DJ Daddy Trance 

Booking Requests:
maria.may@caa.com
jennifer.hammel@caa.com

All other Requests: 
bastian@invisiblehand.agency

Good voodoo. It´s not only Kiki´s most well known track (with the lovely vocals of Chela Simone) and the name of his radio show on Ibiza Sonica and Proton Radio, but it symptomizes perfectly that moment, when you loose yourself on the dance floor and see him smiling, while he plays music you didn´t know you want to hear.

Joakim Ijäs was born in Helsinki, but has now found his home in Berlin. Initial forays into making sounds with violins and pianos soon gave hway to the mechanical beats of hip-hop, mixed together with more popular sounds whilst playing at school discos before he was even a teenager. With such an early start it was no surprise that before he was old enough to enter a club, Kiki was holding down a weekly residency at Helsinki’s Tempo club, which was swiftly followed by another at the Smile club. A move to Berlin in 1994 to study Architecture was the catalyst for Kiki to step in to the realms of a serious DJ. Impressing the legendary Masters At Work at a Marlboro DJ competition led to him securing gigs at Berlin’s three cathedrals of techno -Tresor, Pfefferbank and WMF. Gigs in Berlin and Germany were soon followed by a string of international bookings and the release of an infamous three deck mix for Sonnenhaus which led to DE:BUG worrying about the health of his, fingers.

With his profile as a DJ growing it was two short steps to releasing his first record on Ellen Allien’s BPitch Control label in 2001, who through a happy coincidence he had met when the pair were double booked to play the same DJ slot. Since then Kiki has become an integral part of the BPitch family growing into a truly international artist, sharing his love of energetic and hypnotic music across the globe from Mexico, to Tokyo and making a little bit of history along the way. With an output that has been nothing short of prolific, Kiki has released a number of genre defining records both as himself and later with partners in crime Silversurfer, Sasse, Chaim, Joyce Muniz and many more. Kiki was the first artist asked to put together a mix for the now legendary Boogy Bytes series, and has been asked to provide remixes and productions for labels as diverse as Bugged Out, Playhouse and Crosstown Rebels where he had the honour of being the first artist releasing on the label. His debut album Run With Me, released on Bpitch Control, was an international success, and led to the video for “Shake Off” (a collaboration with Silversurfer and Captain Comatose) being playlisted by MTV. More recently a collaboration with Sasse and his Moodmusic imprint led to the release of the excellent Grand Cru – a modern club classic already.

However, as he has grown and matured, a yearning to explore deeper and more personal forms of expression in music, has led to Kiki working on his follow up to his debut album: Kaiku, that spawned the single "Good Voodoo".

After "Kaiku" and especially the huge success of the album single "Good Voodoo", Kiki has put out "Cinema Obscura" & "Morning Maniacs" (with a ridiculosuly funny video) on Bpitch, started a radioshow on Proton Radio in 2010 in collaboration with Noice!, that  evolved into his own show Good Voodoo on Ibiza Sonica and Proton in 2013. He is producing singles for Anja Schneider and Ellen Allien and keeps touring all 5 continents. 2014 also saw the highly succesful collaboration with Joyce Muniz, "Warriors" hit MTV and Viva with a video... 

To listen to Billy Gillies is to capture true joy, because every song he produces and DJ set he performs radiates pure passion and vibrant spirit.

 

The Northern Irishman’s blend of quirky Eurodance synths, uplifting trance grandeur and hard-hitting bass rhythms goes beyond catchy melodies and expert timing, as breakout hits “Lagoon” and “Youth” tap into the very essence of what makes a night spent on the dancefloor with your best mates such a special experience.

 

That’s why he’s earned more than 145 million views on TikTok, filled a Creamfields tent with thousands of ravers at 1 p.m. on a Sunday, and why he’s managed to get an official remix of Madison Avenue’s 1999 hit “Don’t Call Me Baby” after ripping the iconic vocal off the internet.

 

Crowds chant his name from Taiwan to Texas because Billy Gillies dares to do something different; something unique to himself. Now, Billy Gillies is the next superstar-DJ-in-the-making, poised to take over the world.

 

Billy’s musical obsession started in the 2000s when his older sister started buying Clubland compilation CDs and dating a local DJ. One night, the boyfriend came over and brought his decks, but when the couple left to go dancing, 11-year-old Billy snuck into his sister’s room and started playing with the turntables.

 

“I was like, ‘what is this music? I love this,’” he laughs. “On the Christmas list for that year was a set of decks.”

 

His mom delivered with his first set of Kam belt drives, and Billy’s been mad for mixing ever since. Each Saturday, he’d head out of the house with a five Pound note and spend it on a new record (Tiesto’s Traffic being particularly influential). In turn, he’d spend the next week learning to mix that record in and out of his steadily growing collection.

 

When he was 17, he got his first taste of true Clubland. A year underaged, he caught an hour-long bus from Belfast to Banbridge and talked his way into a club called Coach. Japanese DJ Yoji Biomehanika and the UK’s own Lisa Lashes dropped heavy hard-house records all night, and Billy started dreaming of his own chance to rock a crowd, proper.

 

He knew that if he wanted to be an in-demand DJ, he’d have to come up with some original songs. In 2011, he locked himself in his bedroom with a copy of Ableton Live and didn’t come out until he’d mastered the basic trance sound.

 

He fell in love with music production and started sending his tracks to BBC Radio 1 DJ Judge Jules, who played them on his show every Friday night. For 19-year-old Billy, there was nothing better.

 

After spending much of his 20s as a self-described “party animal,” 28-year-old Billy once again locked himself inside his bedroom and churned out a ton of original tunes. The result? A spot on the lineup of Luminosity 2019 alongside major trance legends Paul Van Dyk, Ferry Corsten, Gareth Emery and more. He played a set of all-original material, and when a recording was posted to Soundcloud, it earned more plays than any of the headliners.

 

“I’d brung a fresh sound into the trance scene,” Gillies says. “Everyone was making the same type of thing, where I just look back at my influences growing up and crammed it into the main trance style.”

 

International booking requests flooded in, sending him to Argentina to Australia—and then COVID struck. Many of his peers saw no point releasing music to a locked-down crowd, but Billy saw a chance to experiment.

 

“People need music in hard times, not just for clubs,” he says. “The music I was making around that time was proper emotional melodies, and it was resonating with everyone.”

 

He’d share each tune in a rough clip to Facebook or TikTok, and every post brought shares in the thousands. His fan base wasn’t just growing, it was ballooning, due in part not only to his masterful skills in the studio but also his effervescent personality that spills into each tune.

Build the bonny



Contact Management - gerrycinnamonmgmt@outlook.com

Macca - Team GBX - Bynofest - DJ/Producer 

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No accurate depiction of electronic music culture would be complete without special mention of Deborah De Luca. Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect. A pioneer in the use of social networks as a promotional tool, whilst somehow managing to retain a strong sense of discretion in her private life, Deborah is unrivalled in her determination and passion, earning every part of her current status as one of the most exciting talents to emerge from the international Techno scene over the past decade.
Born under the shade of the infamous Vele di Scampia – one of the toughest districts in Naples – the now-globally recognised DJ, producer and label head came from humble beginnings, forging her path to international success against unlikely odds. However this was to become her making. “You shouldn’t let anybody tell you what you can or can’t become”, she expounded in a rare interview, referencing her early livelihood as a nightclub dancer. “It’s true, in recent years I have gained popularity, but I am very grateful for the long journey it’s taken”. More than anything else, Deborah’s roots and her unwavering ethic are an integral part of the flourishing artist we see before us today.
Deborah spent the formative years of her musical career in Northern Italy, following a brief stint at fashion school in Modena. Cutting her teeth on the European club circuit, where she quickly realised music was her true calling, Deborah’s hard work and relentless determination eventually began to pay off and in 2013 she launched her very own imprint Sola_mente Records. Created as a platform by which to release her own music, free from creative pressure and external constraints, the label went from strength to strength and in November 2018, Deborah marked a decade-long career in the industry with the critically acclaimed release of her debut album ‘Ten’. A huge milestone for the Italian producer, ‘Ten’ represented an important rite of passage and a body of work that she would cherish indefinitely.

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