I hope you my track and please feel free to leave a comment as your feedback is really helpful and always appreciated.

Forbidden Solace

[There's a knock at the door]
[We answer it] Hello
[You say] Hello, I've come to hear some music
[We say] Great, come in you're at the right place, we've only released eleven songs so far, but we've got some more on the way. Turn up your hi-fi to eleven and have a listen to what we've got.
[We then say] If you like our songs, please follow us, repost and like them.
[You say] OK, I might do that, stop talking and let me have a listen.

Watch this too https://youtu.be/upxfvLhJtQs

Thank you for stopping by!  I'm excited about my latest collaboration with Noobly, Waiting. Please give it a listen and let us know what you think!

If you want to listen to, With You In My Life, please check it out on. Jonesy200's site at https://soundcloud.com/keith-jones-281413858/with-you-in-my-life-todd?si=6a5840104fcd4403a97bbda97663753b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

It is also available on all of the streaming services listed below.

Just messing around learning, experimenting, playing and expressing myself. My little collection of demos, songs, experiments and instrumentals. I hope you enjoy them. I'm a guitarist / Vocalist / Producer and enjoy learning to express my moods, emotions, dreams and thoughts as I go.

Thank you all for the likes comments and reposts.

I have added a support link as I am struggling to keep up my subscriptions here currently and it would help me keep on creating and posting more songs. Thank you if you read this far lol.

haecceity hiccuping hackeyed hickies, hickory hexen hawk-eyed hillocks heckle hurricane halogens hectically harrowing hashtags. howitzer's horoscope homicidal hook harangued horribly holistic homily, haggard hemispherical.  hotheaded hydrangeas. goated heraldic horses hurl homeward hops high. if only for hiking heels have they hammocks honest. heritage hopefully hampers hundreds. honey hopelessly homesick hollering. Halloween horrorshow, holiday hatred happiness handover. housing hacking hops hatch hell hake. for rollicking sundry. for more perchance. handled humanely his hunger. the hunger hastily hoping. hinged upon its hiss. hindered however harmfully half hunk hangars hissing haram. handed heinous hilltops hocus homilies.   

gulls gawp insects on the wing across Albion. 

you can put that somewhere near the placemats then. the hub was a central port for all kinds of attractions. radio waves which made sense if you have an ear to them. radio waves which made sense if you cared to listen. the tunelets had their own meaning which whilst not governed by original principles nevertheless were subsonic in their original format. in this sense the ratio is maintained even if the paradigm isn't. check back in for future forays leftward and rightward depending upon the nascent congruence of the amygdala. the radio station is located beneath the canteen. down the stairs and right. 

rhythms aware but uncertain if their angle and direction is true. overtly aware self-sufficient dame. 
oh it seems we have an overtime overtime overt listener. In essence what this was was a form of communication. Talked about anywhere from the e Costa del Sol to the isles of the Maldives. 🇲🇻 popular proponents of the movement included Hollywood movie stars and famous tycoons. But this had less to do with any monopoly than a trip to the pictures with an old flame.

Musician/Composer/Sound Designer/Producer
Owner/Operator of Sound Source Fundamentals

"The most beautiful experience we can have is the mysterious. It is the fundamental emotion that stands at the cradle of true art and true science."
-Albert Einstein

Hello and thank you for dropping by.

Thank you very much to everyone who takes the time to listen, like and share my noises. I am extremely grateful. My apologies if I take a little while to respond to those that leave nice comments.

I like listening to music, making simple, tunes when I have time, and generally faffing about in an inefficient manner. Hopefully you might like something on offer here. 

I use a Hinkler Cigar Box guitar (about $30 from Aldi, great fun), a Flying V ukulele, a couple of old keyboards, other bits and bobs, and a Yamaha tenor saxophone.

Hello my dear friends. I seek and love music that gives me goosebumps.  I 'm looking for it through experiments with rhythms, sounds and harmony.  So far I haven't succeeded yet.  Music is my life. I’m Fred, 70 years, born in Diest, Belgium on August 8, 1954.  I am grateful for all the given likes and comments, for all the listeners and followers here on SC or on all the other streaming services where my music is publiced. I’m also grateful to all these artists and musicians who put their beautiful music on SC.  Thanks everyone.  Keep it healthy.  Take care of each other and sow peace!

From Wikipedia: In Greek mythology, a satyr, sater (UK /ˈsætə/, US /ˈseɪtər/;[1] Greek: σάτυρος satyros,[2] pronounced [sátyros]) is one of a troop of ithyphallic male companions of Dionysus with goat-like features and often permanent erection.[3] Early artistic representations sometimes include horse-like legs, but in 6th-century BC black-figure pottery human legs are the most common.[4] In Roman Mythology there is a concept similar to satyrs, with goat-like features: the faun, being half-man, half-goat, who roamed the woods and mountains.[5] In myths they are often associated with pipe-playing. Greek-speaking Romans often used the Greek term saturos when referring to the Latin faunus, and eventually syncretized the two. (The female "Satyresses" were a later invention of poets.)
With the characters A and T, my initials, stops every similarity between this description and myself.

LAPLAGE59 is a French electro artist on the border between French Touch and electroclash, a noisy and stylized heir. Never use A.I as suno AI or others AI . He composes abrasive pieces where slapping beats, sharp silences, and fragmented voices collide. Between cold glamour and inner urgency, LAPLAGE59 sculpts a raw, metallic, and sensual sound, like a synthetic wave crackling on the skin. An electro that disturbs, that caresses against the grain. ( infiné M )

프랑스 아티스트 laplage59는
일렉트로닉 음악을 중심으로
모든 장르와 자유롭게 융합합니다.
그의 음악은 케이팝, 재즈, 하우스, 샹송까지
국경도, 규칙도 없는 세계를 만듭니다.
laplage59는 스타일에 갇히지 않고
자신만의 감성과 리듬으로 소통합니다.
그에게 음악은 실험이며
예술은 자유입니다.
그의 사운드는 경계를 무너뜨리는 목소리입니다.



🎧 LAPLAGE59：ジャンルを越える音の旅人

LAPLAGE59は、フレンチ・タッチとエレクトロクラッシュを軸に、あらゆる音楽ジャンルをエレクトロに変換するアーティスト。ジャンルに縛られず、常に冒険を楽しむスタイル。

「音楽は人をつなぐ」と信じ、国境のないサウンドで、リスナーの心に直接触れる。


Laplage59 — Artista Eletrônico de Toulouse

Laplage59 é um produtor de música eletrônica de Toulouse que mistura estilos para unir as pessoas. Inspirado por Mirwais, Daft Punk, Gilberto Gil e Satie, ele cria uma fusão de beats eletrônicos, grooves globais e harmonias sensíveis.
Sua música é viva, humana, cheia de pausas, ruídos e emoção.
Mais que fazer dançar, Laplage59 busca conectar.
Unir pela vibração — esse é o seu som, esse é o seu sonho.

Laplage59 — Электронный артист из Тулузы

Laplage59 — продюсер электронной музыки из Тулузы, который объединяет стили, чтобы сближать людей.
Вдохновлённый Mirwais, Daft Punk, Gilberto Gil и Satie, он создаёт смесь электронных ритмов, мировых грувов и чувственных гармоний.
Его музыка — живая, человеческая, наполненная паузами, шумами и эмоциями.
Laplage59 стремится не просто заставить двигаться — он хочет соединять сердца.
Объединение через вибрацию — вот его звук, вот его мечта.

Laplage59 — Nghệ sĩ điện tử đến từ Toulouse

Laplage59 là một nhà sản xuất âm nhạc điện tử đến từ Toulouse, người kết hợp nhiều thể loại để kết nối con người.
Lấy cảm hứng từ Mirwais, Daft Punk, Gilberto Gil và Satie, anh tạo ra sự hòa trộn giữa nhịp điện tử, giai điệu toàn cầu và hòa âm đầy cảm xúc.
Âm nhạc của anh sống động, giàu tính nhân văn, đầy khoảng lặng, âm thanh thô ráp và cảm xúc sâu sắc.
Hơn cả việc làm cho người ta nhảy múa, Laplage59 muốn kết nối tâm hồn.
Kết nối qua rung động — đó là âm thanh của anh, đó là giấc mơ của anh.

Laplage59 — Artista Electrónico de Toulouse

Laplage59 es un productor de música electrónica de Toulouse que fusiona estilos para unir a las personas. Inspirado por Mirwais, Daft Punk, Gilberto Gil y Satie, crea una mezcla de beats electrónicos, grooves del mundo y armonías sensibles.
Su música es viva, humana, llena de silencios, ruidos y emoción.
Más que hacer bailar, Laplage59 busca conectar.
Unir a través de la vibración — ese es su sonido, ese es su sueño.

електронний артист з Тулузи

Laplage59 — продюсер електронної музики з Тулузи, який поєднує стилі, щоб об’єднувати людей.
Натхненний Mirwais, Daft Punk, Gilberto Gil та Satie, він створює мікс електронних бітів, світових грувів та чуттєвих гармоній.
Його музика — жива, людяна, наповнена паузами, шумами та емоціями.
Laplage59 прагне не просто змусити танцювати — він хоче з’єднувати душі.
Єдність через вібрацію — ось його звук, ось його мрія.

Laplage59 — Elektronikkünstler aus Toulouse

Laplage59 ist ein Elektronikproduzent aus Toulouse, der Musikstile verbindet, um Menschen zusammenzubringen.
Inspiriert von Mirwais, Daft Punk, Gilberto Gil und Satie erschafft er eine Mischung aus elektronischen Beats, globalen Grooves und gefühlvollen Harmonien.
Seine Musik ist lebendig, menschlich, voller Pausen, Geräusche und Emotionen.
Laplage59 will nicht nur zum Tanzen bringen – er will verbinden.
Vereinigung durch Vibration – das ist sein Klang, das ist


https://www.tiktok.com/@laplage59?_t=ZN-8yneymfYQoI&_r=1

 My musical background is varied. I started studies in music theory and violin at the age of 8. At the age of eleven, I started with  guitar. I 'm a self-taught guitarist. One year later I started in  a school to study harmony and modern piano for six years. In 2006 I moved to Madrid to study visual production and sound.

I'm part of several bands which plays different styles: Rock, pop, heavy ...

My favourite music style  is classical music and rock. I do not think that both worlds need to be exclusionary.

My musical instrument is the piano. I spend my time playing it with complete devotion.

Some samples that can be heard on SoundCloud serve to show the variety that I can cover. I give special priority to  symphonic samples.

I am old old now  .but i think we are what we do .i am lucky to still do what i did when i was young.  i try and catch a song .. i try and get a good take.  i record it  ..i never played live...most of the songs are from the 8o's .   old songs.. new recordings .I can not hear very well in one ear, . the mix maybe a bit off..i am dyslexic....my song writing has been for me self therapy... .I hope my words help you heal :O)i have tinnitus makes it hard listening to others music ..

Forbidden Solace

Dreaming on Another Distraction