YouTube video: https://youtu.be/oVBVW2MgRrs?si=05cpLtGiltoWTH13

Everyone has people they have loved who are no longer here.  We think of them and we miss them.  Have you ever dreamed about them? Had talks with them and could feel the warm from them? I have.  Most of them were with my father, who died when I was 35. Half my life ago.  When he hugged me, I could feel the warmth. When he walked away I felt such sadness. But that was not the only time we met in a dream.

Only In Our Dreams

Recorded and produced
 by greyshoes#music-berlin
03/2025
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Artwork by P. Werzlau  
using the photo:
Landscape, Uckermark #2 
(detail) 

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© All rights reserved

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Between Landscapes #2

Cinematic and Orchestral Music
Picture by MarWin55
Franck C Production
Music by Franck Charles
ASCAP
https://www.youtube.com/watch?v=tB4QzfTFg8A

Expedition

This is a work in progress Hope that your Spring is going well🌷Thank you for all your generous support!!

Deeper Jazz WIP

An instrumental for guitar

Guitar: Amalio Burguet Model 1A - Spruce

Of Moths and Moonlight

"Dans mes pensées" est une composition pour piano aux accents néoclassiques, à la fois mélodieuse et empreinte de mélancolie. Elle évoque un voyage intérieur, entre rêverie et émotion retenue.



Dans mes pensées

Lizzie kindly agreed to add her beautiful vocals to this song, we hope that you like this latest collaboration.
Please go over and listen to more of Lizzie's gorgeous songs. @taylor-pentland

Undercurrent  (With Lizzie Taypen)

This track is my very personal take at the Koan "Hear the Clap of your Hand". My lyrics version (https://soundcloud.com/konrad-spittelberg/the-clap-of-one-hand-pp) might make things clearer. (yes, this is my sneaky strategy to guide you from one song to another :-))

Compositionwise, the track is roughly split into two equal parts. The first part introduces its cinematic theme in the very beginning, taking it thereafter up several times with slightly different accentuations and rhythms which gives it a fresh feel with different highlighted nuances in each repetition. Several interludes contribute to the cinematic feeling. 

The second part, starting @1.53 starts by a more Jazzy version of the main theme. However, from 2.20 onwards, it is very restricted in its harmonies - only two harmonies are used from thereon until the end, C major and C# major. The tension arises purely from the rhythmic changes (such as the shift from 4/4 to 3/4 @3.17 and back), climaxing at the end.

The Clap of One Hand (Piano Miniature)

Sweet Life

Piano M 7995 2:43 29-09-2025

F*ck it

"Pascal Sardi-Antasan - pianiste et compositeur français, mêle les genres du néoclassique, du romantisme dans sa musique émotionnelle et cinématographique. 
Inspiré par sa formation classique et une culture musicale éclectique, il laisse libre cours à son intuition pour créer des compositions touchantes et  modernes"