It's Ocean Jet's official promo page! Follow us! 
Follow Ocean Jet soundcloud.com/oceanjetband!

Kites was a London band composed of guitarist (Danilo), a scholar of electronics (Richard), former percussionist of The Holloways (Edwin) and a foppish pop-poet with a penchant for silk (Matthew). 

In a 2012 interview, Kites’ front man Matthew, who brings an air of Wildean decadence to the band, described their sound as: “Melodramatic provocation for discontented dreamers”. His lyrics are obsessed over by fans and his interviews have become part of Kites’ myth and intrigue.

Kites began writing tightly constructed tracks in 2010 that successfully blended synthetic textures with more organic instrumentation, creating a sound that was bold, affecting and, ultimately, irresistible. Their intensely physical and energetic stage shows have won them fans internationally and garnered comparisons to New Order, Patrick Wolf and Talking Heads in the mainstream music press. They have supported numerous, high-profile artists in recent months including The Maccabees, Jarvis Cocker, Gary Numan, The Mystery Jets, Peter Hook, Erasure, Bloc Party and many others. 

Their recent release ‘Brother’ and new track 'This Jumped-Up Boy In Livery', have received rave reviews from BBC Introducing, Amazing Radio, XFM, Absolute Radio, Strong Room Alive and Q Radio . Enthusiastic support also came from the printed press including Q Magazine, Musicweek, i:D Magazine, Notion Magazine, Artrocker, Time Out, The Evening Standard, The Sunday Mirror, The Sun (Scotland) and across the blogosphere; The 405, This Is Fake DIY, Breaking More Waves and so on. Q Magazine also chose 'Art Tastes Better Blind' as one of their best tracks of 2011 and an essential download in their January 2012 issue. Artrocker Magazine premiered the single’s video.

The band release 'This Jumped-Up Boy In Livery' in April 2012 on CD, 7" and digitally. The band will be playing at various festivals nationwide this summer and are touring the UK and EU relentlessly for the rest of the year.

VIDEO
-----

http://www.youtube.com/watch?v=2GX6Gvz8eCk
http://www.youtube.com/watch?v=uj_8SX_9Zxk
http://www.youtube.com/watch?v=6n1ZCrXGNrU

CONTACT
--------

MANAGER

Matt Errington
matt@medinamusic.com
+44 (0) 7531 223 358

PRESS

Kate Stuart
kate@besharppr.com

LIVE

Kris Tomkinson
kris@industryoriginals.com
+44 (0) 203 5867002

-------------------------

SOMETHING out now ✔
https://www.traxsource.com/title/1028136/something

Buried in a groove obviously coming from the 90s house & disco scene ACHILLES & ONE comprising Jonas Gorke is definitely someone to keep an eye on. As one of Munich house label Love Harder Record’s first signing & after the release of his house anthems Live Together, Won't Let Go and Something  incl. international remixes by Tony Lionni, Mighty Mouse & Pete Herbert, A&O is ready to present his own taste of house & disco including soulful vocals & signature drum patterns, surrounded by an instantly rising musical deepness.

Venox Aka Bertels Kevin was born on August 28th 1987 in Belgium. He originally started with spinning some good old vinyl but after a while he wanted to do something more, something unique, Something that puts a label on him. On that certain moment he began producing. His productions are mostly funky, disco-influenced house tracks with a little twist ;-) He wants people to enjoy, feel, and love his music. 

Feel free to explore his sounds. 

--------------------------

For Remixes, promo's, bookings or any other questions, you can email me at bertels.kevin@telenet.be



A joyful noise....
Percussion geek & electronic music producer. One half of @projektmanajment  and @33JOY

80's Electro-Pop when I'm not writing music for TV & Film (including the Netflix Chelsea Handler theme song).
http://www.neonmoonstudios.com/

Contact: memoryymusic@gmail.com
http://www.memoryymusic.com

BIO:
At the intersection of Indie Pop & Electronic Pop, you’ll find Albuquerque-by-way-of-Brooklyn artist MEMORYY (Shaun Hettinger), an artist who feels equally at home churning out remixes for dancefloor heavy hitters like Body Language, as he does outputting neon pop tracks for TV & film - like Netflix’s Chelsea Handler theme song. Excitement for Memoryy's original synth-pop brand has grown from tiny music blogs all the way up to the likes of NYLON & The Huffington Post, with his viral songs frequently topping music-blog aggregator HypeMachine’s Popular chart.

No stranger to charting on iTunes, his award-winning SKELETONS LP (2017) spawned 2 international iTunes hits. A two year production, SKELETONS featured collaborations with artists like Brothertiger, The Golden Pony, and Frances Cone, as well as behind-the-boards help from Yeasayer-producer Abe Seiferth, Saint Motel-producer Joe Napolitano, and Grammy-nominated Katy Perry mixer Luke Tozour. An 80’s baby to his core, Memoryy finally delivered the Pop album of his dreams - bright pop hooks from the keytar-era splattered with modern production flourishes.


PRAISE FOR MEMORYY:

"Memoryy makes metallic future-pop for lovers."
         -NYLON

"Redefining Synth-Pop."
         -Huffington Post

"Over the past five years Memoryy has developed quite the impressive synth pop portfolio."
         -Indie Shuffle

Richard Baldwin, aka Stakkr, has been writing, producing and remixing music for over a decade, developing a signature cinematic, synthwave style along the way. 

Between 2010 and 2013, he gigged extensively, co-writing, producing and playing keyboards with much lauded 'fop-pop' band 'Kites'.

At the beginning of 2014, Richard began work on a new collaborative project, and released two tracks under the moniker 'Belleville' as the year drew to a close.

An experienced DJ, Richard has also organised a number of regular, intimate club events in London's clubland.

A self-confessed addict of 1970s & 80s synthesizers and drum machines, Richard pulls his influences from early electronica, 80s film-scores, and dance music right up to the present day. Creating music in one way, shape or form, for many years, first using samplers and 16-bit computers in the 1990s, and later employing vintage synthesizers and drum machines, Richard began using softsynths in the early 2000s before returning to classic hardware over the last few years.

Contact  for further info, collaborations or remixes.

Followers of patchbayarea