Interesting groove..love the key change..nice bass work..tasty solo work!

bluesey and bouncy, indeed. and warm and detailed, too.

Written by me old self around 1999
Recorded to 8 track tape and mixed straight to cd. Had the the help of a few musical buddies with this one.

Mr C: Intro guitar, beats,rhythm guitar, riffing, keys and lead vocals
Steve "Go" O'Rourke:  backing vocals
Tony "Big Fella" Turner: solo and fiddly bits of guitaring
Bill "The Bass" Westaway: bass guitar and crab impressions.

indigo sun

swing me

La chasse

Star love Fusion Blinding

Ride upon the Solar Winds (1990)

“Ojalá” es un arabismo común y concurrente empleado en el idioma español para referirse a “Si Dios quisiera”. A menudo, esta palabra se usa en nuestra cotidianidad para expresar un deseo que por el momento no es real aunque no se descarta su posibilidad: https://enternetboy.bandcamp.com/plaza-internacional

“Ojalá” is a common & concurrent arabism employed in Spanish language to refer as "If God wanted to”. Oftenly, the word is used in our cotidianity to express a wish that by the moment it's not real but we don't discard its posibilty https://enternetboy.bandcamp.com/plaza-internacional

[ES] Inspirado por sus memorias y el pasado de su residencia actual, enternet boy retrata un lugar con tesoros exo-téricos, sabiduría y habilidades ancestrales heredadas de la tierra maya así como algunas muestras de la aportación cultural de Medio Oriente en la Peninsula yucateca. El álbum nació durante la visita a un lugar específico de la moderna ciudad meridana de T'Hó.

«Plaza Internacional» (anteriormente el Hotel Itzá), que colinda con el Palacio de la Música (antes el Congreso del Estado de Yucatán) es el recuerdo fugaz en el interior de sus nostálgicos pasillos secretos y una revelación creativa entre la arquitectura abatida. «Plaza Internacional» es un punto de análisis, introspección y autodescubrimiento de enternet boy como un ciudadano actual de un antiguo reino maya, brindado luz sobre su origen, desarrollando lo auténtica espontáneaidad y llevándola a la práctica en este LP de 40 minutos.

En esta ocasión, los sonidos brillan por su originalidad como resultado de un estudio autodidacta de tres años en el diseño de sonido experimental. Algunas canciones fueron hechos en vivo durante el Festival de Pajama 3 (track 1, 2, 3, 4, 6 y 13 https://www.youtube.com/watch?v=s5E-awImOmQ) y el resto salió durante un trance meditativo aka momentos de claridad/improvisación. Mejor experiencia con audífonos.

[EN] Inspired by his memories & the past of his current residence, enternet boy portrays a place with exo-thermal treasures, wisdom & ancestral abilities inherited from the Mayan land as well as some samples of the cultural contribution from Middle East in the Yucatan Peninsula. The album born during a visit to a specific place in Mérida, the modern city of T'Hó.

"Plaza Internacional" (formerly the Hotel Itzá), which adjoins the Palacio de la Música (formerly the Congress of the State of Yucatán) is the fleeting memory inside its nostalgic secret corridors & a creative revelation among the dejected & descontinued architecture. "Plaza Internacional" is a point of analysis, introspection and self-discovery of enternet boy as a current citizen of an ancient Mayan kingdom, binding light to his origin, developing authentic spontaneity & taking it to the practice in this 40-minute LP.

This time, the sounds shine for their originality as the result of a three-year self-taught study in experimental sound design. A few songs were made live during Festival de Pajama 3 (track 1, 2, 3, 4, 6 & 13 https://www.youtube.com/watch?v=s5E-awImOmQ) while the rest came out from a meditative trance aka moments of clarity/improvisation. Better experience with headphones.

Release oficial en Mayo 24, 2021.

El artwork fue fotografiado por mi, en el segundo piso de la Plaza Internacional. Más fotos del mismo dia aqui: www.instagram.com/p/Bsb4LMEF7LiVYAszQPdqpRn9x84SSgh4tfmGvM0/

Plaza Internacional

Ojala

Ojalá (Alt. Version)

Pony Tail

Beleza Serena [Bossa Nova Sound Concept]

Pele Morena [Bossa Nova Sound Concept]

MusikLogo StairwayTo2021 LA151025 BiaB 15.Jan.2021

While thinking about all the people that died with Covid19 
this music came into my mind. 
This is some kind of modified Cover from
Stairway To Heaven (Page,Plant,Led Zeppelin)

I changed the setup and the instruments to my favorites.
I hope you like it and remember with me all the people
who can't hear music any longer. Or perhaps they can?

StairwayTo2021

From the album “Short Stories”, released 22.01.21

Get a free copy of my album "Short Stories": 
http://bit.ly/robert_gray_mailinglist

Listen on Spotify: https://open.spotify.com/artist/1zf4ux62YMZ2Lry8qdEtTh?si=6oWM6uKJRQWhVsi78TUTxg

End My Days (album version)

Jeleń W Jadalni

I enjoy composing, arranging and recording music on an ever-expanding array of guitars, especially Fender electrics and Martin acoustics.  My musical journey began more than half a century ago, and every day brings new opportunities for continued growth as a musician.  My current leading influences include Jim Campilongo, Scotty Anderson and Guthrie Trapp.  I love Beethoven, Keith Richards, Henry Mancini, Aretha Franklin and a thousand others whose music has brought me joy, whether for many decades or for a few minutes.  I strive to learn something from every piece of music that I hear, and to make music that others will enjoy hearing.

I'm an amateur DIYer in terms of recording, doing everything in my music space at home and learning as I go.  I enjoy experimenting with a variety of microphones and mic placements, recording into a Zoom R16 and using Audacity as my DAW.  I use an array of Fender tube amps, all blackface/silverface reissues, and a modest pedal board.  I record acoustic instruments either with condenser microphones directly on the instruments or else amped through a Fishman Loudbox Mini.

Pony Tail

Paul Baglyos

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