lounge

Pet Shop Boys - The Way It Used To Be (German Homer's Epic Extended Mix)

Elkie Brooks - Fool Its Over (Pete Blaker Edit)

Intoxication - (Coyote Retox Edit Premaster)

Pfingstiphos 9.6. - 10 AM - 2 PM

DJ Soch, together with his new partner Issam Dahmani, brings BKA FM – “Close to the Heart”, a new radio show on LOOSE marking a significant moment in the history of their label. Following deep reflection on identity, values, and future direction, the long-standing Black Angus Records has changed its name to BKA Records – Beats Kickin’ Again. This decision stems from the awareness that the original name, while chosen in good faith, could be misunderstood or perceived as insensitive. The new name reflects a natural evolution, more aligned with what the project stands for today: openness, respect, and a genuine passion for music.

BKA FM will be a series of two-hour podcasts, entirely dedicated to music and free of spoken interruptions, designed to offer a rich and immersive sonic journey. The musical selection will span a wide range of genres and shades, including soul, jazz, nu jazz, broken beat, funk, boogie, hip hop, R&B, downtempo, jungle, ambient, house, techno, and other forms of electronic music. A carefully crafted mosaic that reflects the deep musical culture and passion of the two hosts, blending timeless classics with rare finds and fresh contemporary cuts.
All mixes will be curated and performed by DJ Soch & Issam Dahmani, who will also welcome special guests from both the Italian and international music scenes, aiming to spotlight the most authentic and compelling voices in the underground landscape.

CLOSE TO THE HEART W/ BKA FM - 27 JUN 25

Over the years, some of us have grown to shudder at the term Easy Listening, but not Teen Daze. In the face of such harsh realities, we need some Easy Listening more than ever, and so once a month, Teen Daze hits the dublab airwaves to play two hours of music that is easy to listen to! Whether that’s mellow jazz, peaceful ambient, soft house, smooth rock, whatever! When the music is breezy, the listening is Easy!

For more info: www.dublab.com/shows/easy-listening

Tracklist

Two Bicycles – San Pancho
Pilgrims Of The Mind – Digital 4A Groove
Seafoam – Freaks
Mary House – Ambient (Krishna Instrumental)
Mystic Jungle – Innervision
Coste Apetrea – Hej Dar
Linda Lewis – Class/Style (I’ve Got It)
Research Club – Cafe Iguana
Illija Rudman – Dub 4 Love (Secret Weapon Mix)
Chaos In The CBD – A Deeper Life
Aural – Desire (Fabrice Africa Pain)
Manabu Nagayama – Light and Shadow (Masalo Version)
Toka Project – Drop Out Mix
Art Of Noise – Crusoe (Remixed by Youth)
Larry Heard – Gentle Morning Rain
Alex Kassian – Body Singer
Jhalib – Mysteries Of The East (Mecca Mix)
Blakk Society – Just Another Lonely Day (Instrumental)
Turbulent – Coming Back (Instrumental)
Pacific Coliseum – Breath Dance
Wallace – Willow

Easy Listening - Episode 21 (07.16.25)

Buy our records here: https://www.yoyaku.io  
FOLLOW US: 
Instagram: Yoyaku: https://www.instagram.com/yoyaku.fr/ 
Yoyaku record store: https://www.instagram.com/yoyakurecordstore/ Soundcloud: https://soundcloud.com/yoyaku /
Yoyaku events: https://linktr.ee/yoyaku.fr
Yoyaku record store events & latest news: https://linktr.ee/yoyakurecordstore
FOLLOW THE ARTIST: 
Instagram: https://www.instagram.com/daniloplessow_mcde/
Soundcloud: https://soundcloud.com/danilo-plessow

Yoyaku Instore Session with Danilo Plessow aka MCDE

A rough short mix inspired by Weatherall (rip) and a b2b I played with my dear dj partner Elsie at Skylab recently. It's a tad rough and on the spot as usual but enjoy

Rough Edges

Thanks to Jay Bacon @ Project Audio and Ben Laingsmaid for making this mix happen.
PDxx

LA ROUX "AS IF BY MAGIC" - PAUL DALEY (ex Leftfield) REMIX 2010

KLF - Trancentral

Kruder & Dorfmeister - Liquid Acid

Welcoming our newest signing Apiento. Managing to steal an hour of his time, away from the studio and ever-growing work on his 'Test Pressing' blog, he serves just over an hour of Balearic selections for the latest instalment in our Springboard Mix Series.

Pool Mix #23 Apiento

Yachty mix From 2013 
by Overboard (Hoff, Dirty Dave, Cosmic Dan and Waldo)

Future World Orchestra - Desire Marcos Valle - Estrelar Steely Dan - The Fez (Overboard Edit) Leon Ware - Why I Came to California (Dr. Blade Edit) Phil Collins - I Missed Again 12" Pablo Cruise - What You Gonna Do (When She Says Goodbye) Alan Parsons Project - I Wouldn't Wanna Be Like You (Beatconductor Remix) Grateful Dead - Shakedown Street Parlour - Sark Powers 10cc - Dreadlock Holiday (Disco Syndicate's Summervibes Special) KISS - Sure Know Something Spectral Display - It Takes A Muscle To Fall In Love [Get A Room Edit] Con Funk Shun - California 1 Starbuck - Moonlight Feels Right Ace - How Long Todd Rundgren - I Saw the Light Daft Punk - Fragments of Time (feat. Todd Edwards)

Overboard "74 and partly cloudy"

Taken from the album 'Light Leaks' 
(c) 2013 Zagarmusic / Mole Listening Pearls
www.zagarmusic.com
www.mole.de

ZAGAR - Toybox on the Shelf

REMIXES LP IS OUT NOW AT: robgarza.com/music/remixes-lp

The Remixes album has been a project that has been close to my heart for a long time... a collaboration with some of my favorite styles and producers in the industry. Each remix is a favorite in both my live sets and personal playlists. I hope that you enjoy the release as much as I enjoyed creating it. Endless thanks for the love and support.

Rob Garza
robgarza.com
facebook.com/robgarzamusic
twitter.com/robgarzamusic

Federico Aubele - No One (Rob Garza Remix)

Broadcast on WNYU 89.1FM in New York City on January 12th, 2021.
https://soundcloud.com/fangodiscos
https://beatsinspace.net/playlists/1077/ 
Support BIS: https://www.patreon.com/beatsinspace 
https://beatsinspace.bandcamp.com
Leave a message on the BIS Hotline: 646-481-8189

beatsinspace.net

BIS Playlist

BIS Radio Show #1077 with Fango

BOOKINGS (WORLDWIDE) - www.constructindustries.com

Paul has been on Dance music’s frontline since the release of Leftfield’s debut single ‘Not Forgotten’ in 1989. With partner Neil Barnes, the duo went onto become one of the most globally successful and respected acts in Dance music, along the way shaping styles and creating sounds that have influenced heavily and been borrowed from literally. As a DJ, remixer and producer in his own right, Paul employs the same approach to being different, fresh and exciting as he has throughout his vocation and the success he has enjoyed has come through an absolute understanding and love of the music, the clubs and the people.

Paul spent the late seventies and the early eighties soaking up the wide variety of music that the vibrant gig and club scene of his hometowns of Ramsgate/ Margate offered. This meant he was able to soak up everything from Rock'n'Roll, Punk, bass leaden Reggae rhythms,Disco/Funk, Soul and an emerging post punk underground electronic music scene.
Along with being a drummer with various local Punk bands such as The Rivals and The Need he also ran and DJ'd at his own nights in a basement club on Margate seafront, based around underground european uk/us electronic disco/ Post-Punk/Funk
and alike. 

The early 80’s were also spent living/moving to  London with underground clubs such as the Dirtbox,
Le Beatroute,Mud and Wag clubs along with early warehouse parties in the then derelict east/south of london providing the night-time hangouts and the places to hear old and new/contemporary underground music such as US/UK Funk,Rockabilly,jazz,soul,early 80's US\ UK Electro, Hip-Hop,dub. 70's soundtracks,disco,afro latin,dub, northern soul and unrealised at the time these clubs and happenings were to be the embryonic Balearic/House/scene pre-cursor to the late 80's\early 90's uk rave movement to which Paul was later to be fully involved on a creative musical level.

Bank Holiday's of the early/mid eighties provided rites of passage weekender trips to Bournemouth and the uk coast for Dirtbox all nighters and daytime sessions again accompanied by a pre-balearic DJ soundtrack.
The mid/late 80's saw Paul working a lot in the Acid Jazz scene run by Eddie Pillar and Giles Peterson,
he  also playing regularly as a percussionist with bands and dj's at Blitz legend Chris Sullivan's Wag club.
A trip to the states in the late 80's as session percussionist with the Brand New Heavies enabled him to visit clubs such as The Sound Factory, Red Zone, Save The Robots and many other underground happenings of the NYC club scene of the time, opening him up to the exotic American scene and House music in particular.

Back in the UK and Ibiza this new breed of dance music was bubbling away, but it’s highly potent cocktail of repetitive beats and exiting new  electronic sounds would explode on contact with a simmering British boredom and the Ecstasy boom. For Paul, the abundance of music arriving from the States and Europe, the excitement of the clubs and hearing British DJ’s mixing it up and doing things differently persuaded him to become involved in the music and get behind the decks again. 
Paul was now in demand as a DJ on a UK and international level taking his cutting edge sound around the country
and the world as part of the early 90 's wave of superstar dj's to emerge from the london underground scene of the time. 
He also played regularly at every main club in Ibiza such as Ku,Space,Pacha,Amnesia as well as playing regularly along side chill out legend Jose Padilla at the sonic sunset temple that is Cafe del Mar.
He held down guest and residency gigs at uk clubs such as Love Ranch,Full Circle,Strutt,Solaris,Ministry of Sound,Renaissance, Back to Basics and many more including regular trips to Naples,Amsterdamn,Japan,Ireland,Scotland,
South/North America,Australia,Goa,Canada and Europe.
“Suddenly at those early Acid-House/Balearic parties, it seemed that everything I’d ever been into came together under one roof,and everything was nice’ Cue Leftfield...

In 1990 Paul was given the opportunity to remix "Not Forgotten" the first single by Leftfield.
The result was the 'Hard Hands" remix.
Paul's Hard Hands mix was a genre splitting funked up heavy bass spaced out balearic/techno dj dance floor monster, still dropped today and regarded as a seminal 
tune in the history of dance music, it set sound systems alight and paved the way for other budding electronic artists and dj's.
This record joined the ranks of classics and cemented Paul and Neil's partnership for the coming decade.......

As dance acts go they don’t come any bigger and few have had such an enormous impact on the international scene. By not repeating themselves, Leftfield delivered two key albums - for which they received Brit & Mercury nominations for Best UK Dance Acts in both 1996 & 2000 - that helped shift Dance music’s sound into new and dynamic phases and as such the reputation and the respect that the name Leftfield still commands to this day, is literally second to none.

Their debut album ‘Leftism' (1995) redrew the borders for dance music, pioneering a radical hybrid that drew intuitively on rib-shaking dub, futuristic techno, house and breaks and with its timeless qualities, is regularly declared ‘The Greatest Dance Album Of All Time’. Its included collaboration with Sex Pistol John Lydon on ‘Open Up’ was the first ever dance/rock crossover not to sacrifice any of the attitude of either genre. Their second album ‘Rhythm & Stealth’ (1999), contained an equally exciting new blend of crisp, cutting-edge electronic sounds and alongside vocal contributions from Afrika Bambaata and Roots Manuva, included the fearsome electro-breaks beast ‘Phat Planet’, with which Leftfield once again wiped all pretenders away. Sales are in excess of 1,000,000 copies worldwide for each album.

With the Leftfield sound dictating much of clubland’s direction they were in-demand as remixers and subsequently deconstructed then dusted their magic over an assortment of artists that included David Bowie,Stereo MCs, Inner City, Tricky ,Renegade Soundwave and many more. During the Leftfield years the duo also formed their own label Hard Hands which itself was at the front of the scene and aside their own music was responsible for issuing over 60 other releases by underground artists that included Pressure Drop, Dark Globe and Full Moon Scientist.

As well as Leftfield scoring music for the soundtracks of the internationally successful Trainspotting and director Danny Boyle’s follow-up Shallow Grave, their music has been used on the big screen in the films Tomb Raider, The Beach, Hackers, Hackers 2 and Vanilla Sky. It has also been utilised in a number of television commercials, most notably the now infamous ‘White Horses’ ad for Guinness, for which the fearsome rumbling intro of ‘Phat Planet’ was also the teasing first taste listeners got of Leftfield’s then imminent second album. This critically acclaimed unison has since been voted ‘The Greatest Television Ad Of All Time’ in myriad charts, programmes and polls. Other Leftfield music used in advertising clips has been for Volkswagen’s Lupo car (‘6/8 War’) and the atmospheric intro of ‘Release The Pressure’.

The impact of Leftfield’s debut single helped secure Paul DJ bookings and he quickly earned himself a reputation for spinning a choice of solid tunes and raising the temperature on dancefloors worldwide. Throughout the decade he played regularly across the planet at clubs and festivals, including all the large UK outdoor events like Tribal Gathering, Homelands, Witness in Dublin (now the Oxygen Festival) and the Brighton Essential Festival. The overtaking demands of Leftfield meant that DJ’ing took a back seat through the turn of the decade, although he maintained a residency at London’s Fabric club between 1999-2003.

For the last ten years Paul has been in demand as a DJ, remixer and producer in his own right, turning out killer dancefloor ammunition for, among others, Slam (‘Alien Radio’), Dub Pistols (‘Six Million Ways’) and Bolz Bolz (‘Take A Walk’ - which went on to be synched to a Smirnoff commercial), plus the sunset-tinted ‘Adios Ayer‘ for long-time friend Jose Padilla (Café Del Mar) and a rework of Massive Attack’s ‘Butterfly Caught’. In 2004 he produced a single for the alliance of funk renegade Afrika Bambaata and robo-synth-pop pioneer Gary Numan, who teamed up on a new version of Numan’s 1979 track ‘Metal’, resulting in an electro floor-curler with a commanding presence.

Paul has been operating more in the shadows over the last few years, DJ'ing and remixing whilst putting the finishing touches to his solo album.
He is still just as comfortable playing to 100 people in a sweaty sub-basement as he is DJ'ing to larger event crowds.

When Paul DJ’s, it’s still predominantly a diverse mixture of electronically infused Techno, House and beyond. The linear connection being the all important funk and sonic subversive element. But appreciating so many different types of music, has always made it hard to pinpoint Paul Daley as a particular style DJ (or producer, or remixer…) and is key to his ability at keeping a dance floor and sound system on the edge.
"i'm not a one sided coin,being into a multi faceted pop culture for 45 years creates a lot of different influences, that is why i like playing different sets for different situations, there's too much good music around to be blinkered by one style or sound"

“My laws are still the same as when I was DJ’ing at my sister’s house parties in the mid seventies which is, if the people aren’t dancing or smiling then it’s not happening. I still get the same buzz I got when I was 12 years old playing records in my bedroom, it’s the same feeling but I’m sharing it with 100’s of other people”

Paul understands and encourages new music from underground labels from all over the world, anyone who comes to listen to a set should not expect to hear some kind of 90’s revival (he didn't hold down a 3 year residency at Fabric for nothing...), his sets and records represent an energy of someone half his age with twice as much musical experience. 
Anyone fortunate enough to catch his summer residency at Ibiza’s uber cool country club ”The Underground”from 2005 - 2010 bear witness to this.

Those who have heard Paul play understand his love and sincerity to the music. This has always outweighed taking an obvious commercial route as a DJ and this attitude continues to this day.



LA ROUX "AS IF BY MAGIC" - PAUL DALEY (ex Leftfield) REMIX 2010

PAUL DALEY (ex Leftfield)

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