Introducing drum and bass producer Delta Octagon, the sonic embodiment of a lifelong journey through the underground dance music realms. Hailing from the beating heart of London's club culture this artist's roots run deep into the fertile soil that birthed the drum & bass movement.

As featured on BBC Radio One Introducing, top 10 in the Soundcloud Charts and three number 1's in the RPE top 40 underground chart.

ADHD - Supporting Neurodiversity

Proud member of the JDNB family

Tracks made using GarageBand Free on IPad
All tracks FREE DOWNLOAD.
All tracks created using unique keystrokes and individually jammed Melodie’s, banging beats, uplifting sounds, progressive percussion and driving basslines…. DOWNLOAD FOR FREE
Because the best things in life are free❤️🎶🌞

Sonic scribbler with a hope that someone out there feels what I can’t play but still need to say.

I'm a person who will make it and doing this career you listen to my voice you understand the facts and what am I all about as a entertainment guy never cross paths with me it doesn't end well the most important things you have a choice and you keep that choice when you've solve it you have to live with it in our Lives.

Current Network ★ 5,000,000

About Us: https://linktr.ee/TimelessMusicNetwork

Network/Partners
@francisv_music
@timeless-music-records
@pvrprepost
@dervierteraum
@allfreerepost
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... and many more!

Don't ask me for money. I dont want to offend you.

Electronic Music Producer | Co-CEO of Beta-Time Records

Since my first sequences in FastTracker nearly 30 years ago, I’ve developed a creative approach focused on sound exploration, electronic texture design, and technical evolution in music production. I work with a hybrid setup of software and hardware, with a particular interest in balancing rhythmic structure and atmospheric depth.

As Co-CEO of Beta-Time Records, I manage projects, curate releases, and collaborate with artists to shape proposals that stand out in today’s electronic music scene. Continuous improvement—both in mixing and composition—is a core part of my creative process.

www.beta-time.de

*** Releases with:
 - Beta-Time Records
 - Vanta Record
 - Techno Drum Records
 - Nothing But

Welcome - It all started when I was 6 and studied musical school on the top of normal school. We learned classical music - notation, scales, chords, etc. Within a couple of years, I got pretty good foundation of music theory, and I kept playing flute for next 5 years. 

But the real fun started at 13, when I purchased my first guitar, and then started composing within a year. I wrote many simple pop songs, punk songs, and some gospel, later on learned to play and compose very complicated riffs, licks, and many solo techniques, eventually landed in death metal band, where I played guitar for 3 years. 
     
Of course, that is a long history now, and I gave up making music at 31. But roughly 11 years after that I came along to own my first Ipad, which happened to have Garageband app. And since then I slowly learn more and more tricks, and have now done over 2 hours of music, which you can hear for free on this page. 
     
Every song is an experiment itself, although I tend to be melodic, upbeat, and various. I'm still using diatonic scales and chords as main channel for composition, just as I learned in school as a little kid. Although some pentatonic scales now and then won't hurt, right? 
     
Here is how I see it about the music. The most basic and effective way to make the magic is the combination of good chord progression and good melody. So basically, brilliant cords, brilliant melody and how much they complement each other - that is the magic. And, of course, the structure that utilizes all that to the max. All the rest is just a gravy, (I mean, "just" a gravy) Don't get me wrong, the gravy can be very beautiful and  enjoyable, and most of my tracks so far are mostly gravy, but the proper meal should contain some meat, Know what I mean? My most "meaty" songs so far are probably Autumn Falls and Hint Of Tribecore. The biggest and dirtiest gravy so far would be probably Tribal Beginnings and Warning Immediate Noise. But you can judge that for yourself. 

Still, my main focus now increasingly becomes a sound modulation, and structures of song, because more I play with that tweaking of sound, more crazy sound I can hear. The goal here is pure magic and beauty distilled into nice 2-6 min. pieces. 
     
Also, a little disclaimer here. I don't do any vocals, mixes, remixes, or live pieces. All should be well thought through, electronic, and freshly new, and original. So enjoy listening and feel free to comment. I appreciate the feedback as it gives me more info and insight.
Peace.

Followers of patrick.pilcher