Texture In C

A rework of Pete Swintons drone where I hold back my stings, cello, doublebass with huge reverb pitch down and spontaneous jamming darkness with the doublebass, enjoy!

On A Winded Civilization

Seaorm - Forgotten Shrines

Medley including excerpts from Seaorm's second album. 

Music: Seaorm

Ark Fedotov - synths, bass
Ivan Fedotov - drums
Víctor Rodríguez - keyboards
Ángel Ontalva - guitars

Mix, master, artwork: Ángel Ontalva

SEAORM - FORGOTTEN SHRINES MEDLEY

This track is constructed of various cutting-room-floor offcuts from other tracks that didn't make it.

Sleepy song

31Jan22

My naviarhaiku421 submission;
https://www.naviarrecords.com/2022/01/26/naviarhaiku421-white-and-white/
:D

Winter cloudy [naviarhaiku421]

The Assignment: Record the second third of an asynchronous trio. The stereo (non-split) version can be found here: https://soundcloud.com/undermulden/lamps-with-nate-trier-magic-number-2-of-3-disquiet0526?si=e911468210b14fec8c749d41d54141ed&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The track is developed from Nate Trier's wonderful Baridrone Horn(disquiet0525): https://soundcloud.com/triermusic/baridrone-disquiet0525?si=c1ea24eff3a1492ba222021c0da9dd3d&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

More on this 526th weekly Disquiet Junto project — Magic Number (2 of 3) (The Assignment: Record the second third of an asynchronous trio) — at: https://disquiet.com/0526/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0526-magic-number-2-of-3/

Disquiet Junto Project 0526: Magic Number (2 of 3)

Lamps with Nate Trier Magic Number (2 of 3) (split) (disquiet0526)

some senseless noodling

#StandWithUkraine #StopWar
☮️🇺🇦 Peace and take care ☮️🇺🇦

17.03.2022

mean-time

ZaxxoR

naviarhaiku430 – high tide

high tide
flapping in vertical waves
a lone fish

Marilyn Ward lives in Scunthorpe, Lincolnshire and is married with three children and seven grandchildren. She is now retired, and her previous work was in social education with adult learning disabilities. Marilyn has been writing haiku for six years and has been published in many different online blogs and magazines, such as Cattails, Failed Haiku, Freshout Magazine, Hedgerow, Frogpond, Femku.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 6th April 2022

haiku by Marilyn Ward https://twitter.com/deer_ward

picture by Marissa Rodriguez https://unsplash.com/@marissar_

Visit my other pages:

Official: http://www.seramind.de
Spotify: https://open.spotify.com/artist/22xH66OU00shKM5kcwbAeK
SoundCloud: https://soundcloud.com/seramind
Discogs: https://www.discogs.com/artist/4709745-Seramind
Facebook: https://www.facebook.com/seramind
Twitter: https://www.twitter.com/_seramind
Instagram: https://www.instagram.com/epp_elias
Tumblr: https://www.tumblr.com/blog/seramind
Bandcamp: https://seramind.bandcamp.com
MixCloud: https://www.mixcloud.com/seramind
HearThis: https://hearthis.at/elias-epp

Water Is A Unique Species Of Fish (naviarhaiku430)

Low Tide

Attention ALL

A short study that explores the relationship between two string trios tuned differently – one that is performed live in standard tuning and another tuned down 50 cents (1 microtone) that is pre-recorded.

I wanted the material to be mostly static, allowing the listener and the performers to perceive and experience the tension between the live and pre-recorded elements, with the only movement in the work being the persistent tremolos in both trios as well as the slow swells in dynamics and the gradual harmonic change based around double stopping with the open strings as the basis of the harmony.

Performed by Kirkos Ensemble (Violin - Erin Hennessey, Viola - Ali Comerford, Cello - Yseult Cooper Stockdale)
Live Performance recorded by Darby
Tape Part recorded by Jonathan Nangle

With thanks to Kirkos Ensemble, Paul Scully, Sebastian Adams, Robert Coleman, The Hugh Lane Gallery and Darby

Between Two Trios (2022)

Patrick Ellis (b. 1994, UK) is a composer, performer and curator based in London. His music has been described as being "focused, intense and unrelenting" (Gaudeamus Jury, 2024), with much of his work utilising limited musical materials, small developments and juxtapositions.

He has worked with many acclaimed ensembles including Terra Invisus (UK), Ensemble Klang (NL), collective lovemusic (FR), XTRO Percussion (NL), the Residentie Orkest (NL), Kluster 5 (NL), Orkest de Ereprijs (NL), The Tantrum Saxophone Quartet (NL), The Spaceship Ensemble (NL), Kirkos (IE) and 315 Ensemble (US/UK), and has collaborated with soloists such as Kathryn Williams (flute), Huw Morgan (organ), Alfian Emir Adytia (cello), Dauphine Van der Velphen (saxophone), Chris Cresswell (electric guitar) and Carson Cooman (organ).

Upcoming projects include a new multimedia work exploring burnout within the classical music industry for the ensemble Standard Issue, a new piece for electric guitar and fixed media for Chris Cresswell, as well as a long-form collaboration with the French-Canadian cellists Laurence Gaudreau and Audréanne Filion.

Patrick's music has been presented at numerous festivals and concert series across the European, North American, Asia and Australasia, including, Gaudeamus Festival (NL), Festival Dag in de Branding (NL), November Music (NL), Rainy Days Festival (LU), Mittelfest and Mittelyoung Festival (IT), De Link Tilburg (NL), Lilium SoundArt (IT), Sundays at The Hugh Lane Gallery (IE), AżTak Festival (PL), New Music Now NL's Dag van de Componist (NL), Click Fest (US), Sounding Here (NL), Kirkos Ensemble's Biosphere Festival (IE), Union Musicale (IT), Mainly Slow Organ Music (UK), Kammer Klang (UK), the Frequency Series Chicago (US), Ideas of Noise Festival (UK) and the Harmos Plural Festival (PT).

In 2024, Patrick was nominated for the Gaudeamus Award and in 2022, he was the Artist in Residence for the AMPA Fontys/De Link Residency programme in Tilburg, The Netherlands. He has also been a part of the Psappha Composing For Piano Scheme in 2019-20, the 25th Edition of Orkest de Erepijs’ Young Composers Meeting and Kathryn Williams' innovative Coming Up for Air Project.

His music has been broadcast on Dutch radio stations, including NPO Radio 4, NPO Klassiek, Concertzender,and Stranded FM, as well as on the US station WCNY, and has been featured on releases from Birmingham Record Company and Huddersfield Contemporary Records.

Patrick is also the artistic director of Open Union, an electric guitar and modular synth duo with composer-performer colleague Peter Bell. Described by the treasured composer Howard Skempton as being 'sometimes subtle and unstable; sometimes rich and dense', the duo aims to build up strong collaborative relationships to create new works. Their current collaborators are Christine Cornwell, Wilson Leywantono, May Chi, Paolo Griffin and Seán Clancy. The duo have performed across the UK at events such as Ealing Extranormal, AMOK, Don't Mind Control, Birmingham Modular Organisation and CODA Festival. In 2025, they co-hosted a portrait concert with saxophonist David Zucchi featuring music by Paolo Griffin at the Hundred Years Gallery; earlier in the year, they supported Passepartout Duo at Centrala Space, Birmingham as part of their UK Tour, and in 2023, undertook a mini tour of The Netherlands as part of the Sounding Here concert series, where they performed at Splendor in Amsterdam and Batavierhuis in Rotterdam.

Alongside composing and performing, Patrick works as the creative director of PRXLUDES, an online contemporary music magazine, platform, and resource dedicated to the promotion of the work of emerging and early-career composers. Together, with the artistic director Zygmund de Somogyi and a team of contributors, they have written about over 125 composers, ensembles and music organisations from the UK and abroad. In 2025, they began hosting events, presenting Alex Groves' DANCE SUITE (performed by Zubin Kanga) as part of PRS Foundation New Music Biennial 2025. Recently, PRXLUDES have been awarded a multi-year partnership with The Hinrichsen Foundation in order to help platform emerging and early-career composers through a series of concerts, conversations, and commissions throughout the UK from 2025 to 2028.

He holds a Masters degree in composition from the Koninklijk Conservatorium Den Haag (Royal Conservatoire of The Hague) and a Bachelor's degree from the Royal Birmingham Conservatoire. His principal tutors have included Martijn Padding, Guus Janssen, Andrew Hamilton, Seán Clancy, Ed Bennett, Howard Skempton and Michael Wolters.