Grabación en directo desde el R.C.P.M. "Manuel de Falla" de Cádiz(2012)
Antonio J. Flores (electrónica)

Dialogue de l'ombre doublé (Pierre Boulez) saxofón y cinta

Performed by Carla Rees and published by tetractys Publishing

Michael Csanyi-Wills - The Trystyng

VOSTOK Remote Islands (RPR1179)
Fie Schouten - clarinets
Vincent Courtois - cello
Guus Janssen - keyboards
Henning Bolte - live-drawing
Inspired by the book of Judith Schalansky 'Atlas of remote islands, 50 islands I never set foot on and never will'
Full CD:
fieschoutenclarinets.bandcamp.com/album/vo…-islands
Concerts:
fieschouten.nl/schoutenjanssencourtois/
recording 24.3.2023, Orgelpark Amsterdam, Arjan van Asselt

Cocos Islands (Indian Ocean) Schouten|Courtois|Janssen

Another view
Quote from Eric Siblin's book 'De Cello Suites'.
Given the fact that Bach often adapted his music for other instruments, how sure can we be that the music is really for the cello?
Partly after reading this book, I came up with the idea to approach Bach's cello No.2 d-small (BWV 1008) from different zeitgeist, and use it as inspiration for string quartet.
There is so much to hear in the suite that left me wondering how can I bring out a different experience, as it were, with respect for the original, as Another view.

Animation sound

Another View for String quartet. Part 2

Without Words is inspired by the song Amor (Lamento della ninfa) by Claudio Monteverdi (1567-1643). The original text is about love, happiness, desire, doubt, uncertainty and loyalty, a timeless theme.
It integrated me that with relatively simple material it has such an extraordinarily emotional charge that was not common at the time.

Animation audio.

Without Words

Teaser Tzigane by Calefax & Liza Ferschtman
(recorded live @Stadsgehoorzaal Leiden, 14 november 2015)

Ravel - Tzigane by Calefax and Liza Ferschtman  - teaser (live)

For the Ice II, also sounding as For the Eyes Too alludes to the visual aspect of the work, composed as a dance piece for two female dancers. The structure of the work, is based on the Japanese nõ dance Chu No Mai (literally meaning ‘moderate dance’).

For The Ice II (sopr. saxophone & piano)

Franco Donatoni: Lame, due pezzi per violoncello (1982)

Nieuw Ensemble cond. Ed Spanjaard
soloists: Keren  Motseri soprano, Koen Kaptijn trombone, Tristan Renfrow drums 
electronics Joël Bons, assistants Dennis Matos & Boris Bezemer 
live recording premiere 29 March 2018 Muziekgebouw Amsterdam

Thirty Situations (2017-18) Nieuw Ensemble / Ed Spanjaard

Episode Cinquième for cello (1983)

Composed at the beginning of 1983, this work, following Berio’s example, is the fifth of a series of nine pieces named episode, featuring different solo instruments. It is also the first I devoted to a stringed instrument. Next would come episodes for viola, electric guitar, double bass and clarinet.

In Episode #5, rather than virtuosity, I have chosen to emphasize the exceptional lyrical qualities of the cello, while however, keeping them at all times under control through a rigorous yet flexible structure. Anecdotally, this structure  is based on the notes of a congratulation message I sent Antoine Vitez, on his appointment at the head of the Théâtre de Chaillot.

Episode Cinquième was premiered in Paris in 1985 by Sonia- Wieder-Atherton.

Music by Betsy Jolas with cello, Anssi Karttunen, cello

Betsy Jolas - Episode Cinquième, for solo cello

Jean-Luc Fafchamps (b.1960)
Bryce for clarinet and string quartet (1998)

clarinet: Arsen Grigoryan
violin I: Tereza Nacharyan
violin II: Ivetta Korkina
viola: Mary Dolmazyan
cello: Mikayel Navasardyan

conductor: Paolo Ricci

Komitas Chamber Music Hall

Crossroads 2019 | Contemporary music days in Armenia
international festival

http://www.quartertone.org/
https://www.facebook.com/quartertone.org
https://twitter.com/tone_quarter

Jean-Luc Fafchamps - Bryce for clarinet and string quartet (1998)

Dutch composer Paul Frankhuijzen (1956) calls himself a composer of natural movement. 
Paul often uses various socio-cultural issues as inspiration for his work. Thereby the main 
theme is not confrontation, on the contrary, it is the inspiration. 

Paul studied the following subjects:
composition ad Tilburg Conservatory by Daan Manneke and Alexandru Hrisanide and Sonology ad 
The Institute for Sonology in Utrecht. 
lessons in singing Early Music. 
Ensemble directing and orchestra as practice teacher with Jac Van Steen. 

He composing for different festivals and ensembles.  For example Mondriaan quartet, Monica Germino, Mantagni quartet, Novermusic festival, Festival of New Adeas Cambrridge University.



Without Words

Paul Frankhuijzen

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