New album 'The Phantom Five' out August 30.

Caught a Ghost is a Soul/R&B project founded by LA based singer and producer Jesse Nolan. The name derives from an old expression, meaning “feeling the spirit,” referring to a kind of musical possession.

The band’s first album “Human Nature” (+1 Records) was released in 2014 to much acclaim, featured on Rolling Stone, La Blogotheque, Carson Daly, Interview magazine, Revolt TV and more. Human Nature had an impressive streak of TV placements, with the songs “No Sugar in My Coffee,” “Sleeping at Night,” and “Time Go” appearing in dozens of TV shows, including Boardwalk Empire, Shameless, Suits, Grey’s Anatomy, Blacklist, Vampire Diaries, Crashing, and others. The band composed original music for the film Dear White People, and has also been featured in several trailers and commercials, and the first fully cooperative video game “A Way Out,” by EA, which comes out in 2018. Their dark and explosive song “Can’t Let Go” is also the theme song for the hit show “Bosch,” on Amazon Prime.

Caught a Ghost’s music has been referred to by the LA Times as “A modern take on blue-eyed soul,” infusing the spirit of classic R&B/Soul music with influences from modern production (everything from 90s hip hop to contemporary artists like Flying Lotus, Flume and Kaytranada) Jesse Nolan grew up in Los Angeles, where he received a rich and eclectic musical education. His father sings in a motown/soul band, and made sure to expose him to as much music as possible, particularly instilling a love of R&B, Soul, Blues, and Rock n Roll. Though Caught a Ghost features a rotating cast of musicians, Nolan’s kindergarten classmate Stephen Edelstein is the backbone of the live band, and his Mitch Mitchell style of drumming infuses an immense amount of energy into the live show.

Caught a Ghost started as a studio project, and Nolan plays almost all the instruments on the albums, with the exception of the horns and drums. Obsessed with cinema, Nolan began directing his own music videos, and the band has received over 10 million hits on Youtube. The band became known in Los Angeles, and then nationally as an extremely energetic and charismatic live experience. Often featuring a live horn section, and interactive visuals, Caught a Ghost shows often feel like going to church. Nolan jokingly refers to the music as “secular gospel,” and that in performing he seeks to lose himself in connecting with the audience. Journalists have compared him to a preacher channeling some mysterious higher power.

Caught a Ghost has just completed the second album “Smoke,” due out in early 2018. The songs feature a signature soulfulness, but with the grittier, more bass driven sound. The tracks sound more expansive and cinematic on Smoke, evolving away from vintage revivalism, showcasing Nolan’s LA beat scene influences. Nolan’s visual aesthetic seems to have matured as well showing a strong film noir influence. As the project evolves, one thing remains constant, Caught a Ghost seeks to shake you out of your boredom. Whether through recordings, videos, or live shows, the aim is to make music to “raise the spirits.”

Born out of an era where Ridley Scott imagined dystopian futures on the silver screen, and artists like NIN and Aphex Twin rocked MTV.

Getting creative in the studio with the likes of Seven Lions, Skrillex, Deadmau5, and Tom Morello, and contributing to film scores and OSTs, including “Teenage Mutant Ninja Turtles” and “XXX -Return of Xander Cage” in collaboration with top composer Brian Tyler, Stanczak's long standing career in electronic music never stands still.

Management:
American International Artists, Inc.
Cynthia B. Herbst, President
+1 (518) 686-0972
Cynthia@aiArtists.com

Much like songbird Edith Piaf, Madeleine Peyroux spent her teenage years busking the busy streets of Paris. Just like the ‘little sparrow’, Madeleine befriended the city’s street musicians and made its Latin quarter her first performing stage. Years later, Peyroux would cite iconic Piaf as an influence on her music and record a rendition of the classic La Vie En Rose, soulfully capturing the tune’s romanticism and melancholy.
 
Born in Athens, Georgia in 1974, Madeleine “grew up in a house filled with music” and from an early age “instinctively realised music’s soothing power” but it was her teenage years in the French capital that turned the childhood notion into an all-consuming vocation for life.

Young Madeleine moved to Paris with her mother in 1987 following her parents divorce. “To soothe me during the upheaval”, she recalls, “I was given a guitar and took to playing in the streets almost immediately.”

Thirty years after her formative busking days Peyroux is the proud curator of nine beguiling albums and an accomplished performer with sell out worldwide tours under her belt. Her atmospheric version of Serge Gainsborough’s La Javanaise was used in the soundtrack of Oscar Winner The Shape of Water and her countless accolades
include the coveted BBC International Artist Of The Year honour.
 
Madeleine’s thirst for creative exploration is unfading and her willingness to face creative challenges remains as solid now as it was three decades ago.

With endearing passion and great curiosity the unstoppable genre-defying virtuoso continues her search for the good and examines life with the treasured William Congreve belief that Music has charms to soothe the savage beast.
 
Madeleine might attribute her success to “mostly luck” but to the industry and loyal fans alike, it is the immense talent and utter dedication to her craft that shines through.
“Peyroux is a tremendous talent and almost a total intuitive” reflects Larry Klein, “she has the capacity to get the magic. When she sings and plays her guitar, great things happen.”

New album from The Black Keys 'Dropout Boogie' out now.

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