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Paul Daley ex Leftfield Set 3

dub dub...

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Free Download Link
only4edm.eu/?p=1707

Athens based artist Analog Trip (Kosmas Katimertzis, born 1972) Is owner of Elektrik Dreams Music Label ( www.elektrikdreamsmusic.com ) At the early age of 17 the young artist experimented with monophonic analog synthesizers, drumcomputers and vinyl , playing at local bars, and while studying at university a few years later, he became part of an Electro group called VCF, already known for their live gigs at Athens popular clubs Factory, DOM and the Wild Rose.Officially entered in the electronic scene in 1996 along with George Moog with a CD which was circulated 25.000 times by a for that period well known Dance magazin (Lemon). Since this success, which included airplay on CoolFm and LifeFm , Klik FM, Best Radio Analog Trip was referenced among many Greek artist and invited to play his sets on various old classic dance floors like Plan B, Face the music, Camel Club,Astron, Orbit, Zoo, Loop (Resident for 8 continious years) and Mommys.In the summer the artist also appeared on Paros and Naxos, Monastiri, Linardo, Santa Maria and Cafe Del Mar , Splash Naxos and among others to promote his music.Recently Analog Trip's music appeared on Gravity Recordings, featuring "Galeraki Mykonos Chillout Moods and Grooves", next to "Cafe Caprice", a more atmospheric style but none the less accompanied with his own freestyle/tribal/deep and tech sound.Has worked with artists as Nikos Diamantopoulos, Blend Mishkin, Addex, Big Al, Rishi K., George Apergis, Ilias Katelanos, Leo Mars and other.Has played in various festival as European Music Day and many other.In 2008 created his own record label called Elektrik Dreams Music and released several remixes on labels as Ready Mix , Blue Orb, Night Child, Family Grooves, Dark Pleasure , Klik and Ambiosphere

Discography: http://www.discogs.com/artist/180171-Analog-Trip
Links:
https://www.facebook.com/analogtrip
https://twitter.com/analogtrip1
https://myspace.com/analogtrip
http://www.youtube.com/user/analogtrip1
http://soundcloud.com/analog-trip
http://soundcloud.com/elektrik-dreams-music
http://www.elektrikdreamsmusic.com

Free Download Link

Analog Trip - Midnight Summer Dream (Original Mix) NOW  Free Download

Recorded live at The Tunnel, Milan on February 5th 2011.

We played two records each all night, Andrew first then me, until the last half an hour of part two where it's one each. I travelled by train with a kidney infection and without a passport for 13 hours each-way to make this one and I'm glad I did. It was a fantastic night, so thanks to Andrew, Diego, Lele and everyone who was there dancing like a mad thing.

Part two coming soon.

Ewan x

Andrew Weatherall & Ewan Pearson back to back @ Tunnel, Milan Part One.

FREE download here:
http://bit.ly/imbernon_freetrack


Gabriel Ananda - Ihre Persönliche Glücksmelodie (Edu Imbernon Remix)

My Essential Mix for Pete Tong on BBC Radio1 - 25/08/2012

Miguel Campbell - BBC Radio1 Essential Mix

COSMONATICA has been our first HELL YEAH proper party in hometown Ferrara end of january 2011: peeDoo, Crimea X live and Prins Thomas to close the night.
no need to mention Thomas is one of our top 5 best DJs ever... ever...
Shake Your Ass To Another DImension!


Prins Thomas DJ Set @ Cosmonatica (Shake Your Ass To Another Dimension)

Boiler Room w/ Prins Thomas B2B Gerd Janson & Konstantin Sibold.

[Broadcasted on 17th October 2013]

Tracklist & video at boilerroom.tv

Prins Thomas B2B Gerd Janson 120 min Boiler Room mix

To celebrate a landmark 20 years in the music business, Omid 16B and his aLOLa label are releasing some inspiring and highly collectable music from the vaults. The re-mastered back catalogue has been made available since 2011 to all good digital stores, alongside the label’s latest brand new music from today’s respected and true artists, to show that aLOLa remains one of the most exciting and influential labels in the UK and around the globe.

A process that started two years ago with the first two instalments of aLOLa’s past, present and future mix series was followed in Summer 2013 by Mr C’s “Volume 3” presenting his favourite label selections. Now it is time for Omid 16B to finish a fantastic year off in style with this stunning selections mixed to perfection for “Volume 4”.

“I wanted to create a journey with the music and see how significant the catalogue is becoming – could the mix tell a timeless story? I had to create new tracks for different moods when I started the mix, especially when I had to a bridge a gap between different emotions so they could naturally follow in a sequence I was ultimately happy with. This way I felt the mix turned into a positive challenge with more personality, combining a few forgotten back catalogue classics with unreleased material by the aLOLa artists.” – Omid 16B

The phrase “master at work” is entirely appropriate here for Omid 16B as he has created a timeless, classic mix using purely tracks from his own aLOLa label. “Volume 4” is the perfect addition to the series of mix compilations, combining forgotten back catalogue classics with unreleased material by aLOLa artists, and another amazing glimpse into the label’s historic brilliance. 

Check www.alola.co.uk for further information.

Track List available trough Beatport Link:
http://www.beatport.com/release/Omid+16B+Presents+aLOLa+Vol4/1210253


Buy On Beatport

Omid 16B Presents aLOLa Vol 4 (PREVIEW)

my lablel LUCIDFLOW on https://lucidflow.bandcamp.com/
please feel free to REPOST :) thanks!
...some peeps asked me about my dj set at 5Y Shrug in Sydney... here we go: 
Trow (Sterac Remix) - Maan - NON008
High Heels Trap - Grunbox & Nadja Lind - Lucidflow
Diving Dancer (Ian Pooley Remix) - Klartraum - Lucidflow
All Dimensions (Original Mix) - Klartraum - Lucidflow
Making A Difference - Nadja Lind & Paul Loraine - Lucidflow VINYL
After The Rain - Nadja Lind - Lucidflow
unreleased - Nadja Lind, Quintin Christian & Vandermeer - Lucidflow soon
Drifting Elements (Original Mix) - Nadja Lind - Lucidflow
Berlin All Day Long - Nadja Lind (unreleased) - Lucidflow soon
Satisfy My Soul (Nadja Lind Remix)  - Jose Wated feat. Encebolladoman, Nadja Lind - Dilek Records
Pointing At The Moon - Nadja Lind & Paul Loraine - Lucidflow
Scared (Nadja Lind Rmx) - Terje Saether - Darkroom Dubs
Expect Me - Klartraum - Eintakt Records
Enjoy The Music (Yapacc Remix) - C-Rock & Patrick Testor - Lucidflow
Map Of Truth (UGLH & Lucio Spain Tech Mix) - Klartraum - Lucidflow
Cile - Brett Jacobs - Act Natural Records
I_Got_The_World - Lars Wickinger
Other Worlds (The Advent & Industrialyzer Remix) - A.Paul
Gravity - Peter Dildo Dirtymind Replay - Sasse - Mood Music Records

BIG THANKS to everybody who came down to Burdekin and made this a very special morning for me! You were amazing! CU soon, down under! <3

thanks to Allen&Heath for your support and supply!

Nadja Lind recorded live @ 5Y Shrug/Burdekin, Sydney, Australia

Klangkarussell's guest mix for Vogue.com x MATTE inspired by the dark deep electronic vibes of Painted BLACK - Act I. 

Check out the exclusive interview with Gillian Sagansky x Klangkarussell on Vogue.com
http://www.vogue.com/culture/article/klangkarussells-special-mix-for-vogue-com/#1

WWW.BLACK-NYC.COM

Tracklist 
1. Max Manie- Sunday (Klangkarussell Remix)
2. Lane 8- The One (Klangkarussell Remix)
3. Lane 8- Be Mine (Original Mix)
4. MOTSA- Sleepless Nights (Original Mix)
5. Yoko Duo- Close these Curtains (Stimming Remix)
6. Karmon- Wowshit (Original Mix)
7. Solumun- Around (Original Mix)
8. Andhim & Super Flu- Hasoweh (Original Mix)
9. David August- Hamburg is for Lovers (Original Mix)
10. Joachim Pastor-Born and Left (Original Mix)
11. Agaric- No way i know i feel (Axel Boman Remix)
12. Scheinizzl- The Anthem (Original Mix)
13. Marek Hemman feat Fabian Reichelt- Left (Original Mix)

Klangkarussell Painted BLACK Inspiration Mix for Vogue

Underground Sound Of Miami Series 3 2xCD Unmixed/Mixed Pre-order. Released March 17th.



Underground Sound Of Miami Series 3 

2xCD 

Unmixed/Mixed 

Bedrock return with their third release in their Underground Sound of Miami series with their picks up some of the hottest music around for the Winter Music Conference and Spring 2014. 10 totally exclusive tracks from the third Undergound Sound Of Miami release from the mighty Bedrock label selected by John Digweed. Featuring some new artists to the label alongside some of the labels favourite producers in the form of Robert Babicz, King Unique, Darren Emerson and Dave Angel alongside an excellent bonus mixed version. 

Tracklisting 

Mixed CD

Robert Babicz - Rabbit Clouds 
Derek Howell - Objectivity 
Dave Angel - Keep It 
Thodoris Triantafillou & CJ Jeff - Body Clock Feat. Thomas Gandey 
Darren Emerson - Feel It  
Carlo Lio - Who's House? 
Coyu & Ramiro Lopez - Diferencias 
Harvey McKay - Phone Freaker 
Marc Marzenit - Mystery Ocean 
King Unique - Westway

Unmixed CD

Derek Howell - Objectivity 
Carlo Lio - Who's House? 
Robert Babicz - Rabbit Clouds 
Dave Angel - Keep It 
Thodoris Triantafillou & CJ Jeff - Body Clock Feat. Thomas Gandey 
Marc Marzenit - Mystery Ocean 
Harvey McKay - Phone Freaker 
Darren Emerson - Feel It  
Coyu & Ramiro Lopez - Diferencias 
King Unique - Westway



Available to pre-order now http://bedrockmusic.bigcartel.com/product/underground-sound-of-miami-series-3-2xcd-unmixed-mixed-pre-order

Underground Sound of Miami Series 3 released March 17th

To celebrate "10 Years Of Full Pupp" party at his home field club in Oslo; Blaa, Prins Thomas digged up a 10 year old "Tamburin/Full Pupp Promomiks" from November 2003. The mix is limited to 500 downloads, so act fast!

People in Oslo, see you here:
BLÅ l 8.MARS l 10 YEARS OF FULL PUPP: PRINS THOMAS & BLACKBELT ANDERSEN https://www.facebook.com/events/711512062233362/



Prins Thomas - Tamburin Full Pupp Promomiks November 2003 (500 LIMITED DOWNLOADS)

Guns N' Roses - Paradise City (Dj Chris Kov. Remix)

Release the pressure - By leftfield. One of my favorite tracks of all time. . This is my wubstep re-interpretation done by editing up a live-looping session. Let me konw if you want me to release it for download and i might stick it on my upcoming album. 

nice. . 

beard

Release the pressure (by leftfield) - beardyman wubstep re-flex

To The Horses

Oh Well That's What You Get Falling In Love With A Cowboy

Featuring the New Northern Philharmonic Orchestra, Narrator Steven Roberts, Conductor James Lyon.
Soloists
Flute: Charlotte Ferry. Oboe: Verity Quarmby. Clarinet: Emma Taylor. Bassoon: Maria Ackroyd
Horns: Steph Brown, Anna Bailey, Mike Tupper. Timpani: Ben Matthews

Peter and the wolf

Metalica - One

Free Music Monday is nothing but seismic this week thanks to Leftfield! The Gods of dance music have given us a brand new live version of their track 'Black Flute' for you to download - it's from their first ever live album 'Tourism' which is out today. Happy sunny Monday people! 

www.leftfieldtour.co.uk

FREE MUSIC MONDAY: Leftfield - Black Flute (Live)

Prins Thomas (part 1) @ ZeeZout - 17th of March 2012

Exclusiv BBC1 Radio Mix from 28.July 2012.

BBC1-RADIO-ESSENTIALMIX

A live DJ mix of all the tripped out Pink Floyd bits that i love. 
I did this for the FM4 Liquid Radio Show sometime in the 90ties and just recently found the DAT of this. Download and Enjoy...

Peter Kruder Pink Floyd Mix

Chemical Brothers DJ mix album Brothers gonna work it out 1/5

Chemical Brothers DJ mix album Brothers gonna work it out 2/5

Chemical Brothers DJ mix album Brothers gonna work it out 3/5

A DJ selection of modern dub and reggae influenced shenannigans diced and sliced 
by PAUL DALEY (ex leftfield).
Recorded in San Carlos - Ibiza Sept 2010 (wrong island - right soundboy)

PAUL DALEY (ex Leftfield) MODERN DUBULATION VOL.1 SUMMER 2010 DJMIX

Tears. Our last broadcast on 3RRR FM. Captured infront of an electric live audience on 24 February 2013 with a lineup of Melbourne's finest outsider dance figures. Includes performances from Roland Tings and Matthew Brown and mini mixes from Tornado Wallace and Bamboo Musik DJs. Going out in style!

More info > http://www.noiseinmyhead.com.au/2013/02/240213-w-roland-tings-tornado-wallace-matthew-brown-bamboo-musik-djs/

Noise In My Head continues to broadcast monthly from Sydney for NTS radio in London.

3RRR farewell w/ Roland Tings, Tornado Wallace, Matthew Brown & Bamboo Musik DJs

Howdy Disko citizens.
Here is parts 1 & 2 of my techno set at Substance, the GRV Edinburgh in Oct 2010.Thanks to Adam and everyone at Substance,especially all the boys and girls who came
to get crazy.
Sorry about the noise on the recording,this set was 100% mixed on vinyl so the stylus picked up some feedback and rumble but they also picked up the crowd in the background.
Part 1 of this set has been available on the Construct soundcloud site ( my DJ agents) for a couple of months.
Anyone who has already listened to part 1 may want to check part 2.
PD

PAUL DALEY (ex Leftfield) LIVE TECHNO DJ SET PART 1 @ SUBSTANCE EDINBURGH 9TH OCT 2010

PAUL DALEY (ex Leftfield) LIVE TECHNO DJ SET PART 2 @ SUBSTANCE EDINBURGH 9TH OCT 2010

Here is an un-released dub of my 2003 remix of The Dub Pistols - "six million ways to live" - BLACK FOREST RE RUB  
PD

PAUL DALEY (ex Leftfield) DUB PISTOLS  "SIX MILLION WAYS TO LIVE" UNRELEASED EDIT  2003

BOOKINGS (WORLDWIDE) - www.constructindustries.com

Paul has been on Dance music’s frontline since the release of Leftfield’s debut single ‘Not Forgotten’ in 1989. With partner Neil Barnes, the duo went onto become one of the most globally successful and respected acts in Dance music, along the way shaping styles and creating sounds that have influenced heavily and been borrowed from literally. As a DJ, remixer and producer in his own right, Paul employs the same approach to being different, fresh and exciting as he has throughout his vocation and the success he has enjoyed has come through an absolute understanding and love of the music, the clubs and the people.

Paul spent the late seventies and the early eighties soaking up the wide variety of music that the vibrant gig and club scene of his hometowns of Ramsgate/ Margate offered. This meant he was able to soak up everything from Rock'n'Roll, Punk, bass leaden Reggae rhythms,Disco/Funk, Soul and an emerging post punk underground electronic music scene.
Along with being a drummer with various local Punk bands such as The Rivals and The Need he also ran and DJ'd at his own nights in a basement club on Margate seafront, based around underground european uk/us electronic disco/ Post-Punk/Funk
and alike. 

The early 80’s were also spent living/moving to  London with underground clubs such as the Dirtbox,
Le Beatroute,Mud and Wag clubs along with early warehouse parties in the then derelict east/south of london providing the night-time hangouts and the places to hear old and new/contemporary underground music such as US/UK Funk,Rockabilly,jazz,soul,early 80's US\ UK Electro, Hip-Hop,dub. 70's soundtracks,disco,afro latin,dub, northern soul and unrealised at the time these clubs and happenings were to be the embryonic Balearic/House/scene pre-cursor to the late 80's\early 90's uk rave movement to which Paul was later to be fully involved on a creative musical level.

Bank Holiday's of the early/mid eighties provided rites of passage weekender trips to Bournemouth and the uk coast for Dirtbox all nighters and daytime sessions again accompanied by a pre-balearic DJ soundtrack.
The mid/late 80's saw Paul working a lot in the Acid Jazz scene run by Eddie Pillar and Giles Peterson,
he  also playing regularly as a percussionist with bands and dj's at Blitz legend Chris Sullivan's Wag club.
A trip to the states in the late 80's as session percussionist with the Brand New Heavies enabled him to visit clubs such as The Sound Factory, Red Zone, Save The Robots and many other underground happenings of the NYC club scene of the time, opening him up to the exotic American scene and House music in particular.

Back in the UK and Ibiza this new breed of dance music was bubbling away, but it’s highly potent cocktail of repetitive beats and exiting new  electronic sounds would explode on contact with a simmering British boredom and the Ecstasy boom. For Paul, the abundance of music arriving from the States and Europe, the excitement of the clubs and hearing British DJ’s mixing it up and doing things differently persuaded him to become involved in the music and get behind the decks again. 
Paul was now in demand as a DJ on a UK and international level taking his cutting edge sound around the country
and the world as part of the early 90 's wave of superstar dj's to emerge from the london underground scene of the time. 
He also played regularly at every main club in Ibiza such as Ku,Space,Pacha,Amnesia as well as playing regularly along side chill out legend Jose Padilla at the sonic sunset temple that is Cafe del Mar.
He held down guest and residency gigs at uk clubs such as Love Ranch,Full Circle,Strutt,Solaris,Ministry of Sound,Renaissance, Back to Basics and many more including regular trips to Naples,Amsterdamn,Japan,Ireland,Scotland,
South/North America,Australia,Goa,Canada and Europe.
“Suddenly at those early Acid-House/Balearic parties, it seemed that everything I’d ever been into came together under one roof,and everything was nice’ Cue Leftfield...

In 1990 Paul was given the opportunity to remix "Not Forgotten" the first single by Leftfield.
The result was the 'Hard Hands" remix.
Paul's Hard Hands mix was a genre splitting funked up heavy bass spaced out balearic/techno dj dance floor monster, still dropped today and regarded as a seminal 
tune in the history of dance music, it set sound systems alight and paved the way for other budding electronic artists and dj's.
This record joined the ranks of classics and cemented Paul and Neil's partnership for the coming decade.......

As dance acts go they don’t come any bigger and few have had such an enormous impact on the international scene. By not repeating themselves, Leftfield delivered two key albums - for which they received Brit & Mercury nominations for Best UK Dance Acts in both 1996 & 2000 - that helped shift Dance music’s sound into new and dynamic phases and as such the reputation and the respect that the name Leftfield still commands to this day, is literally second to none.

Their debut album ‘Leftism' (1995) redrew the borders for dance music, pioneering a radical hybrid that drew intuitively on rib-shaking dub, futuristic techno, house and breaks and with its timeless qualities, is regularly declared ‘The Greatest Dance Album Of All Time’. Its included collaboration with Sex Pistol John Lydon on ‘Open Up’ was the first ever dance/rock crossover not to sacrifice any of the attitude of either genre. Their second album ‘Rhythm & Stealth’ (1999), contained an equally exciting new blend of crisp, cutting-edge electronic sounds and alongside vocal contributions from Afrika Bambaata and Roots Manuva, included the fearsome electro-breaks beast ‘Phat Planet’, with which Leftfield once again wiped all pretenders away. Sales are in excess of 1,000,000 copies worldwide for each album.

With the Leftfield sound dictating much of clubland’s direction they were in-demand as remixers and subsequently deconstructed then dusted their magic over an assortment of artists that included David Bowie,Stereo MCs, Inner City, Tricky ,Renegade Soundwave and many more. During the Leftfield years the duo also formed their own label Hard Hands which itself was at the front of the scene and aside their own music was responsible for issuing over 60 other releases by underground artists that included Pressure Drop, Dark Globe and Full Moon Scientist.

As well as Leftfield scoring music for the soundtracks of the internationally successful Trainspotting and director Danny Boyle’s follow-up Shallow Grave, their music has been used on the big screen in the films Tomb Raider, The Beach, Hackers, Hackers 2 and Vanilla Sky. It has also been utilised in a number of television commercials, most notably the now infamous ‘White Horses’ ad for Guinness, for which the fearsome rumbling intro of ‘Phat Planet’ was also the teasing first taste listeners got of Leftfield’s then imminent second album. This critically acclaimed unison has since been voted ‘The Greatest Television Ad Of All Time’ in myriad charts, programmes and polls. Other Leftfield music used in advertising clips has been for Volkswagen’s Lupo car (‘6/8 War’) and the atmospheric intro of ‘Release The Pressure’.

The impact of Leftfield’s debut single helped secure Paul DJ bookings and he quickly earned himself a reputation for spinning a choice of solid tunes and raising the temperature on dancefloors worldwide. Throughout the decade he played regularly across the planet at clubs and festivals, including all the large UK outdoor events like Tribal Gathering, Homelands, Witness in Dublin (now the Oxygen Festival) and the Brighton Essential Festival. The overtaking demands of Leftfield meant that DJ’ing took a back seat through the turn of the decade, although he maintained a residency at London’s Fabric club between 1999-2003.

For the last ten years Paul has been in demand as a DJ, remixer and producer in his own right, turning out killer dancefloor ammunition for, among others, Slam (‘Alien Radio’), Dub Pistols (‘Six Million Ways’) and Bolz Bolz (‘Take A Walk’ - which went on to be synched to a Smirnoff commercial), plus the sunset-tinted ‘Adios Ayer‘ for long-time friend Jose Padilla (Café Del Mar) and a rework of Massive Attack’s ‘Butterfly Caught’. In 2004 he produced a single for the alliance of funk renegade Afrika Bambaata and robo-synth-pop pioneer Gary Numan, who teamed up on a new version of Numan’s 1979 track ‘Metal’, resulting in an electro floor-curler with a commanding presence.

Paul has been operating more in the shadows over the last few years, DJ'ing and remixing whilst putting the finishing touches to his solo album.
He is still just as comfortable playing to 100 people in a sweaty sub-basement as he is DJ'ing to larger event crowds.

When Paul DJ’s, it’s still predominantly a diverse mixture of electronically infused Techno, House and beyond. The linear connection being the all important funk and sonic subversive element. But appreciating so many different types of music, has always made it hard to pinpoint Paul Daley as a particular style DJ (or producer, or remixer…) and is key to his ability at keeping a dance floor and sound system on the edge.
"i'm not a one sided coin,being into a multi faceted pop culture for 45 years creates a lot of different influences, that is why i like playing different sets for different situations, there's too much good music around to be blinkered by one style or sound"

“My laws are still the same as when I was DJ’ing at my sister’s house parties in the mid seventies which is, if the people aren’t dancing or smiling then it’s not happening. I still get the same buzz I got when I was 12 years old playing records in my bedroom, it’s the same feeling but I’m sharing it with 100’s of other people”

Paul understands and encourages new music from underground labels from all over the world, anyone who comes to listen to a set should not expect to hear some kind of 90’s revival (he didn't hold down a 3 year residency at Fabric for nothing...), his sets and records represent an energy of someone half his age with twice as much musical experience. 
Anyone fortunate enough to catch his summer residency at Ibiza’s uber cool country club ”The Underground”from 2005 - 2010 bear witness to this.

Those who have heard Paul play understand his love and sincerity to the music. This has always outweighed taking an obvious commercial route as a DJ and this attitude continues to this day.

