Fausto Romitelli - La Sabbia del Tempo (1991)

neuverBand Ensemble für Neue Musik
conducted by Friederike Scheunchen

Anja Clift - Flute
Valentina Strucelj - clarinet
Helga Karen - keyboard
Alicja Pilarczyk - violin
Anne-Laure Dottrens - viola
Ellen Fallowfield - cello

Fausto Romitelli - La Sabbia del Tempo

Franck Bedrossian - I lost a world the other day (2016)

neuverBand Ensemble für Neue Musik

Nejc Grm - accordion
Alicja Pilarczyk - violin I
Maria Muñoz Lopez - violin II
Anne-Laure Dottrens - viola
Ellen Fallowfield - cello

Franck Bedrossian - I lost a world the other day

performed and recorded by L'Instant Donné

musica spolia (quartet version)

1950-C
for solo guitar with scordatura

Composed 2010 -- Performed by Kobe van Cauwenberghe

PREMIERE: 25 March, 2011 at Exapno, Brooklyn by Kobe Van Cauwenberghe
SCORE: www.babelscores.com

'1950-C' for solo guitar (2011)

Live performance on RTS of Sydenham Music by Johannes Maria Staud

commissioned and performed by the wonderful Zachary Sheets and Wei-Han Wu!

Live performance at Firehouse12, New Haven

Thread Unfurled

Estelle Costanzo - harp
Julien Mégroz - percussion
Flavio Virzì - guitar

Larry Polanski - For Jim, Ben & Lou - I. Preamble

Larry Polanski - For Jim, Ben & Lou - II. (Rue Plats) (Resting Place)

Larry Polanski - For Jim, Ben & Lou - III. The World’s Longest Melody

Thürmchen Ensemble under Erik Oña
Evelin Degen (fl), Diego Montes (cl), Thomas Meixner (perc.), Irmgard Zavelberg (vl), Caspar Johannes Walter (vc)
Deutscher Musikrat, Edition Zeitgenössische Musik
Erik Oña,  WERGO 2007

Tiger und Patriarch (1994) quintet

Experimenting with the iRig and amplitube, little tune for my tiny daughter (born 4th April 2020)

For Sophie

Paul Clift (b. 1978 in Melbourne) is a composer of instrumental and mixed music. Since 2016, he is based in Basel, Switzerland. His music often attempts to make concrete associations with a variety of concepts such as modernist literature, collective memory and historical musical traditions, notably through the integration of archival recordings in his works. His compositional outlook is marked by formative studies with Franck Bedrossian, George Benjamin, Jean-Luc Hervé, Fred Lerdahl, Philippe Leroux, Fabien Lévy and Tristan Murail. 

His music has been programmed at festivals including ISCM World Music Days (Tallinn), Agora and Festival Ensemble(s) (both in Paris), Weimarer Frühjahrstage für zeitgenössische Musik, Darmstädter Ferienkurse, ReMusik (St. Petersburg), MATA (New York), Rainy Days (Luxembourg), Musikfestival Bern, SMC Lausanne, Koper Biennale (Slovenia), Close Encounters (Georgia), Ultima (Oslo), Unerhörte Musik (Berlin), Klangraum (Stuttgart), AFEKT (Berlin/Tallinn), Sounding Now (Singapore), Music and Art: Sound Correspondences (Spain), SMC (Athens) and the World Exposition in Milan, among others, and has been performed by ensembles such as Klangforum Wien, Ensemble l'Itinéraire, JACK and Mivos Quartets, L’Instant Donné, Contrechamps, ICE, Ensemble l'Imaginaire, Proton, Neofonía, Novel Ensemble Modern, Adapter, Vortex, Argento, TAG, Trio Sæitenwind, Sentieri Selvaggi and Vertixe Sonora. In 2019, his large-scale scenic work “Portal Fantasies,” composed in collaboration with cultural historian Barbara Piatti, was premiered at the Zeiträume Biennale für neue Musik und Architektur in Basel. 

Paul Clift obtained a Doctorate of Musical Arts from Columbia University, New York, a Masters of Music at King's College, London, and participated in the two years of the IRCAM Cursus, culminating in the premiere of “With my limbs in the dark” for chamber ensemble, electronics and augmented dancer, composed in collaboration with choreographer Alban Richard. He also attended masterclasses including Royaumont Voix Nouvelles, Centre Acanthes, Domaine Forget, IMPULS, June in Buffalo, MATRIX, Internationale Sommerakademie der MDW and the Darmstadt Ferienkursen. 

Paul Clift is the Artistic Director of Ensemble Recherche. His scores are published by Schweizer Musikedition and are also available online at www.babelscores.com.

'1950-C' for solo guitar (2011)

Paul Clift

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