SUOLA is a mineral composed of cinematic stories created by Martin Riedler and Vilja Larjosto. Their electronic vocal music and experimentations since 2014 range from beatless ballads to hypnotic club music.
Larjosto is a Finnish singer and landscape architect, known from collaborations with Lusine (US) and Feater (AT). Riedler is known for his productions under various pseudonyms f.e. Certain Subjects, RJC or his latest `Blacklight Chameleon.
The two met in 2006 at a media and arts festival in Hallein, Austria, where they recorded vocals for Orakel's debut album (4Lux 2011) in a salt factory. SUOLA (fin. for Salt) processing was re- established in 2014 when Larjosto moved to Berlin and started frequenting Vienna. In 2016, Larjosto and Riedler spent ten days in an artist's residence on an uninhabited island in the Finnish archipelago, observing rocks, watching for viper snakes, drumming on stones, working on field recordings or writing little poems.

get in touch::: 
suolamusic△gmail⏶com

for more information please visit: 
https://ashkanbehzadi.com

Contact: 
behzadi.ashkan@gmail.com

Ashkan Behzadi, a recipient of 2025 Ernst von Siemens Composer Prize and a 2021–2022 Guggenheim Fellow in Music Composition, is an Iranian-Canadian composer based in New York. He earned his DMA in composition at Columbia University, where he studied with Fred Lerdahl, George Lewis, and Georg Friedrich Haas. Prior to this, he graduated from McGill University with a bachelor’s degree in composition and music theory, studying composition with Chris Paul Harman and Brian Cherney. Ashkan also holds a bachelor’s degree in architecture from Tehran University, where, at the same time, he took composition and music theory lessons with Alireza Mashayekhi.
Ashkan’s music has been commissioned and performed by various international performers and ensembles, including Ensemble Recherche, TAK Ensemble, Oerknal Ensemble, Ensemble Mosaik, Yarn/Wire, JACK Quartet, Grossman Ensemble, Divertimento Ensemble, Ensemble Alternance, Ensemble UnitedBerlin, Exaudi, Ekmeles, Wet Ink, Talea Ensemble, and le Nouvel Ensemble Moderne (NEM). 
His work has also been recognized with awards, artist residencies, and participation in festivals such as the Koussevitzky Foundation, Fromm Foundation, New York State Council on the Arts, the Graham Sommer Second Prize, the Prix de Composition at Fontainebleau, the MacDowell Fellowship, the Civitella Ranieri Fellowship, the Divertimento Ensemble Composers Meeting, the Dialoge Festival at Stiftung Mozarteum Salzburg, the Manifeste Festival at IRCAM, and the CIRMMT New Music Series.
For the 2019–2020 academic year, Ashkan Behzadi joined the Department of Music at the University of Chicago as a Postdoctoral Researcher in the Center for Contemporary Composition. Since september 2023, he teaches at the Manhattan School of Music as a faculty member in Music Composition.
The issue of genre identity or genre-blurring, along with the dialectical relationship between modernist lyric poetry and contemporary music, has formed the core of Ashkan’s aesthetic concerns in recent years. Structurally, his music demonstrates a great attention to detail, conveying a miniaturist and gentle lyrical landscape. By employing techniques of allusion and pastiche as the foundation of his craft, his music ultimately seeks to invoke the collective memory of folklore music.

https://youtube.com/@power_brii


Power has been busy organizing the Viennese underground scene for years. She has been curatiing various events, was a member of the live improvisations project Bird People, the techno live improvisations duo S.E.P. and founding part of the underground experimental punk band Ausländer.
She was a music journalist for many years and co-worked on the publication round the viennese underground-scene "AUZine".
She is founding member of the artist and DJ collectives Love Is Strange, Arsyugoslaviae, Pussy Trio or Fatalismus Spunk.

For some time Power has been working on a CutUpLoops series. Brion Gysin discovered the cutting technique by chance in 1959 and pointed it out to William S. Burroughs, who was to become the most important exponent of CutUp.
Power transfers the system from the word to the sound. For this purpose, loops are layered according to the CutUp technique, their speed changed and rearranged. Torn out of their context and edited beyond recognition, they yield themselves again and overhaul to a different whole that follows its own story. 
In 2018 Power released her debut tape
"Lost Lipstick Loops" on the viennese underground label Mont House. Since that she had publications on different netlabels. 
In 2023 she published her own DIY CutUp adaption of the Vienna Danube Waltz for the opening of Vienna´s first Krandaubel museum as a soundpostcard on Vinylograph. 
In autumn 2025 her CutUp series was featured at SILENCE (Festival internazionale di musica acusmatica in the program Floating Sound Gallery Vienna in France and Italy, she performed in Vienna on the octophnic istening session curated by Daniel Teruggi and Anton Iakhontov in Floating sound gallery just recently in collaboration with tin.hoc (visuals). The next session in this frame is planned for spring 2026 in EchoRaum Wien.

Since 2019, Power and tin.hoc aka Tina Hochkogler have been working closely together in sound and visuals. What connects them is a common approach to process, an appreciation for the beauty of the unfinished, and a belief in the power of the fragmentary. They both deconstruct, displace, and layer. Power creates dense sonic landscapes, while tin.hoc condenses temporal and spatial dimensions into the visual compositions. Their collaboration unfolds as a dialogue between media – an interplay that uncovers new meanings, the point is not about harmony, but about resonance, the unforeseen that emerges when two artistic languages intertwine.
They contunously add new videos to their project.

2021 Power and the US artist Sean Derrick Cooper Marquardt founded the avant-garde experimental duo Afghanistan Mon Amour. They worked with artists like Käthe Kruse (Die Tödliche Doris) or Fur Chick, released several albums, partizipated on many compilations and radio shows all over the world and have been performing in Vienna, Berlin or Graz. 

Power and Ann Bony founded in autumn 2025 The Unstable Crystals aka Shivering Atoms - the sound is something between quirky pop and experimental music. First single "How the f..." will be
released on Vinylograph Vienna in 2026.

2024 Power made sounddesign for several film essays (AKKU TV/ Andrea Seidling) and was a composer on the film project "No Mercy" from Isa Willinger, commissioned by Flair Films (Vienna) & Tondowski Films (Berlin) as head of sound department. The official film start will be spring 2026. Currently she works on more film essys.

Recent collaborations: Mel E Logan (Chicks On Speed), Mandy Mozart, Phillip
Quehenberger (all based in Vienna), Annalized Noise (Italy), Julischka Poly (Berlin) and Nandele Maguni (Mozambique).

Her latest project is the event-series "Immer Wieder Sonntags" which she curates togehter with the artist Sinnthese and Vinylograph. It’s a platform for strange sounds and a bridge between artists out of the box, beyond mainstream and in the experimental field.

In her dj-sets she strictly refuses genres, captures moods, creates vibrations.


Compositor e investigador. Ha obtenido diversos premios nacionales internacionales como el Concours International de Bourges (Francia), el Premio Juan C. Paz de la Argentina, el Concurso Métamorphoses (Bélgica), la Bimesp (Brasil) y el Premio único en Música Electroacústica de la Ciudad de Buenos Aires. Recibió una mención honorífica en el Prix CIME 2017 de la International Confederation of Electroacoustic Music. 

Dirige la Especialización en Arte Sonoro y la Maestría en Arte y Estudios Sonoros de la Universidad Nacional de Tres de Febrero donde se desempeña como docente, director de investigación y miembro del Instituto de Investigaciones en Arte y Cultura. Profesor en la Universidad Nacional de Lanús. 

Miembro fundador de la Red de Arte Sonoro Latinoamericano y coordinador del Festival/Ciclo “Bahía (IN) Sonora” realizado en la ciudad de Bahía Blanca. 

Sus obras fueron presentadas en conciertos y festivales de la Argentina y del exterior y están incluídas en ediciones colectivas así como en su disco monográfico “Entre Sueños”. Es autor de trabajos publicados en libros y en diversos medios culturales y académicos.

реабілітаційний центр
electroacoustic
more music here https://soundcloud.com/tetyanashunte
and any music to be free

Argentinean-born, Paris based. Points of interest social struggles, composes with samples, field recordings, electronics, in acousmatic, experimental, concrète music style.

 

New approaches to composition, new ways of regarding form, a blossoming of aesthetics.

 

Studies of electroacoustic musical composition and performance at the Pantin / Paris Conservatory. 
 

His music has been programmed in festivals, universities,  journals and concerts organized  in U.S.A, Chili, Uruguay, Ireland, Argentina, Brazil and France.


* MUSLAB International Electroacoustic Music Show, 2018. Brazil

* Experimental electronic music sound art presented by the Department of Creative Arts, Media and Music in Dundalk Ireland 2019.

* Festival internacional de Música, at UNQ National University of Quilmes. Argentina.

* Monteaudio 2024 abstraction, international sound art festival. Montevideo - Uruguay (www.formaysonido.org/ma24radio-obras10.html)
* SACLES was published last night in the Journal of Literature and Art Metapsychosis, Chicago USA. https://metapsychosis.com/sounds-and-silences/
‘’ In Martin Rodriguez’s piece Scales, the sounds as symbols are as deeply resonant as a child’s right to grow into a world with level playing fields, carrying an undeniable sense of urgency and significance. Interpretations, of course, may vary, but the raw materials are provided. Step into the imaginal and perceive. ‘’
Michael Eisenberg / Thanks 🙏 10 avril 2025

martin.rodriguez867@yahoo.com

The music of Iranian composer/performer, Idin Samimi Mofakham (*1982) is deeply based on the traditional and regional music of his home country. Since 2015, He develops his own musical language based on the medieval Persian tuning systems, just intonation and Psychoacoustics.

Since 2019, Idin holds a PhD in Artistic Research position at the Norwegian Academy of Music in Oslo (Norway), pursuing his research on Persian medieval tuning systems and its creative usage in contemporary composition.

Parsa Zandi – Persian Composer (b. 2004, Tehran, Iran)



Parsa is deeply drawn to the expressive potential of microtonality, blending delicate melodies with rich textures. Intuition and emotion play a central role in his music, guiding a natural balance between structure and expressivity. He strives to create an immersive musical experience where melody and atmosphere come together with sincerity and depth.

He studied composition with Mohammad H. Javaheri and Karen Keyhani in Iran. Parsa later studied composition with Beat Furrer and is now continuing his studies under the supervision of Annesley Black. He was also an Erasmus student at the University of the Arts Berlin (UDK).

Parsa Zandi has had lessons with notable composers such as Chaya Czernowin, Franck Bedrossian, Iris ter Schiphorst, Johannes Maria Staud, Klaus Lang, Mark Andre, Mathias Hinke, Pierluigi Billone, Samir Odeh Tamimi, Clemens Gadenstätter, and Artur Kroschel.

Parsa Zandi's compositions have been performed in several countries, including Austria, Canada, Germany, Iran, Ireland, the Netherlands, Spain, Turkey, the USA, Poland, and others. His works have been featured in festivals and programs such as Open Call Nodus 2022, Residencia Artística en Les Coves de Vinromà 2022, FestMus 2023 Castello, ICCS Young Talents 2023, Roadrunner Academy 2024, ClarinetFest 2024 in Dublin, Brass Academy Musikfabrik 2025, In Situ Graz, and the 54th International Contemporary Music Festival Poznań Musical Spring 2025.

His compositions have been performed by renowned ensembles including Ensemble Modern, Ensemble Musikfabrik, Ensemble Zeitfluss, Ensemble für Neue Musik Graz, Sepia Ensemble, CSMC Brass Band & Contemporary Ensemble, and the Roadrunner Trio. Additionally, musicians like Thomas Piercy, Elena Arbonies Jauregui, Kathryn Vetter, Mario Porcar Rueda, and others have collaborated with him.

Followers of Patrick K.-H.