Dub mix with a lysergic edge, track listing as per below
1  Rude Audio and Dan Wainwright - Fire On The Mountain
2  KXB - Breach (Richard Fearless Remix)
3 Sabo - Mind Dub
4 Vu2 - Chant For Freedom
5 The Orb - Golden Clouds (Youth Dread Dub Remix)
6 The Compass Point - The Compass Point (Spaventi D'Azzurro Dub)
7 Tikiman - The Sound
8 Duncan Gray - Bong Room Chic
9 Channel 15 - Mari Dub
10 Rude Audio and Dan Wainwright - Heroes (Merry Prankster Dub)
11 Rude Audio and Dan Wainwright - El Qasr 
12 Glok - That Time Of Night (Hardway Bros vs Monkton Uptown Remix)
13 Temple Of Sound & Rizwan-Muazzam Qawwali - Love Moves The Sun
14 Joe Yorke - Wrecking Ship (Alpha Steppas' Dub)
15 Foreigners Everywhere meets Kodama Dub - Fight War, Not Wars (Crass Remix Project)
16 Rude Audio - Pipeline Screaming
17 Windows - Creation Rebel
18 Future Sound Of London - Papua New Guinea (Dub Mix)
19 Bre - Del - Silent Valley
20 Tom Silvester - B Monkey
21 Tom Waits - Such A Scream

RUDE AUDIO PSYCHEDELIC DUB SET

Eddie C is a Canadian DJ, producer, and vinyl enthusiast known for his warm, groove-driven blend of disco, house, funk, and balearic sounds. Originally from Southern Ontario, Eddie’s musical journey began in the late ‘80s, influenced by hip-hop and the early acid house scene. He started by making tape edits of late-night radio shows and immersing himself in warehouse parties.

His diverse taste and deep record knowledge were honed through years of university radio and 1990s raves, eventually leading him to craft eclectic, soulful DJ sets that span boogie, slo-mo disco, and deep house.

In 2010, Eddie founded Red Motorbike, a vinyl-only label that’s become a cult favorite for its dusty, analog-inspired cuts. His productions and edits have appeared on respected labels like Razor-N-Tape, Endless Flight, and Crue-L Records.

Now based in Vancouver Island - after leaving Berlin in 2020 and being a nomad for three years - he continues to tour internationally, thanks to his soulful, genre-blending sets and unwavering dedication to underground music culture.

Oh! We almost forget to tell you he recently launched his brand-new label, Disko Universal, debuting with an EP in collaboration with Keitano Sano. Don’t miss it!

More at https://soundcloud.com/eddiec

Eddie C - SOULMEEX DECKS 138

The Monologues Podcast invites producers to mix an hour of their own productions. Follow our Bandcamp for our label releases at http://monologuesrecords.bandcamp.com

The crown prince of Germany's Italo/Electro scene takes the reins for our latest mix. Whether it's his solo endeavours or his excellent Tuff City Kids collabs with Gerd Janson and Black Spuma project alongside Fabrizio Mammarella, he's a producer who always delivers, taking the sounds of the '80s and bringing them bang up to date. 

*How would you describe your sound?*
Dance music between Italo, House, Electro, Synth, Rave, Acid and a little Techno .. mostly leaning towards 80ies sound.. maybe

*What and who inspires you and influences your sound?* 
I guess listening to music since being a kid and one specific and very forming influence was DJ Ata in the early days of the  Robert Johnson Club .. I guess that place in general.. i spent so many nights there.

*Can you tell us a little about this mix and what it means to you?*
My first 12" release came out 25 years ago ..and when i stumbled across your idea (from a few years back) to record a 100% Lauer music mix i thought: now is the time !   I tried to cover most periods featuring  some personal faavourites of mine.. and some "hits" ..  Its a bit random .. but  i feel it is a good representation of what   i did in the last years... hehe

Tracklist: 
Lauer - Handcuffs [Separe Rec]
⁠Lauer - HR BosS [LARJ]
⁠Lauer - Delta NRG [Brontosaurus]
⁠Lauer - Tyler [Running Back]
⁠Maximilian Dunbar - Polo (Lauer Remix) [LARJ]
⁠Lauer - Hershel [Permanent Vacation]
⁠Lauer - Stigma [Beats In Space]
⁠Lauer - Antinat [LARJ]
⁠Lauer - Muscles [Running Back]
Lauer - Vizzi Vazzi [Running Back]
Lauer - Gammelan 25 [Permanent Vacation]
Lauer - Inkeliet 880 [DGTL]
⁠Lauer - Fatigue [Running Back]
Lauer - Felt Bat [Public Release]
Lauer - Make It Stay feat. Dena [Permanent Vacation]

Our Bandcamp

M82: Lauer

Mix of the Week #588 is "Campo Sancho 2025 Mix" by Pete Herbert
Follow and include @peteatlas in your track ID requests

Pete Herbert will be playing CAMPO SANCHO 2025 Friday 25th July 2025
https://www.instagram.com/campo_sancho/
https://www.facebook.com/SanchoPanzaSoundsystem/

Interview w/ Pete Herbert https://www.dreamchimney.com/interviews/pete-herbert/

** Tracklist Pete Herbert Campo MIx **
Totem Projects - Rhythm (Pete Herbert sneaky Mix) (Unreleased)
Palavas - Illusion (Pete Herbert Remix) (Ravanelli Disco Club)
James Bright - Vidorra (Pete Herbert Remix) (MFSP)
Ramboiage - I Need U (Pete Herbert Instrumental Mix) (Citizens OF Vice)
Martin Brodin/Dumb Dan - Gamma Ray (Pete Herbert Remix) (MB Disco)
Even & Rich - Going to The Sun (Pete Herbert Remix) (MFSP)
Fran Deeper - Sexo (Pete Herbert Remix) (Spa In Disco)
Andy & Sasa - Sex Fiend (Pete Herbert Dub) (MFSP)
Juan Laya & Jorge Montiel - Sex Machina (Pete Herbert Remix) (MFSP)
Fabulous Lover - Elevate (Pete Herbert Remix) (MFSP)
Funkatarium - Jump (Pete Herbert Remix) 


--

✉️ DC Email list: eepurl.com/dN23Jw 🔈 Mix Archives: https://www.dreamchimney.com/motw ⭐ More from Dream Chimney instagram.com/dreamchimney • https://dreamchimney.bandcamp.com • www.dreamchimney.com

Subscribe

Mix of the Week #588: Pete Herbert - Campo Sancho 2025 Mix

New radio business. Nice eclectic selection, new & old. Enjoy x 

Shades Of Sound Radio - June 2025

> Yuu Udagawa (https://soundcloud.com/yuu_udagawa)
https://www.instagram.com/yuu.udagawa

Yuu Udagawa, who studied art and philosophy in high school, has since performed at clubs, festivals and fashion shows and is now a regular in the lounges of five-star hotels like the Park Hyatt Tokyo, showcasing her versatility as a DJ. Drawing on her insights and extensive experience in creating musical atmospheres invarious spaces, she continues expanding her musical creation journey.

In 2010, she composed "Blossom," the main menu BGM for Sony PlayStation 3 (Torne and Vita),captivating gamers. After that, she released several tracks for various projects. In 2021, her music caught the eye of German artist Manuel Tur, leading to her music being released through prestigious labels such as Compost Records in Munich, Germany, Cyphon Recordings in London, founded by Jimpster and Tom Roberts, to the up-and-coming Cosmocities Records in Dijon, France, and the popularRazor-N-Tape in Brooklyn, USA. These collaborations have boosted her international visibility. She was invited by Freerange Records in London to deliver a DJ MIX on Apple Music to celebrate International Women's Day 2024.

LYO#255 / Yuu Udagawa

Shit Robot - Warm Up for LCD Soundsystem @ Brixton Academy - Friday 20 June 2025

Mix of the Week #593 is "Mystery Tripper Mixx" by Sorcerer
Follow and include @sorcerermusic in your track ID requests

Out now:  Sorcerer "Sunlight Hits" ~ New 10 track album on Dream Chimney
https://dreamchimney.bandcamp.com/album/sunlight-hits
Available on Cassette / CD / Digital via Bandcamp

✉️ DC Email list: eepurl.com/dN23Jw 🔈 Mix Archives: https://www.dreamchimney.com/motw 

⭐ More from Dream Chimney 
instagram.com/dreamchimney • https://dreamchimney.bandcamp.com • www.dreamchimney.com

New Sorcerer Album

Mix of the Week #593: Sorcerer - Mystery Tripper Mixx

Mix of the Week #594 is by Polcari
Follow and include @pierpaolopolcari in your track ID requests

the latest album from Polcari is out now, "I Will Try To Imitate The Birds" on Hell Yeah Recording  https://hellyeahrec.bandcamp.com/album/i-will-try-to-imitate-the-birds

✉️ DC Email list: eepurl.com/dN23Jw 🔈 Mix Archives: https://www.dreamchimney.com/motw 

⭐ More from Dream Chimney instagram.com/dreamchimney • https://dreamchimney.bandcamp.com • www.dreamchimney.com

Mix of the Week #594: Polcari

Trujilo's Mix August 2025

Thanks to Jay Bacon @ Project Audio and Ben Laingsmaid for making this mix happen.
PDxx

LA ROUX "AS IF BY MAGIC" - PAUL DALEY (ex Leftfield) REMIX 2010

BOOKINGS (WORLDWIDE) - www.constructindustries.com

Paul has been on Dance music’s frontline since the release of Leftfield’s debut single ‘Not Forgotten’ in 1989. With partner Neil Barnes, the duo went onto become one of the most globally successful and respected acts in Dance music, along the way shaping styles and creating sounds that have influenced heavily and been borrowed from literally. As a DJ, remixer and producer in his own right, Paul employs the same approach to being different, fresh and exciting as he has throughout his vocation and the success he has enjoyed has come through an absolute understanding and love of the music, the clubs and the people.

Paul spent the late seventies and the early eighties soaking up the wide variety of music that the vibrant gig and club scene of his hometowns of Ramsgate/ Margate offered. This meant he was able to soak up everything from Rock'n'Roll, Punk, bass leaden Reggae rhythms,Disco/Funk, Soul and an emerging post punk underground electronic music scene.
Along with being a drummer with various local Punk bands such as The Rivals and The Need he also ran and DJ'd at his own nights in a basement club on Margate seafront, based around underground european uk/us electronic disco/ Post-Punk/Funk
and alike. 

The early 80’s were also spent living/moving to  London with underground clubs such as the Dirtbox,
Le Beatroute,Mud and Wag clubs along with early warehouse parties in the then derelict east/south of london providing the night-time hangouts and the places to hear old and new/contemporary underground music such as US/UK Funk,Rockabilly,jazz,soul,early 80's US\ UK Electro, Hip-Hop,dub. 70's soundtracks,disco,afro latin,dub, northern soul and unrealised at the time these clubs and happenings were to be the embryonic Balearic/House/scene pre-cursor to the late 80's\early 90's uk rave movement to which Paul was later to be fully involved on a creative musical level.

Bank Holiday's of the early/mid eighties provided rites of passage weekender trips to Bournemouth and the uk coast for Dirtbox all nighters and daytime sessions again accompanied by a pre-balearic DJ soundtrack.
The mid/late 80's saw Paul working a lot in the Acid Jazz scene run by Eddie Pillar and Giles Peterson,
he  also playing regularly as a percussionist with bands and dj's at Blitz legend Chris Sullivan's Wag club.
A trip to the states in the late 80's as session percussionist with the Brand New Heavies enabled him to visit clubs such as The Sound Factory, Red Zone, Save The Robots and many other underground happenings of the NYC club scene of the time, opening him up to the exotic American scene and House music in particular.

Back in the UK and Ibiza this new breed of dance music was bubbling away, but it’s highly potent cocktail of repetitive beats and exiting new  electronic sounds would explode on contact with a simmering British boredom and the Ecstasy boom. For Paul, the abundance of music arriving from the States and Europe, the excitement of the clubs and hearing British DJ’s mixing it up and doing things differently persuaded him to become involved in the music and get behind the decks again. 
Paul was now in demand as a DJ on a UK and international level taking his cutting edge sound around the country
and the world as part of the early 90 's wave of superstar dj's to emerge from the london underground scene of the time. 
He also played regularly at every main club in Ibiza such as Ku,Space,Pacha,Amnesia as well as playing regularly along side chill out legend Jose Padilla at the sonic sunset temple that is Cafe del Mar.
He held down guest and residency gigs at uk clubs such as Love Ranch,Full Circle,Strutt,Solaris,Ministry of Sound,Renaissance, Back to Basics and many more including regular trips to Naples,Amsterdamn,Japan,Ireland,Scotland,
South/North America,Australia,Goa,Canada and Europe.
“Suddenly at those early Acid-House/Balearic parties, it seemed that everything I’d ever been into came together under one roof,and everything was nice’ Cue Leftfield...

In 1990 Paul was given the opportunity to remix "Not Forgotten" the first single by Leftfield.
The result was the 'Hard Hands" remix.
Paul's Hard Hands mix was a genre splitting funked up heavy bass spaced out balearic/techno dj dance floor monster, still dropped today and regarded as a seminal 
tune in the history of dance music, it set sound systems alight and paved the way for other budding electronic artists and dj's.
This record joined the ranks of classics and cemented Paul and Neil's partnership for the coming decade.......

As dance acts go they don’t come any bigger and few have had such an enormous impact on the international scene. By not repeating themselves, Leftfield delivered two key albums - for which they received Brit & Mercury nominations for Best UK Dance Acts in both 1996 & 2000 - that helped shift Dance music’s sound into new and dynamic phases and as such the reputation and the respect that the name Leftfield still commands to this day, is literally second to none.

Their debut album ‘Leftism' (1995) redrew the borders for dance music, pioneering a radical hybrid that drew intuitively on rib-shaking dub, futuristic techno, house and breaks and with its timeless qualities, is regularly declared ‘The Greatest Dance Album Of All Time’. Its included collaboration with Sex Pistol John Lydon on ‘Open Up’ was the first ever dance/rock crossover not to sacrifice any of the attitude of either genre. Their second album ‘Rhythm & Stealth’ (1999), contained an equally exciting new blend of crisp, cutting-edge electronic sounds and alongside vocal contributions from Afrika Bambaata and Roots Manuva, included the fearsome electro-breaks beast ‘Phat Planet’, with which Leftfield once again wiped all pretenders away. Sales are in excess of 1,000,000 copies worldwide for each album.

With the Leftfield sound dictating much of clubland’s direction they were in-demand as remixers and subsequently deconstructed then dusted their magic over an assortment of artists that included David Bowie,Stereo MCs, Inner City, Tricky ,Renegade Soundwave and many more. During the Leftfield years the duo also formed their own label Hard Hands which itself was at the front of the scene and aside their own music was responsible for issuing over 60 other releases by underground artists that included Pressure Drop, Dark Globe and Full Moon Scientist.

As well as Leftfield scoring music for the soundtracks of the internationally successful Trainspotting and director Danny Boyle’s follow-up Shallow Grave, their music has been used on the big screen in the films Tomb Raider, The Beach, Hackers, Hackers 2 and Vanilla Sky. It has also been utilised in a number of television commercials, most notably the now infamous ‘White Horses’ ad for Guinness, for which the fearsome rumbling intro of ‘Phat Planet’ was also the teasing first taste listeners got of Leftfield’s then imminent second album. This critically acclaimed unison has since been voted ‘The Greatest Television Ad Of All Time’ in myriad charts, programmes and polls. Other Leftfield music used in advertising clips has been for Volkswagen’s Lupo car (‘6/8 War’) and the atmospheric intro of ‘Release The Pressure’.

The impact of Leftfield’s debut single helped secure Paul DJ bookings and he quickly earned himself a reputation for spinning a choice of solid tunes and raising the temperature on dancefloors worldwide. Throughout the decade he played regularly across the planet at clubs and festivals, including all the large UK outdoor events like Tribal Gathering, Homelands, Witness in Dublin (now the Oxygen Festival) and the Brighton Essential Festival. The overtaking demands of Leftfield meant that DJ’ing took a back seat through the turn of the decade, although he maintained a residency at London’s Fabric club between 1999-2003.

For the last ten years Paul has been in demand as a DJ, remixer and producer in his own right, turning out killer dancefloor ammunition for, among others, Slam (‘Alien Radio’), Dub Pistols (‘Six Million Ways’) and Bolz Bolz (‘Take A Walk’ - which went on to be synched to a Smirnoff commercial), plus the sunset-tinted ‘Adios Ayer‘ for long-time friend Jose Padilla (Café Del Mar) and a rework of Massive Attack’s ‘Butterfly Caught’. In 2004 he produced a single for the alliance of funk renegade Afrika Bambaata and robo-synth-pop pioneer Gary Numan, who teamed up on a new version of Numan’s 1979 track ‘Metal’, resulting in an electro floor-curler with a commanding presence.

Paul has been operating more in the shadows over the last few years, DJ'ing and remixing whilst putting the finishing touches to his solo album.
He is still just as comfortable playing to 100 people in a sweaty sub-basement as he is DJ'ing to larger event crowds.

When Paul DJ’s, it’s still predominantly a diverse mixture of electronically infused Techno, House and beyond. The linear connection being the all important funk and sonic subversive element. But appreciating so many different types of music, has always made it hard to pinpoint Paul Daley as a particular style DJ (or producer, or remixer…) and is key to his ability at keeping a dance floor and sound system on the edge.
"i'm not a one sided coin,being into a multi faceted pop culture for 45 years creates a lot of different influences, that is why i like playing different sets for different situations, there's too much good music around to be blinkered by one style or sound"

“My laws are still the same as when I was DJ’ing at my sister’s house parties in the mid seventies which is, if the people aren’t dancing or smiling then it’s not happening. I still get the same buzz I got when I was 12 years old playing records in my bedroom, it’s the same feeling but I’m sharing it with 100’s of other people”

Paul understands and encourages new music from underground labels from all over the world, anyone who comes to listen to a set should not expect to hear some kind of 90’s revival (he didn't hold down a 3 year residency at Fabric for nothing...), his sets and records represent an energy of someone half his age with twice as much musical experience. 
Anyone fortunate enough to catch his summer residency at Ibiza’s uber cool country club ”The Underground”from 2005 - 2010 bear witness to this.

Those who have heard Paul play understand his love and sincerity to the music. This has always outweighed taking an obvious commercial route as a DJ and this attitude continues to this day.

