Who does this?
https://linktr.ee/jameshype

ILL PHIL aka Phil Dolman has been DJ'ing for almost 18 years now, having played all over the world Phil is no stranger to the business. He has been part of a few other projects prior to this, he worked with the super producer Will Bailey AKA Lowsteppa for 3 years. Together they gave you 'Bass Weazal' & 'Punk Rolla' These projects saw Phil tour the States, and see most of Europe and even go as far as South Korea.

Radio 1 and Capital FM, KISS FM & many more have supported a lot of his productions, and continue to do so.

Phil also hosted a show called ‘The Certified Jackin Takeover’ on Grant Nelson’s the D3ep Fm network. This was a monthly show that goes out all over the world, and reaches a vast amount of listeners.

Recently Phil has decided to stay his hand at the more bassy sounding music currently known as 'House & Bass'  or  'Jackin House'  With over 100 solid tunes to his name, he is a driving force in the UK scene playing all over the country every week.

In early 2013 Phil joined the prestigious 'Certified Jackin' brand. He now does 6 mixtapes a year which achieve huge listenership's, exceeding well into the 100's of thousands of views & downloads. He also runs parties at the famous ‘Lightbox’ Club in London with ‘Certified Jackin’ which have been a huge success. 

2018 was a crazy year for Phil, seeing him play all over the country and over seas. Phil took the stage at many clubs &festivals.  2019 is set to be his biggest yet, with planned tours in Canada & Germany already, plus some other exciting things in the pipeline. Along with a very busy UK schedule, it’s going to be an amazing year for him. There will also be the release of 5 new exclusive track to mark his final year producing!

Phil is getting great support from the crowds and gaining a keen following from the scenes main heads, so if you go to one of his shows… expect a high energy set, packed full of exclusive tracks!

It's a bright future for the young DJ with plenty of new tunes in the pipeline and some great shows lined up.

To book Phil for your event or have any general enquires get in touch here…

BOOKINGS CONTACT: 
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M:Upon request 
E: punk_rolla@hotmail.com 
F: www.facebook.com/phil.dolman

So people might see me on the internet a lot but not many know i have been djing since i was "15"
Drum n bass is a huge love of mine and heres a place for a few mixes.....
From working in a record shop to playing out 3 times a week back in the day, To now having 24 million followers online for comedy sketches!!!
Its been an amazing ride and i hope djing again can also be one to!
Big thank you to the promoters already booking me and the artists sending me tunes!!!!!!!

 The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a "jazz-dub-reggae" band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned second hand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

By the time Chrissie Hynde invited them to tour with the Pretenders during the summer of 1980 and their debut single "King b/w Food For Thought" had sailed into the UK Top 5, all the essential elements of UB40 were already in place. Their line-up will remain unchanged for almost thirty years, and they will continue playing a mix of original material and inspired choice of reggae covers in a style that’s instantly accessible with its bright melodies and sweeping horn arrangements – one that’s allied to a formidable rhythm section, capable of holding its own with anything from Jamaica.

UB40’s first album was released the following September, on Graduate Records. Their deal allowed them more creative freedom than if they had signed with a major label. The cover artwork memorably duplicated an unemployment benefit card, with the title "Signing Off" rubber-stamped in red, but it was the music that quickly worked its way into the affections of a young, mainly student crowd with its knowing lyrics, solid reggae rhythms and dubby, instrumental passages, offset by warm horn solos and Jamaican style scatting. There was nothing else like it at the time. As a multi-cultural band from Birmingham, UB40 weren’t drawn into trying to sound "authentic," and there was considerably more depth to their music than that of many punk and 2Tone bands. "I’m a British subject, not proud of it, whilst I carry the burden of shame," they sang on one of the tracks. Accepting the truth of their own situation amidst a sea of other reggae songs proclaiming black heritage gave us a valuable insight into where UB40 were coming from. They were unafraid to stand up and be counted, and British audiences instinctively loved them for it. "Signing Off" duly went to No. 2 in the UK and stayed on the nation’s album charts for 72 weeks.

On September 2nd, 2013, UB40 released their latest album ‘Getting Over The Storm’ on Universal/Virgin Records.

Patrick Cooke 2 is following