Vocal Copyright Nat Daniels 2022
Lyrics and Melodic Composition Copyright Andy Hall & Gary Brown
Produced by Andy Hall

I was thrilled when Andy and Gaz invited me along on this collaboration.  The Lyrics are beautifully written and sung by Gaz and lends itself to great story telling. It was lovely to join him and to bring my creative spirit in harmonisation to the table.  Andy wrote the beautiful melody and created the gorgeous Instrumental track (which has a hauntingly beautiful Guitar solo) and then brought it All to life with his incredible Production / Mixing skills, breathing life into the song,  and giving it a depth of sound to make it "sparkle". 

I urge you to check out these talented folks' individual page links below..
Ladies and Gents.. I give you the Conscience of Kings.   

Noobly :  https://soundcloud.com/noobly-1?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Gaz Brownie :  https://soundcloud.com/user-755327533?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Lyrics:
Our Devine intervention - Gary Brown and Andy Hall.

Standing on the bridge
Staring into the water
(I’ve kept you waiting
An hour and a quarter )
My Head tells me to leave
My hearts a little more naive
(We’ve had 27 days apart
To rekindle this flagging heart )

Chorus
Our Devine intervention
When we had each other’s attention
To were I love being yours
And you love being mine
Our Devine intervention
Needs to work for us this time

V2
Finally you arrive in your own chaotic style
(So my car went and broke down
And i walk the last 3 miles)
I get the big puppy eyes
And a cute little sorry sigh
(What lies beneath in this rivers deep
Are the same things in the
secrets we keep)

Chorus
Our Devine intervention
When we had each other’s attention
To were I love being yours
And you love being mine
Our Devine intervention
Needs to work for us this time

V3
(Let’s stand back to back
Walk in a different direction)
If we just keep right on walking
Then we have lost all affection
(If we both look back and then we stop
We won’t lose what we’ve got)
Well I stopped and looked back
(I kept walking down the path)

Chorus
Our Devine intervention
When we had each other’s attention
To we’re I loved being yours
And you loved being mine
Our Devine intervention
At least we know now this time

Divine Intervention - Nat Daniels & The Conscience of Kings

Paul Amlehn - Compositional system and strategies, catalyst texts and vocals for music composition, sung vocal in first music section, spoken vocal treatments, editing, arrangement, production
Georges Bataille - Text
Iakov Chibinin - Granular synthesis, toy piano, vocal manipulations
Laura Bisceglia - Cello
Mark Egan - Fretless bass, effects
David Lynch - Visual art

L'anus solaire (The Solar Anus)

V-Life is not in Vain

Next Project: "Slay Station" (Mixtape)
Drop Date: June 14th 2024 
(June 4th Available on bandcamp.com) 

#indie #saugacity #rap #underground

New Mixtape: "the INTERNET" 12 Tracks
Available on Bandcamp and Shopify:
https://loopernorris4.bandcamp.com/al...
Drop Date: May 14th 2024

#theinternet #canadianproducer #saugacity #compliation 

The Loop Philosophy Records
Looper Norris

COPY N PASTE

Band 4

Poetry by Jeff Gburek & Ahmad Almallah ("A poem for Gaza, a pome for Palestine) voiced by Jeff Gburek. Music: melodica loop layers, prepared guitar, zither by Jeff Gburek

abyss or kiss in the shadows
beneath the dust the stone
from the once hanging window
where your eyes will hover forever
within my piece of endlessness
although your eradication is utter
and my grief secondary to yours
who crumble upon the ground
& only through the one
nearest so dear to me can I
fathom the absence
fracturing my sentence
I the landless who know daily
what they seek to take away
from the likes of you
and I see those eyes
you seek with your own
as if the only grace I've known
were blown away
by a ravaging wind

-- Jeff Gburek

Gaza, the last thing you need is a poem. Don’t say!
I have nothing else to give. A poem is a poem…what can it do? Don’t say!
But simply be like a poem.
You were an open land, and
your sea was no sight
for blood. Yes, once upon a time,
you asked nothing
of the world,
and it gave you
nothing.
Gather our words and toss them into
the empty well.
Screams don’t linger, but they do not
disappear—
They lodge themselves
beyond the ear,
and once they begin to haunt
they appear, they
reappear.
*
Corrupted by the attempt to apply logic
to the wound. We are all talk
no action!
We all know, that talk is talk
that’s why no one
listens.
Reality wounds can’t be mended by
thoughts. We all know—
Don’t keep me in your prayers, and please
spare me the guilt.
Where can the eye rest on the sight –
screaming children?
*
I want my words to spill blood and when I say
that once upon a time…
I want you to cringe
because this land has only one name—
and its people are only
its people
Call them what you may, that doesn’t change a thing—they too disappear
and they too will reappear—
*
Once upon a time, Gaza,
there was no need for anyone to give you any
empty words, like this poem. Your only hope
is to look us straight in the eye, and say once more, that you were,
and are, once upon a time.

– Ahmed Almallah

Casa Mia, Casa Tua, Non C'e Differenza

Rubbersole

Project RESIDUE (As the Crow Flies)

Garden Under The Sea

🌸Cherry blossom viewing in the daydream

Rubber And Chrome

Hi. My name is Paul Amlehn. I am an interdisciplinary artist, working in the mediums of literature, music, visual art, theater, and film. I am of Italian, Irish, and Maori descent. I am currently based in Aotearoa New Zealand. 

My poetry, prose, and texts for theater and opera have been published in literary journals in 23 countries,  including Exquisite Corpse, the California Review, the Salzburg Review and Evergreen Review. My visual art and sound art works have been exhibited throughout the world, including at Artist's Space, Luhring Augustine, the Chelsea Art Museum, Tate Liverpool, and at festivals which include Art 42 Basel (with the Serpentine Gallery - curated by Julia Peyton-Jones and Hans Ulrich Obrist), documenta 14, and the 51st, 55th, 56th, 57th, and 58th Venice Biennales.

On my sound art and music projects I have collaborated with Robert Fripp (King Crimson), Ulrich Krieger (Lou Reed), Chuck Hammer (David Bowie), David Van Tieghem (Laurie Anderson), Leo Abrahams (Brian Eno), F.M. Einheit (Einsturzende Neubauten), Mick Harvey (Nick Cave and the Bad Seeds), Mick Rossi (Philip Glass Ensemble), Jeff Zeigler (Kronos Quartet), and many others.

I am working on an album of music which has texts and vocals by William S. Burroughs, in cooperation with the Burroughs Estate. I am about to embark on a new album of music which reimagines the work of John Cage, in cooperation with the John Cage Trust.

Cover art for my albums has been provided by painter Gerhard Richter and artist and filmmaker David Lynch.

I have recently completed an artist residency at The Exchange art space in Christchurch, New Zealand. In October 2024, I will be performing music and sound art at the 60th edition of the Venice Biennale courtesy of the Italian arts organization Moving Lab. In late December 2024, I will be undertaking an artist’s residency at the Kunstmeile Krems, in an der Donau, Austria.

L'anus solaire (The Solar Anus)

Paul Amlehn 1

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