Marco Lucchi - Organ
groundloops - Lyra 8, springs and chains

Metallic sounds are recorded using both a piezo array and one of those ultrasonic transducers normally used to hear bats' echolocation signals

Steel Cobwebs (A Noisy Interpretation Of Marco Lucchi's Organ Pattern N° 1)

Edit of "Cord & Clouds" from "Samsaminia". Full track at https://siloportem.bandcamp.com/album/samsaminia

Cord & Clouds

Composed and performed by Daniel Diaz, July 2020.

Stratocaster electric guitars
Synthesizers
Electric piano
Acoustic guitars
Ukulele
Voices

Music for this haiku:

All across the sky
A star has burned itself out
Above the cold sea
 
 https://www.naviarrecords.com/about/naviar-haiku
@naviar-records


haiku by Inan
photo by jeremy thomas

all across the sky  (naviarhaiku340)

New song written in corporation with John W Joergensen late July 2020.

1)
It's early in the morning
I stir the coffee in my cup
when the very first chords of a waltz are written
with ink on my lined paper block

2)
I imagine the music from ballrooms
where they dance under waves of light
where they sing and they swing to the music
sipping wine in the hot summer night

Ch/

Tell me
Tell me all of your stories
about candles the music and the lights
yes show me
show me all of your glory
in a waltz  - in the kitchen here tonight

Show me
show me the secret steps
show me the thing
between couples when it swings
souls on the fly
so very much alive
in a kitchen waltz
with my wife.

3)
The song progress on paper
and chords fall in love with the text
I knock the bell and call the waiter
please refill my coffee
and you will be blessed

4)
To write this song as a waltz
is an almost finished task
From Vienna to my Kitchen I sing
when my publisher calls me and ask

The Kitchen Waltz

The Kitchen Waltz - Rysoe&Joergensen 2020

study on graphical composition, produced 2019.

Untitled V

restless - Single

restless

Bruno  Gussoni: shakuhachi -
King Imagine: metal objects

King Imagine & Bruno Gussoni - Autumn Sun

In September 2018, I was approached by cellist Alfian Emir Adytia to compose a new solo piece that would be performed as part of his final Masters recital in June 2019.  

After some initial discussions and workshops with Alfian, I learnt that his Masters research was exploring ways to implement techniques of traditional keroncong cello music into his western cello practice. Traditionally, the former instrument is played pizzicato and serves as part of the rhythm section in Keroncong music. I soon became fascinated with the idea of writing a piece that did the reverse - by using a western bow with the cello and recontextualising it as a solo instrument. 

Between December 2018 and June 2019, Alfian and I worked closely together to develop a new solo study piece for the instrument that explored the use and the sound of the bow on the keroncong cello, utilising various bowing and timbral techniques. 

‘Three Mostly Bowed Strings’ was first performed as part of the Composition Graduation Festival on the 3rd of June 2019 in the Korzo Theater in The Hague, and then subsequently on the 5th of June in the Kees van Baarenzaal at the Royal Conservatoire of The Hague, as part of Alfian’s final Masters recital.

Three Mostly Bowed Strings (2019)

King Imagine: bowed cymbals, metal objects - 
Bruno Gussoni: shakuhachi

King Imagine  &  Bruno  Gussoni  -  Rust

3Jan21

Experimenting with Ishmael Cormack's tracks;
https://soundcloud.com/smael-cormack/yellow-cat-9
https://soundcloud.com/smael-cormack/yellow-cat-8
https://soundcloud.com/smael-cormack/yellow-cat-6

:D

Yellow Cat Fever Dream #2 [Ishmael Cormack warp]

This track was produced by taking a recording of ice in a glass and repeating it at different speeds in Audacity. 

Based on the following prompt from the Disquiet Junto:

Please record the sound of an ice cube rattling in a glass, and make something of it.

More about Disquiet Junto 471: https://disquiet.com/2021/01/07/disquiet-junto-project-0471-phase-transition/

Ice Chimes (disquiet0471)

Patrick Ellis (b. 1994, UK) is a composer, performer and curator based in London. His music has been described as being "focused, intense and unrelenting" (Gaudeamus Jury, 2024), with much of his work utilising limited musical materials, small developments and juxtapositions.

He has worked with many acclaimed ensembles including Terra Invisus (UK), Ensemble Klang (NL), collective lovemusic (FR), XTRO Percussion (NL), the Residentie Orkest (NL), Kluster 5 (NL), Orkest de Ereprijs (NL), The Tantrum Saxophone Quartet (NL), The Spaceship Ensemble (NL), Kirkos (IE) and 315 Ensemble (US/UK), and has collaborated with soloists such as Kathryn Williams (flute), Huw Morgan (organ), Alfian Emir Adytia (cello), Dauphine Van der Velphen (saxophone), Chris Cresswell (electric guitar) and Carson Cooman (organ).

Upcoming projects include a new multimedia work exploring burnout within the classical music industry for the ensemble Standard Issue, a new piece for electric guitar and fixed media for Chris Cresswell, as well as a long-form collaboration with the French-Canadian cellists Laurence Gaudreau and Audréanne Filion.

Patrick's music has been presented at numerous festivals and concert series across the European, North American, Asia and Australasia, including, Gaudeamus Festival (NL), Festival Dag in de Branding (NL), November Music (NL), Rainy Days Festival (LU), Mittelfest and Mittelyoung Festival (IT), De Link Tilburg (NL), Lilium SoundArt (IT), Sundays at The Hugh Lane Gallery (IE), AżTak Festival (PL), New Music Now NL's Dag van de Componist (NL), Click Fest (US), Sounding Here (NL), Kirkos Ensemble's Biosphere Festival (IE), Union Musicale (IT), Mainly Slow Organ Music (UK), Kammer Klang (UK), the Frequency Series Chicago (US), Ideas of Noise Festival (UK) and the Harmos Plural Festival (PT).

In 2024, Patrick was nominated for the Gaudeamus Award and in 2022, he was the Artist in Residence for the AMPA Fontys/De Link Residency programme in Tilburg, The Netherlands. He has also been a part of the Psappha Composing For Piano Scheme in 2019-20, the 25th Edition of Orkest de Erepijs’ Young Composers Meeting and Kathryn Williams' innovative Coming Up for Air Project.

His music has been broadcast on Dutch radio stations, including NPO Radio 4, NPO Klassiek, Concertzender,and Stranded FM, as well as on the US station WCNY, and has been featured on releases from Birmingham Record Company and Huddersfield Contemporary Records.

Patrick is also the artistic director of Open Union, an electric guitar and modular synth duo with composer-performer colleague Peter Bell. Described by the treasured composer Howard Skempton as being 'sometimes subtle and unstable; sometimes rich and dense', the duo aims to build up strong collaborative relationships to create new works. Their current collaborators are Christine Cornwell, Wilson Leywantono, May Chi, Paolo Griffin and Seán Clancy. The duo have performed across the UK at events such as SAOM, Ealing Extranormal, AMOK, Don't Mind Control, Birmingham Modular Organisation and CODA Festival. In 2025, they co-hosted a portrait concert with saxophonist David Zucchi featuring music by Paolo Griffin at the Hundred Years Gallery; earlier in the year, they supported Passepartout Duo at Centrala Space, Birmingham as part of their UK Tour, and in 2023, undertook a mini tour of The Netherlands as part of the Sounding Here concert series, where they performed at Splendor in Amsterdam and Batavierhuis in Rotterdam.

Alongside composing and performing, Patrick works as the creative director of PRXLUDES, an online contemporary music magazine, platform, and resource dedicated to the promotion of the work of emerging and early-career composers. Together, with the artistic director Zygmund de Somogyi and a team of contributors, they have written about over 125 composers, ensembles and music organisations from the UK and abroad. In 2025, they began hosting events, presenting Alex Groves' DANCE SUITE (performed by Zubin Kanga) as part of PRS Foundation New Music Biennial 2025. Recently, PRXLUDES have been awarded a multi-year partnership with The Hinrichsen Foundation in order to help platform emerging and early-career composers through a series of concerts, conversations, and commissions throughout the UK from 2025 to 2028.

He holds a Masters degree in composition from the Koninklijk Conservatorium Den Haag (Royal Conservatoire of The Hague) and a Bachelor's degree from the Royal Birmingham Conservatoire. His principal tutors have included Martijn Padding, Guus Janssen, Andrew Hamilton, Seán Clancy, Ed Bennett, Howard Skempton and Michael Wolters.