can be heard through the string section. New melodic motifs make their presence felt as RIGOONI's additional production sits immaculately alongside Traumhouse's components. The result is a magical interpretation that explodes into a rhythmic powerhouse in the final movement with pitched toms and glissando lead.

A pair of new tracks from Traumhouse, with a gorgeous remix from RIGOONI, showcase "The Way It Is".

Directed by Jay Epoch
A&R by Marina Enebeka
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

The Way It Is

The Way It Is (Original Mix)

The Way It Is (RIGOONI Remix)

You (Original Mix)

An artist familiar to the Particles faithful, Martin Branne returns to the label with his Brann (AR) moniker and his "Waves of Madness" EP.

First debuting on the label in September 2023, Brann (AR) immediately created a wave of excitement in the Particles cognoscenti with his "Endless Moments" EP. Already a favourite on such celebrated imprints as Freegrant Music, LuPS Records and Stripped Digital, the Buenos Aires-based artist's first solo outing was further propelled with remixes from Michael A and fellow countryman, Paul Deep. Now returning, "Waves of Madness" is characterised by a complex and fizzing percussive backdrop and heavy beat while a huge sub-bassline creates a relentless drive. A panoply of pitched instruments and haunting lead add depth and subtle, eerie atmosphere that plays expertly to the title. Pausing for breath at the breakdown, the chorus of melodic characters builds to a dramatic zenith before the track erupts into a huge drop where the powerful rhythmic framework develops into a pounding dancefloor destroyer. Partner track, "Thorn" continues the complex rhythmic arrangement as a squelchy, water-inspired effect makes its play against a relentless running bassline. A swathe of melodic characters wend their way easily across the mid-range, not least in a powerfully envisioned analogue lead line and rippling, filtered arp which come to the fore at the stripped-back mid-point. Hitting its straps once more in the second half, the compelling rhythm and bassline bring the track home in devastating club-friendly manner.

Since a 2018 debut on Renesanz, Pablo Maneiro has been a formidable figure in the underground house scene with his Mayro alter-ego. A regular on the likes of Dear Deer, Univack and UV Noir over a 7-year period, 2022's "Crazy Thoughts" EP was a notable Particles highlight in June. Bookended by remixes of Izzet and Mariano Favre in March and October the same year, Mayro returns with a typically forceful reworking of "Thorn". Creating a huge, grooved bassline underneath a hefty kick and syncopated hi-hats, familiar melodic elements from Brann's original find their way into the remix, developing easily over its seven-minute duration. Building in dramatic fashion, the breakdown finds those melodic elements and effects panning the stereo spectrum before a mesmerising second half sees the bassline dominance excel further still amongst the melodic atmosphere. Mayro's resultant work is the creation of a dynamic jewel.

Matias Chilano is another Argentinean who is no stranger to success across 400 production credits and a 17-year career at the centre of the Progressive House sound. A staple across such esteemed imprints as Balkan Connection, LuPS Records, Juicebox Music and James Warren's Visceral series, a quartet of remixes has seen the Córdoba-based artist rework K Nass, Pysh, Mariano Favre and Andre Sobota for Particles. A symmetrical output on Proton Music remix marked impressive remixes for the likes of Huminal, Sebastian Sellares and Lanvary. Now returning to Particles, the Matias Chilano remix is a typically rich and dynamic affair with chunky beat and fizzing effects that swim across the left-right spectrum. Picking up elements of Brann's original – not least at the kaleidoscopic breakdown where the cadenced motif of "Thorn" makes its presence felt – a rasping bass sequence and rippling synth add to a stunning soundscape. A powerful sonic staging is thus in full effect through Matias' immaculate production work, creating a superb dance-friendly interpretation.

"Waves of Madness" make perfect sonic sense through Brann's twin originals, further developed by Mayro and Matias Chilano.

Directed by Jay Epoch
A&R by Marina Enebeka
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Waves of Madness

Thorn (Original Mix)

Thorn (Matias Chilano Remix)

Waves of Madness (Mayro Remix)

Waves of Madness (Original Mix)

Collaborative pairings often bring a frisson of excitement in the world of music production, particularly when an established artist and comparative newcomer join forces. "The Version" EP from Sapiens and Springa brings that thrill to Particles.

From the Bauhaus inspired buildings of the 1930s on the Mediterranean coastline, Tel Aviv resident, Alon Shapiro, has been immersed within the culture of music, spending a decade honing his production persona. Now debuting that production talent through his Sapiens moniker, the Israeli producer builds upon recent success. Trained in classical piano from an early age, a subsequent vinyl addiction and the joy of music stemming from the art of the 'mixtape', Sapiens found an eclectic passion for "intelligent, underground genres" ultimately distilled into a love of pioneering electronic that included Jean Michel Jarre, Kraftwerk and The Orb. Academic studies in music production followed as did gigs at local clubs and venues in the mid 2000s before the Sapiens name took hold in 2006. A portfolio of work has subsequently flowed leading to work signed for Baroque, Suffused Music and Stellar Fountain.

Although the name Springa has an outward appearance of a newcomer to the underground dance movement, Mattias Lindblom is a name firmly entrenched in the modern music industry through an integral part played in the Swedish outfit, Inkfish. A man of incomparable production pedigree, Lindblom has seen his work signed to a vast collection of blue chip labels including over 250 signed to Inkfish's own successful, eponymously named imprint. Launching the Springa production alter ego through a remix of Mistol Team for Baroque in 2014, 2015 has proved a successful year for Lindblom as Springa has seen further work signed for Mistique Music and Pangea. Furthermore work for System Recordings including a remix of Sapiens himself, set the duo up for exciting collaborative work that now manifests itself fully in "The Version".

An EP arranged into two distinct halves, "Introversion" and "Extroversion" supply a pair of opening salvos wrapped around a common percussive narrative and musical themes. "Introversion" opens proceedings with a metronomic bass line that fires off the rhythmic section with intelligence while a series of musical motifs, riffs and stabs provide an elegant contribution. A driving, pulsating affair, "Extroversion" quickly finds its feet with a spine-tingling bass line progression that dominates the melodic direction. A clever vocal cut weaves its way in and out in a variety of guises that are reminiscent of classic progressive house tunes of yesteryear to crate an aura of intrigue and nostalgia.

Taking vocal cues from its "Extroversion" counterpart, "April Heart" continues the bass line dominance of its predecessor as it growls and filters its way over the opening movements in emotive fashion. Evolving purposefully in the breakdown and beyond, a delicious arpeggio riff opens up the upper frequency spectrum with delightful fashion to create a driving, vibrant work. A stripped back "Dub Mix" minus the vocal component completes an impressive picture.

A quartet of tracks from Sapiens and Springa demonstrates a striking common purpose through "The Version".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Sapiens and Springa
Design by Ben Mautner
Text by James Warren

The Version

Sapiens & Springa - April Heart (Radio Edit)

Responsible for a rich seam of musical talent in the world of underground dance, the introduction of another South American to the ranks of the Particles roster sees Argentinean, Sebastian Busto, take a significant career step forwards with his 3-track "Nature" EP.

A man with a long-held passion for music, Busto's academic prowess in piano from early childhood ultimately led him to study music theory, singing and guitar at the Buenos Aries Conservatory of Music, as an initial foray into the music industry, via performances with rock acts, brought notoriety across his hometown and success with a number of tours and albums. A realisation that dance music was where his true desires lay came from an epiphany watching an electrifying Creamfields performance of legendary godfather of the Argentinean underground dance scene, Hernan Cattaneo.

Turning his attention to the progressive house genre, Sebastian Busto found his true calling. Making an immediate impact with the "A New Kind of Science" EP for Golden Cat Recordings in October 2014, the Argentinean has gone on to see legion original productions signed to some of the industry's finest underground imprints. Thus, OLD SQL, Balkan Connection and Golden Wings have played host to such notable releases as the "Escape EP", "Evolution" and "Spiritual", the latter lighting up the Summer of 2016 in trademark fashion. Well regarded by his peers, the support of Cattaneo himself has leant considerable success to Busto's cause. Indeed, with his countryman playing the title track itself on his "Resident" Proton Radio show in July 2016, it is with great pleasure that we welcome Sebastian Busto to his Particles debut with his concept-themed "Nature" EP.

Opening with the title track, "Nature" is a strong, emotional offering, full of stepped arpeggio lines and delayed shimmering melodic riffs and sequences. Full of bright analogue sounds and a rich sonic palette, the 9-minute voyage forges a vibrant landscape backed by a strong beat and rich percussive rhythm that fills the upper frequencies with an assortment of hats, shakers and female vocal sounds.

Opening with its complex percussive patterns, "Mankind" retains the aural identity of its predecessor with its intelligent use of melodic sequences and rich sonic architecture. A firm foundation is laid via the marriage of a strong beat and subterranean bass line creating a work that bristles with menacing intensity in the breakdown that extends into the third movement with consummate skill.

Final track, "Making Life", is immediately characterised by techno leanings with its rapid-fire bass line and pounding beat that evolves into a delicately grooved affair. Strong chord progressions via smooth pads open a path for a wealth of melodic counterpoint and the presence of an electric guitar lead line adds weight and intrigue to the four-to-floor rhythmic framework.

Whether or not "Nature" or nurture is the dominant force, there is little debating the argument over Sebastian Busto's skilled musicianship.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Nature

Making Life (Original Mix)

In April 2016, Ad Brown shone another powerful light on his distinctive production prowess for Particles. With the "Here Now/Our Power" EP, Brown created a pair of tracks that would light up clubs across the summer season. Now revisiting to the EP, Particles is delighted to announce two new remixes of "Here Now".

From central Hungary, Robert Reisz is a very welcome addition to the Particles family with his Robert R. Hardy production alter-ego. A music producer with a wealth of experience to his name, under both his D.M.P and Hardy monikers, Reisz has thus built a solid fan base amongst peers and followers alike. A prolific artist, the Robert R. Hardy name has already accounted for some 450 production credits since the debut original, "Seven Billion Souls" EP for BQ Recordings in December 2013. Quickly hitting his stride, the Robert R. Hardy name was a regular on the Stellar Fountain imprint as Balkan Connection, Soundteller and Clinique all played host to a growing reputation and an expanding portfolio. Despite seeing so much of his work signed to Proton family labels, it is thus a surprise (but no less an honour), that Reisz should make its debut on Particles towards the end of 2016. To that end the Robert R. Hardy remix of "Here Now" is a typically impressive offering, full of melodic poise and rhythmic flair that pays homage to Ad Brown's original with its intelligent use of original components retaining familiarity with Brown's work. A chunky rolling rhythm makes its presence felt and the vocal phrases so integral to the original are brought fully to the fore. Additional production material provided through the use of a new melodic motif post-breakdown, illustrate an emotive offering full of polish and élan.

Israeli artist, Alon Shapiro and Swedish producer, Mattias Lindblom, have demonstrated a considerable degree of success through their Sapiens and Springa pairing. Lindblom, already part of the highly influential and successful Inkfish outfit, has seen his name writ large across legion blue chip imprints and releases. As Springa, Lindblom has continued to court success with his work for Suffused Music, Mistique Music and Low Pressings, amongst others. Similarly, Shapiro has derived similar success through his Sapiens moniker. An artist whose work is oft in-demand, his releases for Baroque, Pangea Music and Suffused Music, have been held in high regard. Indeed, the "Five Point Fiction" EP was a notable highlight for the latter imprint with its remixes from Monojoke, Advent's Rising and Inkfish themselves.

"The Version" EP in October 2015, saw a debut outing for the Sapiens and Springa collaborative partnership on Particles as the four-track EP provided a real insight into the duo's burgeoning sound. A remix of Li-Polymer's "Silence Between Us" in April 2016 showed a new set of skills and it is with genuine pleasure that we welcome back Sapiens and Springa with an innovative reworking of "Here Now". Retaining the essence of the original through its vocal cut and melodic motif, a hypnotic two-note bass line ploughs a relentless path through proceedings. As a collage of additional production sits within a deep techno framework, both pitched and textured chord progressions supply clever variation in an interpretation of impressive skill, technique and ingenuity.

A pair of new remixes from Robert R. Hardy and Sapiens and Springa have demonstrated that Ad Brown is still very much "Here Now".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Robert R. Hardy, Sapiens & Springa
Design by Ben Mautner
Text by James Warren

Here Now (Robert R. Hardy, Sapiens & Springa Remixes)

Here Now (Robert R. Hardy Remix)

Slingshot Ride (We Are All Astronauts, MINTZ Remixes)

Slingshot Ride (We Are All Astronauts Remix)

A gifted musician in possession of an array of talents, Luc Angenehm has caused quite a stir within the underground dance fraternity. With a growing collection of outstanding original material to his name, the "Kaiserkraft" EP for Proton Music broke new and exciting ground. Already receiving a quartet of remixes across two EPs for the label, a third, this time for Particles, once again extends Angenehm's work.

San Francisco based, Mark Slee, is a name well-known across the bay area and beyond. Passionate about his work as DJ and producer, Slee has been heavily involved in the music industry since co-founding the House-Heads collective in 2008. In tandem with regular gigs across San Francisco, appearances at "Burning Man" and to international acclaim in South Africa and Mexico, Mark's "Heron Sound" show for Proton Radio has also showcased his talent as taste-making DJ. As a producer, Mark Slee has been a firm favourite on Jondi and Spesh's Looq Records, with additional work finding its way on to the catalogues of Submarine Vibes, Cityfox and Lucky Sun. Furthermore, the formation of his co-owned Manjumasi imprint, with Atish, has proved an enormous success with a roster that includes Nico Stojan, Brian Cid and MUUI.

A trio of high-profile remixes for Proton Music have been combined with a single rework of Vitamindevo for Particles as Mark Slee now returns to the label with a typically polished affair. An elegantly crafted, deep percussive groove holds sway with sumptuous bass line variation, as melodic elements from Angenehm's original are juxtaposed against the hypnotic rhythmic patterns. A wealth of original production is in full evidence as stuttered motifs keep interest high in a work of skill and poise.

On Australia's south-eastern coast, Nick Retz has hit a rich vein of form through his Retza production moniker. Responsible for the "Rework Podcast", Retza's DJ skills have seen his diary increasingly filled, driven by inspiring performances at the likes of "Rainbow Serpent Festival", "CHI WOW WAH" and on the international arena, while Rework itself "is a collective of DJs and producers that came together…to push techno and house on the dance floors of Melbourne's underbelly." 

As a producer, a growing portfolio of material has found its way onto the likes of Lo-Fi 45, All Day I Dream and Watergate Records, supported by the underground DJ elite that includes, Kasey Taylor, YokoO and fellow countryman, Jamie Stevens. Now making his Particles debut, the Retza remix of "Kaiserkraft" lives fully up to its "Day Dream" title. A rich, low-slung groove drifts across a near nine-minute voyage that revels in dream-like melodies and pads that bleed into each other in unhurried fashion. Ever-evolving, a canopy of sound in the mid to upper frequencies gently covers the hypnotic rhythms below, creating a post-breakdown third movement that cleverly revisits Luc Angenehm's original elements in inspiring fashion to create an ethereal and opulent offering.

Remixes from Mark Slee and Retza still find Luc Angenehm very much the master of "Kaiserkraft".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Kaiserkraft (Mark Slee, Retza Remixes)

Kaiserkraft (Retza's Day Dream Mix)

An Argentinean artist raising a storm through his ever-growing body of production work, Nicolas Rada, continues to cause a stir in his home country and beyond. As he returns to Particles with a brand-new EP, the Russian themed, "Sheremetyevo" is a welcome arrival.

An accomplished musician, Nicolas Rada grew up in the bustling Buenos Aries capital, studying piano and with a passion for percussion. Maturing over time, Rada began to experiment in the multi-faceted electronic musical form, taking his audio cues from UK act, Radiohead, and the audio experimentations that became a staple feature of the band's work. Further inspired by underground DJs including Nick Warren, Hernan Cattaneo and Stephan Bodzin, the Nicolas Rada production sound began to emerge from a melting pot of ideas and influences, taking on elements of progressive, tech and deep house with a dash of techno seasoning.

A 2007 debut for BIT Records Mexico laid the foundations for Rada to develop his sound as he and fellow Argentinean, Nicholas Van Orton performed in clubs and pubs across the country. A raft of further work for the likes of Majestic Family, Superordinate Music and Soundteller, has followed in the intervening years but it with the Balkan Connection family of labels and the Van Orton owned, South American variant, that Rada is particularly known. Thus, over a century of production credits have graced the Balkan Connection name with an abundance of work for the BCSA imprint. Indeed, the December 2015 full-length debut album, "Air Ports" was a notable highlight in amongst legion original EPs and multiple remixes for the likes of Robert R. Hardy, Deepfunk and Van Orton himself.

Work for Particles is centred around October 2016's "Yaroun" EP including a remix from the iconic Italian artist, Andrea Cassino, while Rada remixed Simos Tagias' "Airlock" in May 2017. As he now returns to the label with the twin-track, "Sheremetyevo", the title track itself is a wondrous melange of rhythm and melody, imbued with Rada's characteristic percussive flair and melodic enterprise. A seismic kick keeps the track in check and luscious pads form a foundation for a pitched lead-line to shift across the sonic spectrum. Combined with a cleverly cadenced motif, the rhythmic explosion in the third movement sees the track burst into life.

Partner track, "One-One Eleven Thousand" oozes class with is bouncing bass groove, dynamic percussive urgency and machine-sounding artificial voice effect. Providing a hypnotic bed for melodic elements to emerge, a shimmering arpeggio filters into listener consciousness with a bright and pulsing counterpoint motif providing the perfect accompaniment. Rising and falling with veritable ease across the duration of the track, Rada's skill and technique is in full evidence.

With a pair of new tracks to his name, Nicolas Rada is certain to see his career take-off further via "Sheremetyevo".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Nicolas Rada
Design by Ben Mautner
Text by James Warren

Sheremetyevo

One-One Eleven Thousand (Original Mix)

Kamilo Sanclemente is a Colombian producer with a rich musical heritage to his name. Now making his debut on Particles, Sanclemente provides rich entertainment with his original three-track, "Revelations".

From Cali, in the south west of the country, close to the Pacific coast, Sanclemente has built a strong and rapidly evolving reputation for himself. With close to a double century of Beatport production credits, the Colombian has thus found himself a regular on high-profile labels that include Einmusika, Baroque and Darin Epsilon's Perspectives Digital, since a debut for Suite 7 Records and the five-track September 2013, "Angels". Indeed, it was through the "Galathea" and "Arisen" tracks in 2015 that Kamilo saw his stock rise even higher for the Epsilon led label, with another appearance on the "MMW and WMC 2017 Sampler" with "The White City" in March 2107.

Supported by such icons of the underground dance arena as Hernan Cattaneo, Tim Penner and Danny Lloyd, Kamilo Sanclemente continues to impress with original and remix production material in the progressive and tech house genres. Now making his debut on Particles, the "Revelations" EP presents a musical triptych of the highest order.

Opening, with the title track, the dark brooding sounds of "Revelations" build effortlessly through sumptuous pads and eerie lead line that flows in liquid beauty. Through its elegant and evolving characteristic, a strong rhythmic foundation is laid with clicking percussive cadence, before a haunting vocal phrase permeates the upper frequencies, lending a richly textured layer to Sanclemente's work.

"Desolation" continues the Colombian's exacting attention to detail as a strong percussive groove provides a beats-laden backdrop. Building with consummate-ease, themes mirrored in "Revelations" are immediately evident as free-flowing middle-eastern melodies ease into the mid-range. Hitting its stride in the third movement, the rhythmic urgency, counterpoint motifs and reprised themes, showcase Sanclemente's skill and technique.

Fuelled by a driving, running bass line that supplies urgency and dynamism, "Another Earth" builds with gathering pace as strong beat and offbeat snare/clap combine with hi-hat pattern to create a robust backdrop. A filtered arpeggio enters the fray with rising chord progressions and epic snare fills, creating a storming floor-filler that thrills the senses. Sanclemente's technical knowledge of the dance arena is in full evidence through carefully placed use of rise and drop in an impressive club track.

The "Revelations" over Kamilo Sanclemente's talent are in little doubt in his three-track musical vignette.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Revelations

Kamilo Sanclemente - Another Earth (Original Mix)

With a debut solo EP on Proton Music in the shape of December 2016's "Pronoia", Matter took another step up the ladder to the upper echelons of the underground dance scene. With subsequent remixes from Mononoid and Lanvary on the label, Particles now turns to Australia and the UK to continue the ride.

Rich Curtis is an artist with an enviable reputation within the underground dance fraternity. An esteemed club promoter, responsible for bring the likes of Hernan Cattaneo and Anthony Pappa to his Queensland home, Curtis' own appearances behind the decks have showcased a gift for crafting sets that keep dancefloors packed across his home country, South America and beyond. A producer of repute, Curtis has found his music allied to a plethora of high-calibre imprints. As such, Flow Vinyl Tulipa and Sudbeat have all played a part in the Australian's career development with the latter accounting for 2012's "Open Other End" EP and "The Ghost Writer" on 2014's "Sudbeats 2" compilation for the Cattaneo owned label. A regular on Proton Music with work that includes 2013's "Safety Thirst" EP and a 2016 remix of GMJ and Matter's "Atoms", Rich Curtis now follows up a quartet of remixes for Particles with a fifth.

Taking the essence of Matter's melodic themes, Curtis now extends their reach with a raft of additional production material in an interpretation of "Pronoia" that bristles with dynamic house groove and rippling arpeggio. Reaching their zenith in the third movement, a departure from Matter's original motifs sees a joyous house remix that is highly original and innovative.

Production pair, Andy MacDougall and Hilton Caswell, are artists with an impressive reputation to their names through their Trilucid pseudonym. Residents at Ministry of Sound's "Gallery" in London, provides a headline grabbing achievement that has seen the duo perform with a multitude of DJ superstars. With equally impressive production credentials, Caswell joined MacDougal's solo Trilucid project in 2013 and the duo have not looked back since. A portfolio that is thus the envy of any modern artist, the Trilucid name can be found on such leading imprints as Perfecto Black, Anjunabeats and Markus Schulz's Coldharbour Recordings. Supported by global icons that include Gareth Emery, Armin Van Buuren and Matt Darey, Trilucid continue to gain admirers with each subsequent release. 

Making their Particles debut, the Trilucid remix is centred around a stunning bass groove that takes its lead from Matter's original and turns it into a dancefloor destroyer. As the shimmering pads from the original filter into aural range in a stripped back breakdown, the combination of bouncing bass line and immaculate house rhythm, combine in the third movement with delightful riff accompaniment, to create a work of genuine skill and technique.

With superlative new remixes from Rich Curtis and Trilucid, Matter continues to enlighten through "Pronoia".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc., Trilucid
Design by Ben Mautner
Text by James Warren

Pronoia

Pronoia (Trilucid Remix)

With "Binary" highlighting the dynamic Mondkrater production sound for Proton Music in April 2017, Particles now returns to the EP with three new impressive remixes.

An artist on an a rapidly rising upwards trajectory, Fairchild is an artist with a strong reputation. Finding his work supported by the the DJ elite, Pete Tong, Jeremy Olander and Jody Wisternoff are three of many to showcase the US producer's name. Indeed, it is on October 2017's "Anjunadeep 09" compilation, co-mixed by Wisternoff himself, that Fairchild sees his track "The Light in You" featured. A portfolio that includes releases for Arkade, NU Ideals and Motorik, now sees a debut remix for Particles. Taking on Mondkrater, the Fairchild remix wraps "Limb" in a shaker-fuelled percussive casing that grips the listener with a head-nodding groove and deep kick. Making full use of original melodic elements, a sweeping and meandering motif enriches the opening movements before a new, silky smooth arpeggio creates a spine-tingling moment in the breakdown. Rhythm and melody combine once more in the second half to create a work of passion and emotive tension.

Danny Lloyd is a storied name in the world of underground dance music. Fascinated by music from an early age, his forays into a diverse range of musical genres has brought him much success in both solo and collaborative ventures. With a portfolio that has seen work signed to BCSA, Lowbit and Soundteller, Lloyd's music for Particles is centred around 2015's "Espejismo" EP which went on to see remixes from fellow production partner, Andrea Cassino and French icon Rick Pier O'Neil. A clutch of remixes including Loquai and Pier O'Neil and Desaturate, is now joined by a remix of Mondkrater. Creating a dynamic groove and tightly interwoven bass line, Lloyd cleverly develops the melodic sequences that are so prevalent in the latter stages of Mondkrater's original into new and exciting directions. With subtlety and poise, a light and airy affair drifts enticingly along a nine-minute voyage of delight that passes in a hypnotic flash.

Polish producer, Jakub Heliński, is an artist who has carved out a sizeable niche over the course of 2017 with his Controlwerk moniker. Describing himself as a risk-taking 'sound auteur', inspired by Digweed and Kobana, Controlwerk's passion for progressive and deep house has led to over a century of production credits for the likes of Soundwaves, BC2 and Spring Tube, while January 2017's full-length "Borderline" album featured on Tuxedo's Electronic Tree. His music supported by a gamut of international DJs that include Gai Barone, Above and Beyond and Kenneth Thomas, it is a pleasure to welcome back Controlwerk after his remix of East Café in June. Crafting a unique remix of "Stellar Depth", the melodic themes central to Mondkrater's work immediately make their presence felt as a strong percussive backdrop fills the stereo spectrum and a swathe of shakers and hi-hats accompanying a dominant beat. Beautifully crafted new melodic structures make a sympathetic appearance at the breakdown in a work of imagination and technique.

Remixes from Fairchild, Danny Lloyd and Controlwerk find "Binary" divisible by three.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc., Andrea Cassino, Controlwerk
Design by Ben Mautner
Text by James Warren

Binary (Particles Edition)

Limb (Fairchild Remix)

As the warm autumnal colours of copper, russet and ochre turn to muted monochrome palettes, hues of icy blue and opaque crystal usher in a seasonal compilation that bursts through slate grey skies in sparkling sunlight, cascading sonic reflections across the underground dance scene.

"Winter Particles 2018" draws together a collection of artists that traverse the globe from North and South America to Africa, Asia and Europe. An assemblage of subtle and beautiful tunes is brought together that epitomises the Particles ethos – showcasing established artists and highlighting aspiring newcomers in an aural collage of electronic sound.

The arrival of seasonal shift sees shafts of light reach out into the shadows and dust. A mote sparkles in the bright light; caught in light breeze it drifts gently in hypnotic patterns. The presence of a filtered arpeggio takes a similar path, rising and falling in effortless waves. A piano note hits, cascading repeatedly into eternity as a growling bassline creates perfect juxtaposition; a liquid ink sky lit up by a carpet of luminous pinpricks.

Summer's petrichor a distant memory amidst the icy shards that cling to bare branches, the snow-swept ridges keep their secret of once green and rolling hilltops. Winter's zeitgeist is firmly held within pulsating rhythms and melodies to warm the soul. The acceleration of time brings with it a new musical direction and impulse for change. Elevated to new heights, shimmering percussive intent casts a spell of hidden energy, an electrical charge and dynamic spirit. The fusion or organic and electronic sounds are crystal clear in invigorating sonic shapes and patterns.

Heading for the winter trip, heading for the slide. A mountain isn't far to fall when you're falling from a silhouetted moon.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc., Izzet, Tech D, Rob Small
Design by Ben Mautner
Text by James Warren

Winter Particles 2018

Zeitgeist (Original Mix)

In February 2018, Rudy UK made his debut on Proton Music with the wonderful "Time/Spirit". Returning to the EP a trio of remixes comes courtesy of German, Polish and Dutch producers.

A nascent producer with a burgeoning career, Mio and His Flute has been making waves in the underground dance arena since early 2018. With a debut on WAYU Records in February, the six-track "Responsibilime" EP shone a spotlight on the German artist with a trio of new tracks combined with remixes from MIICHII, Fait Du Prince and Pandhora creating an outstanding package. As Mio and His Flute now debuts on Particles with a sparkling rework of "Spirit", the melodic foundations of the original are encased in a crisp new percussive shell that uses the wonderful motifs of Rudy's work as a launching pad to create a raft of new production material that lifts his remix. A sublime new lead line perfectly complements the sonic make-up of "Spirit" while richly textured pads and a collage of intermittent sounds and effects add further to proceedings as Mio and His Flute creates a strong remix.

An artist with almost a decade's experience at the underground dance scene's top table, Pysh hit the headlines in 2009 as competition winner for Booka Shade's "Regenerate" remix. Over a double century of production credits later and a 2014 full-length vinyl album for iconic German label, Einmusika, and Pysh's career has sky-rocketed in impressive fashion. With his music signed to such blue-chip imprints as Steyoyoke, Traum and Manjumasi, plus global DJ performances alongside Josh Wink, Robert Babicz and Nicole Moudaber, it is an honour to welcome the Polish produce as a Particles debutant. Remixing "Spirit", Pysh takes a heavy beat and chunky groove to form a strong foundation from which to create a rich new interpretation of the original. Evolving elegantly, a symphony of strings and analogue synth lines reinterpret Rudy UK's work, rising and falling with verve and vivacity to create an exciting new interpretation tinged with a backdrop of psychedelic acid groove.

An accomplished DJ with performances in Panama, Mexico City and across his Amsterdam hometown, Daraspa's career has continued to blossom after a November 2013 debut for Sound Avenue, supported by the global DJ elite that includes John Digweed, Hernan Cattaneo and Chris Fortier. Since then, a century of production credits has graced the finest imprints as Daraspa has seen his work signed to such leading names as Stellar Fountain, Forward Music and Dear Deer White. It is therefore a pleasure to welcome Daraspa to Particles with a trademark dancefloor gem. Cleverly reworking the original, a deep kick and intricate percussive groove interact beautifully with the arpeggio sequence so fundamental to "Sea Change". Using a raft of additional production material to impressive effect, a rasping bass note hits hard while an analogue arpeggio coruscates across the mid-range, reaching its zenith at the breakdown. The resultant work is a joy to behold.

With a trio of new remixes there is still plenty of 'time' to infuse Rudy UK's EP with new 'spirit'.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Time / Spirit (Particles Edition)

Rudy (UK) - Spirit (Mio & His Flute Remix)

A strong collaborative production partnership, Matty Doyle and Jerram Adams have garnered considerable notoriety under their Matter and Universal Harmonics monikers. Now the Australian duo return to Particles with "Re Entry", including remixes from Hungarian and Mexican stars.

Impressive artists in their own rights, Matter and Universal Harmonics have collaborated on a clutch of releases for the likes of PHW Elements, Mistique Music and JOOF, with impressive results. A long-term friend of Proton Music and Particles, Matter's own rise to stardom in the underground dance firmament has been particularly noteworthy with a host of original and remix production material. Following up on his work with Universal Harmonics after their rerub of "We Are Dust" in May 2018, the duo now debuts on Particles. "Re Entry" is thus a typically dynamic track. With its cavernous beat and warm, pulsating bassline, Matter and Universal Harmonics have created a textured framework for a glorious chord progression to develop as it washes over the listener in trademark fashion. Building effortlessly from a luscious breakdown, the track erupts into a pulsating floor-filler that excites with grooved stabs and growling, open-filtered bass. The result is a magical experience.

Hungarian artist, East Café, is no stranger to the progressive scene. A stalwart with a sound that helped define the progressive breaks genre, his work has been a staple on some of the industry's finest imprints for over a decade and more than 500 production credits to his name. A Particles regular with the "Indian Summer" and "False Visions" EPs, East Café now returns after a successful remix of Matan Caspi in December 2017. He thus takes "Re Entry" on a bright new path with pounding beat and off-beat percussion to provide a driving dancefloor framework. Making clever use of Matter and Universal Harmonic's original components as a starting point, rich new motifs flow across the track with ease, highlighting the Hungarian's own production skill. White-noise washes and a soaring breakdown add further depth and intrigue in a remix that rises and falls to create a stunning new interpretation.

An artist at the peak of his powers, Hot TuneiK's star has risen rapidly with his DJ performances, production work and stewardship of Hookah Records. Making his full EP debut on Proton Music in April 2018 with "Revival", the "Erase and Rewind" and "Tulum" EPs for Particles in October 2017 and May 2018, showcased the Mexican's supreme talents. Remixing Matter and Universal Harmonics, an elaborate groove, sculpted from hats, shakers and toms, sit tightly against a strong beat. Using the chord progressions and motif from the original, the Hot TuneiK remix builds hypnotically with bouncing bassline and flowing pads crafting a languorous offering that is an innovative new interpretation full of passion and guile.

As Matter and Universal Harmonics take-off "Re Entry" is provide by remixes from East Café and Hot TuneiK.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Drew, East Café, Cid Inc.
Design by Ben Mautner
Text by James Warren

Re Entry

Re Entry (Original Mix)

Combining a host of established and emerging talents under a seasonal banner, the "Winter Particles 2019" compilation once again showcases the wealth of global talent found in the underground dance arena. Eleven tracks now represent the very best in progressive and melodic house and techno.

Opening the winter selection box, Greek sensation, Savvas, reminds listeners of his attention to detail and melodic prowess through "Mindfulness", while dub.format and Pedro Capelossi and NOIYSE PROJECT hit the ground running with impressive low-end theory as "Mentalist" and "Myth in Manus" combine huge bass prowess with delicate melodic touch.

German star, Wisqo demonstrates why he has been such a hit with the likes of Lump Music and Pipe and Pochet with the elegantly crafted "Limitless" before Kynan Cosma takes a break from his new Sense of Mind moniker to carve out a rasping bass gem and Moog inspired melody in "Sequent" that Bodzin himself would be proud of. Notable for its middle eastern vocal flourishes, E.F.G. then combines a strong rhythmic backdrop and sumptuous chord progressions in "Days and Nights".

Veteran, Rick Pier O'Neil, rarely disappoints and "Shining" is no exception to an ever-growing catalogue of prized jewels, with its dynamic energy, bass prowess and sparkling lead motif keeping the French artist firmly on point. Bosnian, Youngen, immediately impresses with the exquisitely crafted and emotive "Atlantis" that explodes into a chorus of counterpoint motifs.

Argentina's very own Nicholas Van Orton continues his distinctive groove-laden approach to his craft through "Siete Dioses" as haunting melodies and guitar phrasing play a central role in a mesmerising track. Colombian Dabeat departs from fellow countryman and regular collaborator, Kamilo Sanclemente, to shine brightly on a solo outing, "Beyond the Stars", as gated synths and stepped arpeggio present a strong representation of the title and pitched and warped melodies bend space and time. Continuing the outer space theme, Neptun 505 closes the compilation with a shimmering affair that finds a twinkling lead motif illuminating the "Light of a Non-Existent Star" in an iridescent glow, backed by dominant beat, richly textured pads and ticking percussion.

Eleven tracks brightly lit in winter sun gives Particles a crisp, clean edge for its early 2019 collection.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Savvas, dub.format, Pedro Capelossi & NOIYSE PROJECT, Cid Inc., E.F.G., Rick Pier O'Neil, Nicholas Van Orton
Design by Ben Mautner
Text by James Warren

Winter Particles 2019

Myth in Manaus (Original Mix)

Consistent with the Particles modus operandi to welcome new and talented artists to the label, David Leckenby makes his debut with "Stardust". A single remix comes from a renowned Australian pairing.

David Leckenby sees music at the epicentre of his life. More than simply a job, music has therapeutic qualities for the Melbourne resident: "it's a way of making sense of life and developing as a person". A relative newcomer to the underground dance scene, a 6-month retreat in Kathmandu saw Leckenby stir up a creative storm before returning to his Australian home to continue his creative voyage. DJ performances in Europe and America have added to Leckenby's growing reputation and a production debut for Crosslink Music, in the shape of his "Soul Motion" debut, sparked a clutch of releases for the likes of Crop Circle, Consapevole and Nick Lewis' Emotional Content Recordings.

Now making his Particles debut, "Stardust" fills the sonic aether with richly textured pads and reverb-drenched keys. Arpeggios coruscate across the stereo spectrum and melodic flourishes create an air of melancholy enhanced by a sublime and warm bassline that carries the central melodic theme. A driving beat and ticking percussion ensures the track picks up pace again in the third movement to maximum effect.

Brightly glowing stars of the underground dance firmament, Gavin Griffin and Matty Doyle find themselves at the centre of the progressive universe with their GMJ and Matter monikers. Successful in their own rights with over 600 combined production credits, their work together has seen the duo feature heavily on a raft of high-profile imprints including Anjunadeep, Perfecto Black and Open Records. Regular contributors to Proton Music, May 2016's "Superposition" laid the foundations for a pair of further decorated EPs to follow, with June 2017's "Osmosis" and August 2018's "Interscope" illustrating the Australian pair's production prowess. A series of remixes for the likes of Andre Sobota, Huminal and Juan Deminicis have followed and it is an honour to welcome them to Particles for a collaborative debut, after a Matter remix of GMJ's "Intimation" in November 2016.

Taking on "Stardust", the GMJ and Matter remix bristles with trademark dynamism as a typically dramatic bassline and rolling rhythmic groove provide the foundation for intelligent use of Leckenby's central melodic tropes combined with a wealth of additional production material from the pair's vault. Full of dancefloor credentials, harmonically rich pads swim enticingly across the left-right spectrum as the core arpeggiated riff from the original makes its presence felt at the mid-point breakdown and into the third movement. The result is a work of sonic art.

A career in the ascendancy, David Leckenby sees GMJ and Matter sprinkle a layer of "Stardust" over a magical Particles debut.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Stardust

Stardust (GMJ & Matter Remix)

Originally part of the "Winter Particles 2019" in February 2019, Savvas opened the compilation with the glorious "Mindfulness". Now the melodic techno offering is given its own release accompanied by a brand-new original track and remixes from UK and Russian producers.

Savvas Karabinos has been at the heart of Greece's underground dance scene for some years. Hailing from the home of US house, the Chicago born artist has carved out a sizeable niche for himself with a swathe of open-air parties a plethora of releases on some of the finest imprints. Thus, Anjunadeep, Manjumasi and Nie Wieder Schlafen have all played host to the Savvas name. In addition to the title track, "The Lost Kingdom" is characterised by a clave-led percussive groove forming the foundation for a hypnotic arpeggio sequence to sit intelligently alongside the rhythmic foundation. Building in intensity, a rich and reverb-laden motif makes its presence felt, particularly at the stripped back breakdown, before blending with metronomic rhythm in the second half.

Fresh from the superlative "Organik" EP on Proton Music that included remixes from Barry Jamieson's Mono Electric Orchestra moniker and Irish legend, Silinder, Imran Khan returns to Particles after success with his "Arrival" on "Winter Particles 2018" and subsequent full release with remixes from Hot TuneiK and Kamilo Sanclemente and Dabeat. Remixing both artists in October 2017 and August 2018 and a Dante Pippi and Demitros reworking in November 2018, Imran Khan returns with a wonderful progressive house interpretation of "Mindfulness" that ripples and shimmers with contemplative prowess. Reinventing the central themes of Savvas' work creates a new melodic variation that percolates through the seven-minute track with skill and craftsmanship. Hitting its stride with richly textured pads that build to a denouement in the multi-faceted breakdown, Khan's remix is a work of sonic beauty.

An artist who has continued to gain prominence and traction through the course of 2019, Russian born, Izzet, began his production career in 2010 with initial work signed to NewBorn Records before going on to feature on a clutch of impressive imprints in the intervening decade. As such, releases on Clinique, Proton Limited and Liquid Grooves saw Izzet make his mark before "Summer Goodbye" hit the Particles catalogue in January 2019. Remixes from Bluum and Malbetrieb contributed the success as he built on his growing reputation. Now returning, Izzet treats "Lost Kingdom" to a wonderfully textured reworking that pulsates gently through sumptuously layered pads and cleverly programmed rhythmic interplay. Making clever use of a sympathetic arpeggio sequence that resonates with Savvas' original, the second half opens up in glorious manner to create a typically impressive production from the Izzet studio.

New music plus remixes from Imran Khan and Izzet finds Savvas successful in the here and now with his "Mindfulness".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Savvas, Cid Inc., Izzet
Design by Ben Mautner
Text by James Warren

Mindfulness

Mindfulness (Imran Khan Remix)

Renowned for releasing a wealth of stunning original music, "Fall Particles 2019" continues the seasonal compilation series with seven new tracks from new and iconic artists alike.

Proton progenitor and a producer of legendary status, Biologik opens proceedings with "Lore". Beautifully sculpted from a host of modular equipment, a strong beat and gently pulsating sustained chords provide an elegant backdrop. A smooth lead-line then meanders across proceedings, building in power and detail to create a glorious opener. Iconic Greek artist, Kosmas, continues with "Under Control" using an intricate percussive groove as a framework for a rich, sustained bassline to play a substantial role. Effected vocal cuts add intrigue while a sublimely melodic motif ping-pongs across the stereo spectrum in delayed fashion while the bassline filter opens up in rasping side-chained glory to create a dancefloor destroyer.

A Sri Lankan and French partnership sees NOIYSE PROJECT and Cmb CruZz present "Naymaria" with pounding beat and rolling percussive rhythm. Textured pads add depth with intelligent chord progressions and ethnic vocal cuts revealing a world music flavour while melodic phases supply further dynamism as they develop into the third movement. Hitting the heights with "Sirius", Kostya Outta displays a mature production character. Hypnotic rhythms and offbeat percussion play alongside reverberated bass groove and pulsing pads sit tightly against a swathe of melodic elements. Full of dancefloor prowess, the Belarusian is a force to be reckoned with.

Striding out in solo guise, rising Brazilian artist, Dante Pippi hits hard with "Unruh". Immediately showcasing a club-friendly beat and epic bass groove, shaker led percussion adds dynamic flair. Evolving seamlessly, shimmering melodic motifs make their play as the track hits its stride post-breakdown in a powerful and dramatic offering. Argentinean, Julian Nates, continues the South American theme with the aptly titled, "Luminism". A hypnotic rhythmic framework forms the basis for a multi-layered glissando bassline to slide elegantly across the low and mid-range. A filtered arpeggio, muted in the early stages, then enters the fray through the breakdown and into the second half, reaching a rousing crescendo through judiciously placed snare rolls and white noise risers.

Debuting on Particles with the March 2019 "Border" EP, Hansgod closes with the immaculately crafted "Patchouli". A chest-thumping kick combines with metronomic techno hats while an intricately programmed arpeggio starts out as a muted percussive layer before opening up into rich melodic patterns that develop through extended delays and open filter. A pulsing pad adds further dancefloor character in the second half to intelligent effect.

Seven new tracks create a vivid palette of autumnal sonic colour in "Fall Particles 2019".

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

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