DJ/PRODUCER - I LIKE DEEP, HARD, NASTY, STANKY, SILLY, WONKY, TECHY, AND HYPNOTIC HOUSE MUSIC. 

MELROSE HOUSE ~ MISE EN PLACE RECORDS

⛺2017 Dirtybird Campout DJ Competition Winner

Claude VonStroke's The Birdhouse: Episode 103 https://www.mixcloud.com/ClaudeVonStroke/claude-vonstroke-presents-the-birdhouse-103/

✉️ Booking : frank.terry.phx@gmail.com

NV'D Records is a small label that specializes in hosting intimate events and unique festivals where partners, sponsors, promoters, and even the public are not involved. Envy'd Lounge is our private home venue located in Charlotte, NC. 

The label side works predominantly on signing and highlighting new and upcoming house and techno producers with a unique sound. NV’D Records is known as the "artists label", as we cater to the artist and retain the highest artist royalty rate in the industry.

Demo Submissions: Label manager - billy@nvdrecords.com

No one knows how to push the boundaries of House music quite like Mz Worthy. With a deeply intuitive understanding of production, she’s shown reverence to the traditional form of classic House even while tripping off the mark & sinking into euphoric, less-charted territories of booty-clapping bass. Attaching “Mz” to her name, Mz Worthy marks the new era of her career. With a new relationship to DJing, she connects with her music and her audience like never before. 

Despite over two decades in the scene, she continuously felt disconnected from the world and her fans. After years of repressing feelings of gender dysphoria, Mz Worthy came out as transgender in 2020. Describing the discovery as pieces of a puzzle coming together, Mz Worthy has invited her fans to join her on her journey in finding herself. Feeling a sense of freedom like never before, she has become more expressive in her music and mixing. 

Mz Worthy is no stranger to the world of electronic music. Energized by the early American rave scene, she bounced from city to city before finally landing in San Francisco. It was here that she put down roots and established the Dirtybird party alongside Claude VonStroke & Justin & Christian Martin. She released her breakout track “Irst Te” off Dirtybird records back in 2007, followed up by bangers like “Shy Look” (2012), “Tric Trac” with Eats Everything (2011) and “Dip” (2013). 

Worthy once again proved her notoriety as a producer with her 2014 debut album, Disbehave. Released off her very own label, Anabatic Records, the critically acclaimed album defies genres and pushes the boundaries of the traditional House sound. She followed the record up with a 2-part remix album, featuring Will Clarke, Walker & Royce, Thugfucker, Stanton Warriors, and Yolanda be Cool among others. She has since released on top labels, such as Defected, Exploited, Insomniac, and Toolroom.

Having played the massive Coachella, Dirtybird Campout, Burning Man, and Ultra festivals, Mz Worthy has the insight to play for her audience every time, cultivating intense positive energy and an energetic dance floor camaraderie. She invites her audience to embrace their true selves, just as she is.

Open to showing and teaching the trans experience, Mz Worthy is a light for other LGBTQ artists. This is only the beginning for her as she reintroduces herself to the scene.

|   V N S S A    |

California-born artist, producer, and DJ VNSSA has become one of dance music’s most magnetic
forces, fusing house, disco, techno, and a gritty punk edge into a sound that’s unmistakably her own.
What began behind the drum kit in indie bands has evolved into a global, genre-bending project
reshaping club culture from the underground out.
After breakout releases on Dirtybird, Higher Ground, Black Book, and Sweat It Out, VNSSA has
continued to level up with a string of high-impact tracks on Three Six Zero Recordings, including
“Grindhouse” and “Giving You.” Her music has earned major support across Spotify’s Housewerk,
Operator, and Dance Party playlists, as well as Apple Music’s One Mix cementing her as a consistent
tastemaker favorite.
Her recent collaboration with Benson, “Shiny Disco Balls,” exploded across DSPs landing the cover
of Spotify’s Tech House Operator and securing placements across flagship playlists including
Housewerk, New in Dance, Dance Rising, Dance Music Friday, Fresh Dance, Fresh EDM, New Dance
Beats, and New Music Daily. Earlier this year, her standout single “Ring My Bell” with Trixie Mattel hit
viral momentum of its own, earning major playlist support, festival rotation, and fan-fueled traction
across socials, further solidifying VNSSA as one of dance music’s most versatile and in-demand
collaborators.
2025 marked a breakthrough moment: a secret guest appearance at Coachella’s Do LaB as part of
Sara Landry’s Blood Oath, the trailblazing all-female collective pushing the boundaries of heavy club
music. Her collaboration with Walker & Royce, “I Don’t Remember,” has become an international club
weapon, rinsed on festival stages, radio playlists, and peak-time sets worldwide.
When she’s not commanding dance floors, VNSSA hosts Super Creep Radio on Diplo’s Revolution
(Sirius XM) and Insomniac Radio, spotlighting cutting-edge underground artists and showcasing her
ever-evolving sonic world.
This year, VNSSA brings her signature percussive grit and dancefloor magnetism to an even bigger
global stage, with performances at Lightning in a Bottle, Outside Lands, HARD Summer, EDC Las
Vegas, and more.
She is also one half of Girl Math, her newly launched duo with Nala, an electrifying project merging live
vocals, indie dance, analog hardware, and club-ready DJ energy into a raw, punk-femme chaos that’s
already redefining what a back-to-back can be.
Whether behind the decks, in the studio, or building new worlds on the road, VNSSA stands at the
forefront of the next wave of electronic music. She is not simply rising, she is reshaping the landscape.
“VNSSA does not exist in the world of music because it is her choice; she exists in it because it is her
calling.

When Pat Tuil and Dan Finx had to spend time at home because of the lockdown, they decided to fill the creative void by exchanging musical ideas online. This proved to be so productive that they decided to start Voltanz. Not their first project; the two multi-instrumentalists already played together in several bands. They started out with punkrock and noise, but slowly progressed towards more melodic music, inspired by bands like The Cure, Blonde Redhead and Interpol. With Voltanz, the duo from Groningen is moving to the next level. The name is a combination of Volta (change) and Tanz (dance). The tracks are catchier than their previous work and can be described as a mix of indiewaverock and electropop from the eighties, nineties and zeroes, with a twist. Recurring themes are the inexorability of time and the confusion surrounding our existence. The first single Leika is about long-lost summer loves.

Voltanz is following