Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Bookings worldwide:
marco@futurism.agency
Management:
management@adriatique.ch

Labelowner bei NSB I DJ I Fux (Fux&Älster)

Musicstyle: 
Tech - Deep - House

Label/Booking: 
No Subject Beatz 

Bookingkontakt: nosubjectbeatz@outlook.de

CHRIS LOW - eine farbenfrohe Erscheinung aus Berlin mit Mecklenburgischen Wurzeln. 
Bereits im frühen Jahrgangsalter der 90´er musterte Chris begeistert die Vielfalt der Musikwelt von A-Z. 
Später inspiriert durch die Loveparade sowie der Mayday im TV, ein paar Sendungen Rave Satellite und Intensivstation im Radio, fand er dann im Jahre 2001 die Begeisterung zur elektronischen Tanzmusik. So ergab sich auch in kurzer Zeit, aus 2 Plattenspielern und den dazu passenden Vinylsound, ein Schlüssel, der die Tür zu einer unbegrenzten Leidenschaft öffnete. Diese Leidenschaft gepaart mit Herz, ist das Rezept seiner Darstellungsweise von Musik. Experimentiert wurde erstmals als Resident im damaligen Club Labor, gefolgt von diversen anderen Gigs, setzte er 2006 seinen Weg als Gründer von NO SUBJECT BEATZ mit eigenen Events fort. Heute geprägt durch den künstlerischen Umgang mit dem Vinyl, seinen deepen & techhousigen Sound, spielt sich der Berliner DJ mitten ins Herz der Tanzfläche und verschafft sich somit einen Namen in der Szene.

Electronic dance music ...
Music that connects! A concept of heart, passion and a small dash of stubbornness. The dream of peaceful celebration, dancing together and making music together. Thus was called to life NO SUBJECT BEATZ, established in 2006 by Chris Lorbeer, which opened the platform for a creative and musical achievement.

-

NO SUBJECT BEATZ
Label & Booking
c/o C. Lorbeer 
13353 Berlin

SEND YOUR DEMO TO
demo@nosubjectbeatz.de

News & Infos: 
info@nosubjectbeatz.de

Podcastrequest;
podcast@nosubjectbeatz.de

Bookingcontact:
booking@nosubjectbeatz.de


www.nosubjectbeatz.de

As cofounder of @sarasvati-berlin collektiv Kaspar spreads his psychedelic deep Techno in Berlin and around.

Booking: https://www.facebook.com/KasparKrug

International Gigs: 
Spain - Madrid
Austria - Viena
Poland - Krakow/Warsaw/Poznan
France - Bretagne

National Gigs:
Berlin, Frankfurt, Bremen, Hannover, Darmstadt, Magdeburg

Berlin Clubs: 
KitKatClub, Salon zur wilden Renate, Mensch Meier, Kosmonaut, Arena Club, Kater Holzig, Griesmühle, Magdalena, Bucht deines Vertrauens, Burg Schnabel, Johnny Knüppel etc.

Festivals:
Lezaki, Lost in Nature, Jungel Beat

Deutsch:

Als deKai im Jahr 1992 seine erste Technoparty feierte, war es um ihn geschehen. Bis 2002 legten seine Freunde auf und prägten seinen Sound. Als er dann 2004 den Club Ohm in Madrid besuchte und keiner seiner Freunde mehr selbst in einem Club auflegte, kaufte er nach seiner Rückkehr 2 Technics und 1 Mischpult.
Die ersten Platten waren gekauft, und der Anfang war mehr als holprig :) 

Als dann Günni mit seinen Platten vorbeikam, ging es los. Jedes Wochenende spielten die beiden zu Hause, dann begannen kleinere Gigs in Bars und Clubs. Regelmäßig bei Braaaatz und den 3Klang Partys im Ohrakel.

Schon damals war seine Leidenschaft der düstere, treibende Techno, auch aufgrund seiner Affinität zum Heavy Metal. Ein Fan beschreibt seine Musik als das Gefühl, von einem Raubtier gejagt zu werden und um sein Leben zu rennen.

Nachdem in Bayern die Clubs bereits um 4 bzw. 5 Uhr schlossen und das nicht mehr seinem Feierrhythmus entsprach, folgte ein aufregendes Jahr 2009 in Berlin mit dem Fazit, am 01.12.2009 in Berlin anzukommen!

Einer seiner Meilensteine auf seinem Weg war ein 10-stündiges Set in der Magdalena an der Schillingbrücke, nach dem der Keller des Clubs nach ihm benannt wurde (Kai`s Keller), und ein weiterer auf der Hoppetosse zur Betriebsfeier.

Mit der Gründung von Ragnarøk im Jahr 2013 begann ein neuer Weg, der bis 2022 wild, erlebnisreich und ausgelassen war. 2023 begann eine neue Ära mit der Gründung des Labels „valhall records“ und der Partyreihe „Ruf der Walküren“.
Ragnarøk ist TOT und wird zu Valhall Records: http://tinyurl.com/4xdhuku2

Seit Dezember 2023 ist er stolzer Resident DJ in der Bude in Kutaisi, Georgien.

Englisch:

When deKai celebrated his first techno party in 1992, it was a turning point for him. Until 2002, his friends were DJing and shaping his sound. In 2004, when he visited the Ohm Club in Madrid and none of his friends were DJing in clubs anymore, he purchased 2 Technics and 1 mixer upon his return. The initial records were bought, and the beginning was more than bumpy :) 

When Günni came by with his records, things took off. Every weekend, the two played at home, and then they started with smaller gigs in bars and clubs. Regularly at Braaaatz and the 3Klang parties at Ohrakel.

Even back then, his passion was the dark, driving techno, also due to his affinity for heavy metal. A fan describes his music as the feeling of being chased by a predator and running for one's life.
After clubs in Bavaria started closing at 4 or 5 am, which no longer suited his party rhythm, an exciting year in Berlin followed in 2009, with the conclusion of arriving in Berlin on December 1, 2009!

One of his milestones on his journey was a 10-hour set at Magdalena at Schillingbrücke, after which the club's basement was named after him (Kai's Keller), and another at Hoppetosse for a company party.

With the founding of Ragnarøk in 2013, a new path began, wild, eventful, and unrestrained until 2022. In 2023, a new era began with the founding of the label "Valhall Records" and the party series "Call of the Valkyries."
Ragnarøk is DEAD and becomes Valhall Records: http://tinyurl.com/4xdhuku2

Since December 2023, he has been a proud resident DJ at Bude in Kutaisi, Georgia.

FUX & ÄLSTER - a different kind of fairy tale from the Berlin city forest. When the couple took the stage for the first time together in 2012, both quickly realized that this was no normal "song & dance". So initially originated, from two dancing caps and a mixture of Deep / Tech House (vinyl feat. CD), a very entertaining stage show. With a certain construction of passion and harmony, they excite the attention of the audience from beginning to end. Curious and experiment-addictive, these charcters leave the house NO SUBJECT BEATZ, concious from ear to ear and successfull from country to people.

For booking please contact:
booking@nosubjectbeatz.de





Paul Gynth is following