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There were plenty of reasons for Londoner James Mathé to simply keep course after the release of his well received debut album, Chemical Campfires in 2008 on Fence Records: a flourishing reputation as one of Britain's most exciting acoustic troubadours, a prominent spot in Johnny Flynn and Jose Gonzales' backing bands, the roar of applause from the audience at a sold-out show at New York's Bowery Ballroom still ringing in his ears. But Mathé had other ideas. “I loved the acoustic scene, but knew it was not all I was about,” he remembers. “So I dug out all my old Casiotone keyboards, drum machines and analogue synths and just started writing.”

Bloodlines, then, is a compelling reinvention and sees Mathé’s emotive missives from young adulthood rewired into elegiac electronic anthems, dusted with huge spectral gasps of reverb and soul-wrenching organ melodies. Unusually for such an electronic album, it was recorded on vintage analogue gear and straight to tape.  “I really fancied getting back to basics,” says Mathé “I was tired of trying to iron out all the mistakes in modern production. I wanted to record live to tape, keeping all the mistakes in, warts and all.”   

From the sultry ache of opener Bloodline – a nod to Massive Attack's Unfinished Sympathy “about not picking up the bad habits of the generation before you”, says Mathé – to the Pharrell Williams-inspired urban crunch of ‘Turbine’, all the way to ‘The Load’, written when Mathé was indulging in his love of Jurassic 5 era 90s hip hop, Bloodlines is a brilliantly varied listen that pulls and paws at your heartstrings.    If there's a gloriously loose, tenebrous feel to songs like the blue-eyed electro-soul ‘Pagliacco’, it might have something to do with the Londoner's organic approach to song writing. “I just sit down with my dictaphone and make sense of what comes out afterwards. The best stuff usually comes when I’m hungover or not really thinking. The minute I try to be clever with words, it just sounds shit,” Mathé laughs.  Instead, the album's lyrics burn with a simple, poignant immediacy and Mathé sings them with touching, soulful grace. 

Recently signed to iconic London label Memphis Industries (Field Music, POLIÇA, The Go! Team, Dutch Uncles), Mathé is influenced by everything from soul men Stevie Wonder, D'Angelo and Levon Helm to Dirty Projectors and Sufjan Stevens but points to one inspiration in particular for the overall mood of Bloodlines – Vincent Gallo’s cult '90s film Buffalo 66, a twisted romance about a tap dancer who falls for her convict kidnapper – “the end scene which features Yes's Heart of the Sunrise and the scene with Cristina Ricci dancing to King Crimson’s Moonshine at a bowling hall especially,” he notes. 

Tender yet triumphant, Bloodlines marks Mathé as one of Britain's most versatile and adventurous artists.


** Now making music under the name Boy Runaway **
Journey folk from the Cloudlands

If you're looking for my composition work go here: https://soundcloud.com/brunomerzcomposer

https://akirakosemura.com/
Akira Kosemura (he/him) is a composer and pianist hailing from Tokyo, Japan. He is a prolific artist, constantly releasing solo albums and composing music for films, TV drama, games, stage, and commercial music.

Akira founded his own label Schole Records early on after his solo album It’s on Everything released in 2007 while he was still in school. In 2017 and 2018 Akira’s music was ranked in Spotify’s “Most Played Japanese Artists/Songs Top 10”, and his works have been highly acclaimed on media around the world, including US music media Pitchfork, Australian newspaper THE AGE, French public broadcast FIP, and Canadian public broadcast Ici Musique.

Akira’s major score works include Fragments of The Last Will by Takahisa Zeze, the Cannes 2020 featured film True Mothers (Asa Ga Kuru) directed by Naomi Kawase, Hollywood produced drama series Love Is__, the Nintendo Switch game Jack Jeanne produced by Sui Ishida, the TBS drama series Chugakusei Nikki, the contemporary ballet piece MANON, and the Japan Pavilion in Milano EXPO. His music pieces were also featured in the Amazon original movie Jonas Brothers’ CHASING HAPPINESS, the Venice Film Festival Golden Lion awarded director Audrey Diwan’s debut film Mais vous etes fous (Losing It), and the Toho movie Omoi, Omoware, Furi, Furare.

In recent years, he has worked on projects in different media such as SK-II STUDIO’s documentary The Center Lane (featuring Rikako Ikee), directed by Hirokazu Koreeda, the runway music for a collection from apparel brand TAKAHIROMIYASHITA The Soloist., as well as music for LA MER BLUE HEART, LAND ROVER, and L’OCCITANE. Akira has also co-produced a song with American musician Devendra Banhart.

In addition to his versatility and diverse portfolio, Akira has been working on a world scale. In 2022 he signed a contract with prestigious Decca Records, and the EP Pause (almost equal to) Play was released worldwide. Akira’s music was also sampled in John Legend’s song “The Other Ones feat. Rhapsody” included in his new album Legend Act I & II. And Akira’s first major album SEASONS was released on Decca Records (UMG) on June 30, 2023.

Welcome to the ARCHIVE OF INDIAN MUSIC (AIM) – the repository of gramophone recordings of India!
AIM seeks to digitize and preserve for posterity the valuable slices of India’s cultural history and musical heritage. The Archive is a custodian of these treasures and makes these available for all through its different dissemination arms. 
Come, join us in this fascinating exploration of an era that has gone by, listen to some of the best voices and the most divine instruments of this country cutting across various genres- Hindustani classical, Carnatic classical, Theatre, Early cinema, Folk and the rest! 


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