LOve the sYmpathY between vocal and sounds

Superb flight in this atmosphere, I am happily enjoying!!! ❤️Love, 🕊️Peace, 🙏Respect

Paul Amlehn - Text for Sung Vocal, Sung Vocal, Editing, Mixing, Arranging, Production
Dieter Moebius - Sampling of Radio Voices, Vocal Effects, Synthesizer
Jim Morrison - Poetry, Spoken Word Vocal
John Haeny - Sound Engineer for Jim Morrison Recording
Eraldo Bernocchi - Vocal Treatments and Effects for Sung Vocal, Synthesizer
Jeff Zeigler - Cello, Electronics
Mick Rossi - Piano
David Lynch - Visual Art

Or Looking the Sea

E-Love on the Smoky Dance Floor

In the manner of moonlight

Lyrics:
In the moisty heat of the night I measure the viscosity of time by applying group theory to the ice cubes in my glass of blood.
I want to sooth my aching synapses in the liquid sun of chaotic melodies and bath my eyes in the clouds of muffled harmonies. 
The marbled coalescence of the iridescent canopies drips with vibrating tentacles of abstruse sensations which insinuate themselves into the cortex of our vibratory emotions.
The mystical tentacles of devotion slither around my wrists and ankles war and delicately vibrating invading my thoughts with their glassy intuition.
I can summon ancient idols from the gulfs of time and abyssal tombs. And wrap my naked body in the moist lust of their gaze. I can invoke the runes of power and abstraction carved in the soapy stone of a lost asteroid. 
Last words of vanishing gods reverberate in the echoes of their glory while the whips of remorse tear up the petrified flesh of their deceived heralds.
The winged demons and the ragged angels will rejoice and kiss my aethereal feet. 
The tides will cover the sand of our imagination, green and everlasting and salty and cold.

Sensual Theorems

Green Harmonies Of Sensual Digressions

After a trip through the Mediterranean with the paramour of my life years ago... these lyrics emerged as an expression of gratitude and love. Yesterday those lyrics found home in this new original composition.

Forever thinking about you and the family we've made baby.

Thinkin' About You [Instrumental]

l was pleased and honored to get the chance to add some guitar music to thls already awesome tune-- Thanks Guys!!

Fuck Da Sun III --- Featuring Mahan Mahan and NEW$hOES

Vocals and Lyrics: @kaerian-1

Music:  Laar @https://soundcloud.com/user-325797522 (Recorded with Squire Jaguar, Squire CV 70s Jazz Bass and Fruity Loops. Drum patterns are taken from FL FPC plugin

Photograph: by Eric Pitteloud (all rights reserved)

Lyrics
------

Ne t'approche pas trop près de moi
(les dramas c'est pas pour moi)
Je n'aime pas
Je n'aime pas être entourée
par tous ces gens bien intentionnés
qui cherchent à me corriger
me conformer à leurs normes
modifier ma vraie forme
(j'essaie de m'échapper, mais je me fais toujours rattrapper)
les vieux réflexes me laissent perplexe

La vérité c'est que j'aime être entourée
par des gens apaisés
sans combats de guerriers
non je peux plus digérer (gérer)
cette atmosphère de guerre
constante
idiote compétition
envahissante
incessante et persistante
Ne t'approche pas de moi
pour initier un combat
non je ne veux pas
que mon temps serve à ça
fatiguée de lutter
il y'en a si peu
il est si précieux
dépitée de gaspiller

rien ne sert de faire un drame
inutile est ce vacarme
l'expérience est faite
même si c'est une défaite
rien ne sert d'abimer le passé
inutile de vouloir l'effacer
juste avancer

------------------------

Don't get too close to me
(dramas are not for me)
I don't like
I don't like being surrounded
by all these well-meaning people
who try to correct me
to conform to their standards
change my true form
(I try to escape, but I always get caught)
the old reflexes leave me confused

The truth is that I like to be surrounded
by peaceful people
without warrior fights
no I can't digest (manage)
this atmosphere of war
constant
silly competition
invasive
incessant and persistent
Do not approach me
to initiate a fight
no I don't want
my time to be used for that
tired of fighting
there's so little of it
it is so precious
sorry to be wasteful

there's no point in making a mess
it's useless to make a fuss
the experiment is done
even if it is a defeat
there is no point in damaging the past
no point in trying to erase it
just move on

Ne t'approche pas

Ne T'approche Pas (Kaerian & Laar)

Retorn Of Calafate Version Berlin School - Part 5

This is actually the first track I recorded by myself since early 4-track recordings decades ago. Recorded at the start of lockdown on an iPad before I discovered Ableton; cleaned up in 2023 for a new airing. Always saw it as a sonic future-scape that is a little rough around the edges but worth sharing again.
Image: AI via Lexica.

El Futuro Es...

Skippin' - Jamie Rhind

Yves Montand le dit, il était devenu fou! Dur de vivre seul sans Romy...

J'étais devenu fou

Hi. My name is Paul Amlehn. I am an interdisciplinary artist, working in the mediums of literature, music, visual art, theater, and film. I am of Italian, Irish, and Maori descent. I am currently based in Aotearoa New Zealand. 

My poetry, prose, and texts for theater and opera have been published in literary journals in 23 countries,  including Exquisite Corpse, the California Review, the Salzburg Review and Evergreen Review. My visual art and sound art works have been exhibited throughout the world, including at Artist's Space, Luhring Augustine, the Chelsea Art Museum, Tate Liverpool, and at festivals which include Art 42 Basel (with the Serpentine Gallery - curated by Julia Peyton-Jones and Hans Ulrich Obrist), documenta 14, and the 51st, 55th, 56th, 57th, and 58th Venice Biennales.

On my sound art and music projects I have collaborated with Robert Fripp (King Crimson), Ulrich Krieger (Lou Reed), Chuck Hammer (David Bowie), David Van Tieghem (Laurie Anderson), Leo Abrahams (Brian Eno), F.M. Einheit (Einsturzende Neubauten), Mick Harvey (Nick Cave and the Bad Seeds), Mick Rossi (Philip Glass Ensemble), Jeff Zeigler (Kronos Quartet), and many others.

I am working on an album of music which has texts and vocals by William S. Burroughs, in cooperation with the Burroughs Estate. I am about to embark on a new album of music which reimagines the work of John Cage, in cooperation with the John Cage Trust.

Cover art for my albums has been provided by painter Gerhard Richter and artist and filmmaker David Lynch.

I have recently completed an artist residency at The Exchange art space in Christchurch, New Zealand. In October 2024, I will be performing music and sound art at the 60th edition of the Venice Biennale courtesy of the Italian arts organization Moving Lab. In late December 2024, I will be undertaking an artist’s residency at the Kunstmeile Krems, in an der Donau, Austria.

Or Looking the Sea

Paul Amlehn 1

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